Girolamo Brusaferro was an Italian painter of the 18th century, active in his native Venice. He was a pupil of Niccolo Bambini and Sebastiano Ricci. [1] He has paintings in various churches in Venice including the Carmini. He collaborated by painting figures in the landscapes and backgrounds of Marini Antonio of Padua. [2]
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Padua is a city and comune in Veneto, northern Italy. Padua is on the river Bacchiglione, west of Venice. It is the capital of the province of Padua. It is also the economic and communications hub of the area. Padua's population is 214,000. The city is sometimes included, with Venice and Treviso, in the Padua-Treviso-Venice Metropolitan Area (PATREVE) which has a population of around 2,600,000.
Paolo Caliari, known as Paolo Veronese, was an Italian Renaissance painter based in Venice, known for extremely large history paintings of religion and mythology, such as The Wedding at Cana (1563) and The Feast in the House of Levi (1573). Included with Titian, a generation older, and Tintoretto, a decade senior, Veronese is one of the "great trio that dominated Venetian painting of the cinquecento" and the Late Renaissance in the 16th century. Known as a supreme colorist, and after an early period with Mannerism, Paolo Veronese developed a naturalist style of painting, influenced by Titian.
Castelfranco Veneto is a town and comune of Veneto, northern Italy, in the province of Treviso, 30 kilometres by rail from the town of Treviso. It is approximately 40 km (25 mi) inland from Venice.
Cosimo Tura, also known as Il Cosmè or Cosmè Tura, was an Italian early-Renaissance painter and considered one of the founders of the School of Ferrara.
Pietro (Libertino) Liberi was an Italian painter of the Baroque era, active mainly in Venice and the Veneto.
Giovanni Battista Piazzetta was an Italian Rococo painter of religious subjects and genre scenes.
Antonio Balestra was an Italian painter of the Rococo period.
Francesco Maffei was an Italian painter, active in the Baroque style.
Pier Andrea Saccardo was an Italian botanist and mycologist.
Giovanni Gioseffo dal Sole was an Italian painter and engraver from Bologna, active in the late-Baroque period. Upon the death of Carlo Cignani, Gioseffo dal Sole became among the most prominent painters in Bologna, described as the Guido Moderno.
Alessandro Leone Varotari (4 April 1588 – 20 July 1649), also commonly known as Il Padovanino, was an Italian painter of the late-Mannerist and early-Baroque Venetian school, best known for having mentored Pietro Liberi, Giulio Carpioni, and Bartolommeo Scaligero. He was the son of Dario Varotari the Elder and the brother of painter Chiara Varotari, who accompanied him on his travels and assisted with his work.
Santi Prunati was an Italian painter of the Baroque era, born and mainly active in Verona.
Giuseppe Angeli was an Italian painter of the late-Baroque, known for depicting both genre and religious subjects.
Damiano Mazza was an Italian Renaissance artist. He lived in the Venetian city of Padua, 40 km west of Venice. It is known that he studied under Titian.
Bernardo Parentino, also known as Bernardo Parenzano was an Italian painter of the Renaissance period, active mainly in Padua. To his detriment, he is still being confused and superimposed by another person with the same name, an Augustine monk who took the name Fra Lorenzo and who died in the Monastery of St. Michael in Vicenza.
Benedetto Rusconi, nicknamed the Diana, was an Italian Renaissance painter, a companion of Vittore Carpaccio and Giovanni di Niccolò Mansueti, who lived in the latter part of the 15th and early part of the 16th centuries. No date can be given of his birth.
Santa Sofia is a church located in the sestiere (neighborhood) of Cannaregio in Venice, Italy. It should be distinguished from the palazzo Ca' d'Oro on the Grand Canal is also called the Palazzo Santa Sofia.
Fabio Canal or Canale was an Italian painter of the late Baroque era, active mainly depicting history and sacred subjects in his native Venice.
Felice Schiavoni was an Italian painter, depicting history, genre, and portraits. During his early career, he often collaborated with his father, the painter Natale Schiavoni.
The Pra della Valle in Padua is a 1741-1746 oil on canvas painting of the Prato della Valle in Padua by Canaletto. It entered the collection of the Milanese nobleman Gian Giacomo Poldi Pezzoli and from there it passed its present owner, the Museo Poldi Pezzoli in Milan.
