Girolamo Gamberati or Gamberato (1550-1628) was an Italian painter active in his native Venice.
Girolamo Gamberati or Gamberato (1550-1628) was an Italian painter active in his native Venice.
He learned design from Giuseppe Porta and color from Jacopo Palma il Giovane, painters with whom he collaborated on projects in the Doge's Palace. [1] In the Sala del Maggior Consiglio, he painted an episode of the History of Ancona, placed above the door leading to the Quarantìa della Sala. It depicts a meeting in Ancona between Doge Sebastiano Ziani, Emperor Frederick Barbarossa, and Pope Alexander III, where all three were given gold umbrellas by the citizens. The pope gives his to the Doge.
Orio Mastropiero, forename sometimes rendered as Aurio and surname as Malipiero, was a Venetian statesman who served as Doge of Venice from 1178 to 1192. He was elected by the Council of Forty in 1178 following the retirement of Sebastiano Ziani. Prior to this he had been an ambassador to Sicily in 1175, tasked with drawing up a treaty with King William II. He had also been the electors' first choice for Doge following the death of Vitale II Michiel in 1172, but stepped aside in favour of Sebastiano Ziani, an older and wealthier man.
Antonio da Sangallo the Younger, also known as Antonio da San Gallo, was an Italian architect active during the Renaissance, mainly in Rome and the Papal States.
The Archdiocese of Ancona–Osimo is a joint ecclesiastical territory and metropolitan see of the Catholic Church in the Marche region of Italy.
Leonardo Loredan was a Venetian nobleman and statesman who reigned as the 75th Doge of Venice from 1501 until his death in 1521. A wartime ruler, his dogeship was one of the most important in the history of Venice. In the dramatic events of the early 16th century, Loredan's Machiavellian plots and cunning political manoeuvres against the League of Cambrai, the Ottomans, the Mamluks, the Pope, the Republic of Genoa, the Holy Roman Empire, the French, the Egyptians and the Portuguese saved Venice from downfall.
Antonio Vassilacchi, also called L'Aliense, was a Greek painter, who was active mostly in Venice and the Veneto.
Iacopo Negretti, best known as Jacopo or Giacomo Palma il Giovane or simply Palma Giovane, was an Italian painter from Venice and a notable exponent of the Venetian school.
LudovicoBrea was an Italian painter of the Renaissance, active mainly in and near Genoa.
Gregorio Lazzarini was an Italian painter of mythological, religious and historical subjects, as well as portraits. One of the most successful Venetian artists of the day, a prominent teacher, and father to a significant school of painting, he is best known for having first trained Giambattista Tiepolo, who joined his workshop in 1710 at the age of fourteen. His own style was somewhat eclectic.
Giovanni Battista Zelotti was an Italian painter of the late Renaissance, active in Venice and her mainland territories.
Andrea Celesti (1637–1712) was an Italian painter of the Baroque period, working in Venice. His style gravitated over the years from a turgid and academic weightiness to a lighter, looser brushstroke.
Girolamo Bonini was an Italian painter of the Baroque period, active mainly in Bologna. Also known as L'Aconitano due to his natal city of Ancona. He was the pupil of the painter Francesco Albani. Bonini was part of a team, including Lorenzo Pasinelli, Luigi Scaramuccia, and Giovanni Maria Bibiena, working under Carlo Cignani in the decoration of the Sala Farnese of the city hall of Bologna.
Bartolomeo Nazari was an Italian painter of the late-Baroque, mainly active in Venice as a portraitist.
Jacopo Contarini (1194-1280) was the 47th Doge of Venice, from 6 September 1275 to his abdication on 6 March 1280.
Giovanni Biliverti was an Italian painter of the late-Mannerism and early-Baroque period, active mainly in his adoptive city of Florence, as well as Rome.
Pietro Bellotti (1625–1700) was an Italian painter active in the Baroque period.
Marco Vecellio (1545–1611) was an Italian painter of the Renaissance period. He was also called Marco di Tiziano, since he was Titian's nephew. He was born and active mainly in Venice. He accompanied his distinguished uncle in the journeys to Rome and Germany. He was the favorite pupil of Titian, and approached nearer to his style than any other member of the family. There are several pictures by him in the Doge's palace, among the best an allegory in the ante-chamber to the Sala del Gran Consiglio. Another good example is a picture in the Sala della Bussola, Doge Leonardo Donato before the Virgin and Infant Christ. He also painted for churches at Venice, Treviso, and in the Friuli, among other things a Christ fulminating the world, and The Virgin on Earth Sending the Two Founders Dominic and Francis for the church of San Zaniopolo at Venice.
Giovanni Dandolo was the 48th Doge of Venice, elected late in his life on 31 March 1280, died on 2 November 1289. During his reign the first Venetian gold ducat was introduced into circulation.
Pietro Polani was the 36th Doge of Venice. He reigned from 1130 to 1148.
Vitale II Michiel was Doge of Venice from 1156 to 1172.
Francesco Loredan was a Venetian statesman and magnate who served as the 116th Doge of Venice from 18 March 1752 until his death in 1762. He was a member of the noble House of Loredan, head of its Santo Stefano branch, and the only Doge to be awarded the Golden Rose by the Papacy.
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