Gisela McDaniel

Last updated
Gisela McDaniel
Born
Gisela CHarfauros McDaniel

1995 (age 2829)
Bellevue, Nebraska, U.S.
Alma mater University of Michigan (BFA, 2019)
Known forPaintings
Parent
  • Antoinette CHarfauros McDaniel (mother)
Website www.giselamcdaniel.com

Gisela Charfauros McDaniel (born 1995) is an American visual artist of Indigenous Chamorro (or CHamoru) descent, working primarily with oil painting. McDaniel was born in Bellevue, Nebraska. She has lived in Detroit. [1] [2]

Contents

Background and career

Gisela McDaniel was born in 1995 at a military hospital in Bellevue, Nebraska, United States. She grew up in Cleveland, Ohio, and attended an all-women’s high school on the Eastside of Cleveland. [3] McDaniel's holds a bachelor of fine arts from the University of Michigan (2019). Her mother, Antoinette CHarfauros McDaniel is a Chamorro scholar native to Guam, a U.S. Territory. [4] [5] [6] McDaniel was named to Forbes 2024 "30 Under 30" list for Art & Style. [7]

After graduating from college in 2019, the artist moved to Detroit, where she established a studio to live closer to her relatives and to find emotional support after surviving sexual violence from a former partner and while studying abroad in Florence, Italy. The tragic event became central in her artistic practice as both a coping mechanism and a way to create a platform for other survivors of gender-based violence to feel honored. McDaniel's paintings are mainly portraits of female and non-binary subjects who identify as Black, Chamorro, Pacific Islander, Indigenous to Turtle Island, Asian, Latinx, and/or mixed-race and had experienced trauma. [2] [3]

McDaniel's work combines motion-activated audio components featuring excerpts of interviews and conversations between the painter and her sitters about experienced traumas. She refers to them as her “subject-collaborators.” In the words of critics, she creates paintings that "talk back" to viewers. [8] [9] [10] [11]

In 2022, the artist presented the solo show “Manhaga Fu’una” at Pilar Corrias in London, in which she displayed paintings that incorporated found objects or donated materials ranging from clothing to recycled or broken jewelry. [11]

Relation to Western Art History

Gisela McDaniel's artistic practice refers to the history of painting while highlighting marginalized voices within the art historical canon. [8] In past interviews, McDaniel mentioned her intent to recover Gaugin's color palette as a way to reclaim her Chamorro/Pacific Islander ancestry. The subject in her painting Inagofli'e (2021), is posed very similarly to Gauguin's Spirit of the Dead Watching (1892). Gaugin's book Writings on the Savage, a source of misleading views and colonial violence[ opinion ], is sometimes used by the artist as a motivating source to continue to paint her subjects. [12] [13] In Got Your Back (2020), McDaniel refers to Gaugin as well as Delacroix's Women of Algiers (1834), and The Moroccans by Matisse. [12] [14]

Exhibitions

Artworks in notable collections

Related Research Articles

<span class="mw-page-title-main">Helen Frankenthaler</span> American painter (1928 - 2011)

Helen Frankenthaler was an American abstract expressionist painter. She was a major contributor to the history of postwar American painting. Having exhibited her work for over six decades, she spanned several generations of abstract painters while continuing to produce vital and ever-changing new work. Frankenthaler began exhibiting her large-scale abstract expressionist paintings in contemporary museums and galleries in the early 1950s. She was included in the 1964 Post-Painterly Abstraction exhibition curated by Clement Greenberg that introduced a newer generation of abstract painting that came to be known as color field. Born in Manhattan, she was influenced by Greenberg, Hans Hofmann, and Jackson Pollock's paintings. Her work has been the subject of several retrospective exhibitions, including a 1989 retrospective at the Museum of Modern Art in New York City, and been exhibited worldwide since the 1950s. In 2001, she was awarded the National Medal of Arts.

<span class="mw-page-title-main">Morris Louis</span> American painter (1912-1962)

Morris Louis Bernstein, known professionally as Morris Louis, was an American painter. During the 1950s he became one of the earliest exponents of Color Field painting. While living in Washington, D.C., Louis, along with Kenneth Noland and other Washington painters, formed an art movement that is known today as the Washington Color School.

<span class="mw-page-title-main">Vija Celmins</span> Latvian-American visual artist

Vija Celmins is a Latvian American visual artist best known for photo-realistic paintings and drawings of natural environments and phenomena such as the ocean, spider webs, star fields, and rocks. Her earlier work included pop sculptures and monochromatic representational paintings. Based in New York City, she has been the subject of over forty solo exhibitions since 1965, and major retrospectives at the Museum of Modern Art, Whitney Museum of American Art, Los Angeles County Museum of Art, San Francisco Museum of Modern Art, Institute of Contemporary Arts, London and the Centre Pompidou, Paris.

<span class="mw-page-title-main">Ursula von Rydingsvard</span> American sculptor (born 1942)

Ursula von Rydingsvard is a sculptor who lives and works in Brooklyn, New York. She is best known for creating large-scale works influenced by nature, primarily using cedar and other forms of timber.

Beatriz Milhazes is a Brazilian artist. She is known for her work juxtaposing Brazilian cultural imagery and references to western Modernist painting. Milhazes is a Brazilian-born collage artist and painter known for her large-scale works and vibrant colors. She is also very active in the LGBTQ+ community. She has been called "Brazil's most successful contemporary painter."

Lynette Yiadom-Boakye is a British painter and writer, of Ghanaian heritage. She is best known for her portraits of imaginary subjects, or ones derived from found objects, which are painted in muted colours. Her work has contributed to the renaissance in painting the Black figure. Her paintings often are presented in solo exhibitions.

Hayv Kahraman is an Iraqi-American-Swedish artist of Kurdish descent, who was born in Baghdad and fled to Sweden with family during the Gulf War, studied in Florence, and is currently based in Los Angeles. She is primarily a painter.

Alvin D. Loving Jr., better known as Al Loving, was an African-American abstract expressionist painter. His work is known for hard-edge abstraction, fabric constructions, and large paper collages, all exploring complicated color relationships.

<span class="mw-page-title-main">Mary Reid Kelley</span> American artist

Mary Reid Kelley is an American artist based in upstate New York.

<span class="mw-page-title-main">Xaviera Simmons</span> American contemporary artist (born 1974)

Xaviera Simmons is an American contemporary artist. She works in photography, performance, painting, video, sound art, sculpture, and installation. Between 2019 and 2020, Simmons was a visiting professor and lecturer at Harvard University. Simmons was a Harvard University Solomon Fellow from 2019-2020. Simmons has stated in her lectures and writings that she is a descendant of Black American enslaved persons, European colonizers and Indigenous persons through the institution of chattel slavery on both sides of her family's lineage.

<span class="mw-page-title-main">Njideka Akunyili Crosby</span> Visual artist

Njideka Akunyili Crosby is a Nigerian-born visual artist working in Los Angeles, California. Through her art, Akunyili Crosby "negotiates the cultural terrain between her adopted home in America and her native Nigeria, creating collage and photo transfer-based paintings that expose the challenges of occupying these two worlds". In 2017, Akunyili Crosby was awarded the prestigious Genius Grant from the John D. and Catherine T. MacArthur Foundation.

Victoria Gitman is a mid-career Argentine painter currently living in Hallandale Beach, Florida. Her work, though highly figurative, has been linked to minimalist abstract traditions of the 1960s. Working on a small scale, Gitman has worked in several series, always focusing on themes of femininity, beauty, the tradition of craftsmanship, and the history of art, dating back to the fifteenth century. Her subjects have included quotations of portraits by well known artists, self-portraits, jewelry, purses, and, most recently, luxurious swaths of colored fur.

<span class="mw-page-title-main">Tschabalala Self</span> American artist

Tschabalala Self is an American artist best known for her depictions of Black female figures using paint, fabric, and discarded pieces of her previous works. Though she uses mixed media, all of her works are on canvas and employ a "painting language." Inspired by works done by an African-American artist, Romare Bearden, Self creates collages of various items that she has collected over time and sews them together to depict Black female bodies that "defy the narrow spaces in which they are forced to exist". She derives the concept from the history behind the African-American struggle and oppression in society. Self reclaims the Black female body and portrays them to be free of stereotypes without having to fear being punished. Her goal is to "create alternative narratives around the Black body." Much of Self's work uses elements from Black culture to construct quilt-like portraits. Self lives in New Haven, Connecticut.

Virginia Jaramillo is an American artist of Mexican heritage. Born in 1939 in El Paso, Texas, she studied in Los Angeles before moving to New York City. She has exhibited in exhibitions internationally since 1959.

Christina Quarles is a queer, mixed contemporary American artist and writer, living and working in Los Angeles, whose gestural, abstract paintings confront themes of racial and sexual identities, gender, and queerness. She is considered at the forefront of a generation of millennial artists and her works shatter the societal manners of physical classification.

<span class="mw-page-title-main">María Berrío</span> Colombian artist

María Berrío is a Colombian-born visual artist working in Brooklyn, New York. The LA Times wrote that Berrío's large-scale collage works, "meticulously crafted from layers of Japanese paper, reflect on cross-cultural connections and global migration seen through the prism of her own history." She is known for her use of Japanese print paper, which she cuts and tears to create collages with details painted in with watercolour. Berrío, who spent her childhood in Colombia and moved to the US in her teens, draws from Colombian folklore and South American literature. In her interview with The Georgia Review in 2019, the artist discusses the tradition of aluna of the Kogi people in her work Aluna (2017). Berrío's collages are characterised by representations of mainly women, who often stare back at the viewer.

Helen Johnson is an Australian artist producing large-scale paintings who also works as a lecturer, researcher and curator. Her artworks and practice reflect her views on colonialism, consumerism, the environment and personal accountability.

Pilar Corrias is a British contemporary art gallery founded by Pilar Corrias.

Jamilah Sabur is a Jamaican-born contemporary artist working across different disciplines and issues such as performance, installation, video, geography, identity, and language. Sabur lives in Miami, Florida.


Calida Garcia Rawles is a Los Angeles-based contemporary visual artist. In her large-scale paintings and murals, Rawles merges hyperrealism and abstraction. The artist is interested in questions of identity and race in relation to Western art history. Her portraits often depict representations of water and Black life. She is a practicing artist and a mother.

References

  1. 1 2 "Gisela McDaniel • Pérez Art Museum Miami". Pérez Art Museum Miami. Retrieved 2023-08-04.
  2. 1 2 "Gisela McDaniel Makes Work That Helps Healing". www.culturedmag.com. Retrieved 2023-08-07.
  3. 1 2 "Gisela McDaniel Offers A Space for Healing Within Her Canvas". Art of Choice. 2020-07-10. Retrieved 2023-08-07.
  4. Wen, Anne (2021-09-15). "'It restores my soul': pandemic offers unexpected boon to Guam indigenous language learners". The Guardian. ISSN   0261-3077 . Retrieved 2023-08-07.
  5. 1 2 3 4 Derksen, Peter (2022). "Gisela McDaniel". Ocula.
  6. 1 2 3 "Tiningo' si Sirena: A Conversation with Gisela Charfauros McDaniel and Antoinette CHarfauros McDaniel". Museum of Fine Arts Boston. Retrieved 2023-08-08.
  7. "Gisela McDaniel". Forbes. Retrieved 2024-01-30.
  8. 1 2 3 4 Souter, Anna (2022-02-09). "A Painter Takes a Collaborative Approach to the Portrait". Hyperallergic. Retrieved 2023-08-08.
  9. Kalil-Barrino, Marisa (2022-08-12). "Painter Gisela McDaniel Gives Voices to Marginalized Communities". Hour Detroit Magazine. Retrieved 2023-08-08.
  10. "Gisela McDaniel". Kresge Arts in Detroit. Retrieved 2023-08-08.
  11. 1 2 Hussein, Nimco Kulmiye (2022-02-16). "Gisela McDaniel Paints Dazzling Portraits of Indigenous Resilience". Artsy. Retrieved 2023-08-08.
  12. 1 2 Baumgardner, Julie (2022-01-26). "'I Want to Replace Gauguin's Work': How Chamorro Painter Gisela McDaniel Gives Survivors of Trauma a Voice With Her Portraits". Artnet News. Retrieved 2023-08-08.
  13. Cotter, Holland (2019-11-21). "We're Still Talking About Gauguin (Published 2019)". The New York Times. Retrieved 2023-08-08.
  14. "You are being redirected..." kadist.org. Retrieved 2023-08-08.
  15. "Gisela McDaniel: Sunset Over 8 Mile – ICA Boston" . Retrieved 2023-08-08.
  16. "Speaking Seeds • Pérez Art Museum Miami". Pérez Art Museum Miami. Retrieved 2023-08-07.
  17. "Inagofli'e". Institute of Contemporary Art, Miami. Retrieved 2023-08-08.
  18. "Baltimore Museum of Art's New Contemporary Wing Reinstallation Emphasizes Artists' Voices and Social Themes Relevant to Audiences | Baltimore Museum of Art". Baltimore Museum of Art’s New Contemporary Wing Reinstallation Emphasizes Artists’ Voices and Social Themes Relevant to Audiences | Baltimore Museum of Art. Retrieved 2023-08-09.