Related Research Articles
Pietro Alessandro Guglielmi was an Italian opera composer of the classical period.
Gaetano Greco was an Italian Baroque composer. He was the younger brother of Rocco Greco. Both brothers were trained at, and later taught at the Poveri di Gesu` Cristo conservatory in Naples. Gaetano Greco's teachers included Giovanni Salvatore and Gennaro Ursino, and possibly Francesco Provenzale. It is also possible that he studied with Alessandro Scarlatti. Leonardo Vinci, Giuseppe Porsile, Nicola Porpora, and Domenico Scarlatti were among his pupils. His successor at the conservatory was Francesco Durante.
Francesco Nicola Fago, 'II Tarantino' was an Italian Baroque composer and teacher. He was the father of Lorenzo Fago (1704-1793).
Francesco Provenzale was an Italian Baroque composer and teacher. He is considered the founder of the Neapolitan school of opera. Notably Provenzale was the teacher of famed castrato 'il cavaliere Nicolo Grimaldi '.
Francesco Onofrio Manfredini was an Italian Baroque composer, violinist, and church musician.
This is a list of music conservatories in Naples, Italy.
Cataldo Vito Amodei was an Italian composer of the mid-Baroque period who spent his career in Naples. His cantatas were important predecessors to the active cantata production of 18th-century Naples, and he stands with the elder Francesco Provenzale and younger Alessandro Scarlatti as among the principal Italian cantata composers. Other surviving works include a book of motets dedicated to Leopold I, Holy Roman Emperor; a serenata; two pastorales; two psalms; and four oratorios, which were important contributions to their genre.
Cappella Neapolitana is an early music ensemble based in Naples and dedicated to the recovery of Neapolitan musical heritage, primarily from the baroque era.
Giovanni Maria Sabino was an Italian composer, organist and teacher.
Michelangelo Falvetti was an Italian Baroque composer as well as a Catholic priest.
La passione di Gesù Cristo is a libretto by Pietro Metastasio which was repeatedly set as an azione sacra or oratorio by many composers of the late baroque, Rococo and early classical period.
Gaetano Veneziano was an Italian composer. His son Giovanni Veneziano was also a composer.
In music history, the Neapolitan School is a group, associated with opera, of 17th and 18th-century composers who studied or worked in Naples, Italy, the best known of whom is Alessandro Scarlatti, with whom "modern opera begins". Francesco Provenzale is generally considered the school's founder. Others significant composers of this school are Giambattista Pergolesi, Domenico Cimarosa and Giovanni Paisiello.
It is with the Neapolitan school...that the History of Modern Music commences—insofar as that music speaks the language of the feelings, emotions, and passions.
The Chapel Royal of Naples was the sacred musical establishment of the Spanish court in Naples which began with the Aragonese Court of Naples, and continued under the Habsburgs the Bourbons, and Joseph Bonaparte.
Donato Antonio «Antonino» Sabino was an Italian composer and priest. He was brother of Giovan Maria Sabino, another composer-priest, and uncle of Francesco Sabino.
Ghirlanda sacra scielta da diversi eccellentissimi compositori de varii motetti à voce sola is a compilation of 44 single-voice motets in the new style assembled by Leonardo Simonetti. Simonetti was a chorister in the Cappella Marciana, and placed his master Claudio Monteverdi at the head of the collection with four pieces, following it with other composers from the area of Venice and Veneto. A second printing followed in 1636.
Francesco Maria Moles, C.R. was a Roman Catholic prelate who served as Bishop of Nola (1684–1695).
Camillo Tutini was an Italian historian, mainly of the Neapolitan region.
Salvatore Fighera was an Italian composer of both sacred and secular music. Born in Gravina in Puglia, he completed his musical studies at the Conservatorio di Sant'Onofrio a Capuana in Naples and spent several years in Milan after leaving the conservatory in 1783. On his return to Naples he served as the maestro di cappella of several churches, most notably the Santuario di San Sebastiano Martire, a post he held until his death.
Dinko Fabris is an Italian musicologist. He specializes in lute music, the music of Naples, and Italian music in general, having written books on Italian composers such as Andrea Falconieri, Andrea Gabrieli, Francesco Provenzale and Francesco Cavalli. He holds teaching posts at the Conservatory of Bari and the University of Basilicata, and was president of the International Musicological Society from 2012 to 2017.
References
- ↑ Dinko Fabris Music In Seventeenth-century Naples: Francesco Provenzale (1624-1704)2007 Page 82 "Although until 1684 there was just one maestro di cappella, from 1672 Provenzale's pupil Giuseppe Cavallo, a priest, was set beside him as maestro di canto (a post that the conservatoire had not assigned since 1667).13 This post, later called ..."
- ↑ Warren Kirkendale Emilio de' Cavalieri "gentiluomo romano": his life and letters 2001 Page 282 "Giuditio universale, I-Nf Ms. AM-CO 475/6, apparendy by Giuseppe Cavallo (d. 1684), priest at ..."
| International | |
|---|---|
| National | |
| Artists | |
 | This article about an Italian composer is a stub. You can help Wikipedia by expanding it. |