Giuseppe Sacconi | |
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Born | |
Died | 23 September 1905 51) Collegigliato, Pistoia | (aged
Nationality | Italian |
Known for | Architecture |
Movement | neoclassicism |
Giuseppe Sacconi (Montalto delle Marche, 5 July 1854 - 23 September 1905 [1] ) was an Italian architect. He is best known as the designer of the monument of Vittorio Emanuele II, in the centre of Rome. Following the prestigious commission, he became one of the protagonists of the artistic culture of post-unification Italy, which was then engaged in heated debates aimed at creating a "national style". He was also a restorer of some famous monuments.
In 1884, he won the competition to design the Victor Emanuel II Monument in Rome, and began building in the following year, though it was not finished until several years after his death. The monument celebrates the Risorgimento and the battles for national unity, has neoclassical and eclectic style, with many works of art that are affected by the art nouveau; it is today seen by the most up-to-date art critics as an important step in the search for a national style, which was to characterize the Kingdom of Italy recently established. [2] Although the monument to Vittorio Emanuele was generally immediately appreciated for its artistic value, some art scholars expressed criticisms of the monument style. [3]
During the fascist-era the monument would become the main scene of Mussolini's regime. In the seventies of the 20th century, this greatly contributed to the general downgrading of the monument. Starting from the 2000s, the Vittoriano has been rediscovered in its artistic, historical and symbolic values. It is one of national symbols of Italy.
Giuseppe Sacconi worked on the restoration of the Basilica di Loreto, a work in which he aimed to remove all baroque and other changes and additions, and restore the original form to the entire building. [4] He also made the design for the Expiatory Chapel of Monza and restored the Basilica of Saint Francis of Assisi and the Ancona Cathedral. He died in Collegigliato, Pistoia.
Antonio Canova was an Italian Neoclassical sculptor, famous for his marble sculptures. Often regarded as the greatest of the Neoclassical artists, his sculpture was inspired by the Baroque and the classical revival, and has been characterised as having avoided the melodramatics of the former, and the cold artificiality of the latter.
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The Victor Emmanuel II National Monument, also known as Vittoriano or Altare della Patria, is a large national monument built between 1885 and 1935 to honour Victor Emmanuel II, the first king of a unified Italy, in Rome, Italy. It occupies a site between the Piazza Venezia and the Capitoline Hill. The monument was realized by Giuseppe Sacconi.
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The Equestrian monument to Vittorio Emanuele II is an equestrian statue of the former King Vittorio Emanuele II, located in the Piazza Vittorio Veneto, a small green spot at the east end of the Parco delle Cascine, located along the Arno River, just west of central Florence, region of Tuscany, Italy.
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