Antonio Canova was an Italian Neoclassical sculptor, famous for his marble sculptures. Often regarded as the greatest of the Neoclassical artists, his sculpture was inspired by the Baroque and the classical revival, and has been characterised as having avoided the melodramatics of the former, and the cold artificiality of the latter.
Victor Emmanuel II was King of Sardinia from 23 March 1849 until 17 March 1861, when he assumed the title of King of Italy and became the first king of an independent, united Italy since the 6th century, a title he held until his death in 1878. Borrowing from the old Latin title Pater Patriae of the Roman emperors, the Italians gave him the epithet of Father of the Fatherland.
Giuseppe Calì was a Maltese painter of Italian descent.
Piazza del Duomo is the main piazza of Milan, Italy. It is named after, and dominated by, Milan Cathedral. The piazza marks the center of the city, both in a geographic sense and because of its importance from an artistic, cultural, and social point of view. Rectangular in shape, with an overall area of 17,000 m2, the piazza includes some of the most important buildings of Milan, as well some of the most prestigious commercial activities, and it is by far the foremost tourist attraction of the city.
The Victor Emmanuel II National Monument, also known as the Vittoriano or Altare della Patria, is a large national monument built between 1885 and 1935 to honour Victor Emmanuel II, the first king of a unified Italy, in Rome, Italy. It occupies a site between the Piazza Venezia and the Capitoline Hill. The monument was realized by Giuseppe Sacconi.
Camillo Boito was an Italian architect and engineer, and a noted art critic, art historian and novelist. He was the brother of Arrigo Boito, the friend and librettist of the Italian composer Giuseppe Verdi. Camillo Boito has as his favorite student and heir Enrico Zanoni.
Pietro Canonica was an Italian sculptor, painter, opera composer, professor of arts and senator for life.
Italy has a very broad and diverse architectural style, which cannot be simply classified by period or region, due to Italy's division into various small states until 1861. This has created a highly diverse and eclectic range in architectural designs. Italy is known for its considerable architectural achievements, such as the construction of aqueducts, temples and similar structures during ancient Rome, the founding of the Renaissance architectural movement in the late-14th to 16th century, and being the homeland of Palladianism, a style of construction which inspired movements such as that of Neoclassical architecture, and influenced the designs which noblemen built their country houses all over the world, notably in the United Kingdom, Australia and the United States of America during the late-17th to early 20th centuries.
Leonardo Bistolfi was an Italian sculptor and an important exponent of Italian Symbolism.
Cesare Mariani was an Italian painter and architect of the late-19th century, active in Rome and Ascoli Piceno.
Mario Rutelli was an Italian sculptor.
Luigi Boffi was an Italian architect.
Filippo Prosperi was an Italian painter, mainly of sacred subjects, painted in a Neoclassical and Nazarene styles.
Gregorio Zappalà was an Italian sculptor.
The stile Umbertino is a 19th-century style of Renaissance Revival architecture in Italy, typical of the eclecticism of late 19th century architecture and decorative arts in Europe, which mixes decorative elements from various historical styles.
The Equestrian monument to Vittorio Emanuele II is an equestrian statue of the former King Vittorio Emanuele II, located in the Piazza Vittorio Veneto, a small green spot at the east end of the Parco delle Cascine, located along the Arno River, just west of central Florence, region of Tuscany, Italy.
Alessandro Nelli was an Italian entrepreneur. Nelli was the founder of the Fonderia Nelli, which was the leading sculpture foundry in Rome from 1880 to 1900. He participated to national, international and universal exhibitions, winning several prizes and medals. He exported more than 100 pieces to the 1893 World's Columbian Exposition in Chicago. Nelli made artistic bronzes for several Italian and foreign artists, including several American artists.
Emilio Gallori (1846–1924) was an Italian sculptor, principally of historical monuments and religious statuary.
The history of the Vittoriano, an Italian national monument complex located in Rome's Piazza Venezia on the northern slope of the Capitoline Hill, began in 1878 when it was decided to erect in the capital a permanent monument named after Victor Emmanuel II of Savoy, the first king of Italy in the modern era, who brought the process of Italian unification to fruition, so much so that he is referred to by historiography as the “Father of the Fatherland.”
