Go Down, Death!

Last updated
Go Down Death
GoDownDeath.gif
Theatrical poster art
Directed by Spencer Williams
Written bySam Elljay
Produced by Alfred N. Sack
Starring Spencer Williams
Myra D. Hemmings
Samuel H. James
Distributed by Sack Amusement Enterprises
Running time
53 minutes
Language English
Go Down, Death! (1944) by Spencer Williams

Go Down, Death! is a 1944 race film directed by and starring Spencer Williams. The film's title derives from a poem by the African-American writer James Weldon Johnson. [1] [2]

Contents

Plot

Go Down Death takes place in an African-American community where the criminal boss Big Jim Bottoms (Spencer Williams) runs a successful juke joint. The arrival of a new preacher (Samuel H. James) to the town results in many of Big Jim's customers leaving the juke joint in favor of attending church. Big Jim arranges for the preacher to be photographed in staged compromising situations with three attractive women. Aunt Caroline, Big Jim's adoptive mother, becomes aware of the scheme and tries to prevent Big Jim from carrying out his scheme to discredit the preacher. There is a physical struggle between Aunt Caroline and Big Jim, resulting in Aunt Caroline collapsing after being struck. Aunt Caroline dies from her injuries, but Big Jim escapes arrest by claiming an unknown burglar was the culprit. But following Aunt Caroline's funeral, Big Jim's conscience haunts him with visions of eternal damnation in Hell. His body is later discovered in a canyon and the photographs of the preacher are nowhere to be found.

Production

Go Down Death was the third in a trilogy of religious-oriented films directed by Spencer Williams, an African-American filmmaker and actor, for the production and distribution company. He previously directed The Blood of Jesus (1941) and the now-lost Brother Martin: Servant of Jesus (1942). [3] Publicity material for the production listed the film's original title as Go Down, Death! The Story of Jesus and the Devil. [1]

To depict the horrors of Hell, Williams used clips from the Italian silent film L'Inferno (1911), [4] [5] which had been an international success.

In the course of its distribution, Go Down Death ran into several censorship problems. The state censors for Maryland, New York, and Ohio demanded that edits to the Hell sequence involving a brief exposure of a woman's bare breast in a scene from L'Inferno, and the action of a woman pulling up her dress. [1] [5] Ohio censors also requested removal of an image from the Hell sequence where a devil is seen chewing a man. [1]

See also

Related Research Articles

<i>The Blood of Jesus</i> 1941 American film

The Blood of Jesus is a 1941 American independent fantasy drama race film written, directed by and starring Spencer Williams. The plot concerns a Baptist woman who, after being accidentally shot by her atheist husband, is sent to a crossroads, where Satan tries to lead her astray.

<span class="mw-page-title-main">Ken Russell</span> British film director (1927–2011)

Henry Kenneth Alfred Russell was a British film director, known for his pioneering work in television and film and for his flamboyant and controversial style. His films were mainly liberal adaptations of existing texts, or biographies, notably of composers of the Romantic era. Russell began directing for the BBC, where he made creative adaptations of composers' lives which were unusual for the time. He also directed many feature films independently and for studios.

<i>The Devils</i> (film) 1971 film by Ken Russell

The Devils is a 1971 historical drama horror film written, produced and directed by Ken Russell, and starring Vanessa Redgrave and Oliver Reed. A dramatised historical account of the fall of Urbain Grandier, a 17th-century Roman Catholic priest accused of witchcraft after the possessions in Loudun, France, the plot also focuses on Sister Jeanne des Anges, a sexually repressed nun who incites the accusations.

<span class="mw-page-title-main">Exploitation film</span> Informal film genre

An exploitation film is a film that tries to succeed financially by exploiting current trends, niche genres, or lurid content. Exploitation films are generally low-quality "B movies", though some set trends, attract critical attention, become historically important, and even gain a cult following.

<i>The Wicked Lady</i> 1945 film

The Wicked Lady is a 1945 British costume drama film directed by Leslie Arliss and starring Margaret Lockwood in the title role as a nobleman's wife who becomes a highwaywoman for the excitement. The film had one of the largest audiences for a film of its period, 18.4 million.

<span class="mw-page-title-main">Spencer Williams Jr.</span> American actor and filmmaker (1893–1969)

Spencer Williams was an American actor and filmmaker. He portrayed Andy on TV's The Amos 'n' Andy Show and directed films including the 1941 race film The Blood of Jesus. Williams was a pioneering African-American film producer and director.

<i>Sunday Go to Meetin Time</i> 1936 film

Sunday Go to Meetin' Time is a 1936 Warner Bros. Merrie Melodies cartoon directed by Friz Freleng. The short was released on August 8, 1936. The name of the short comes from the colloquial adjective "sunday-go-to-meeting," describing something appropriate for church or otherwise presentable.

<i>LInferno</i> 1911 film by Francesco Bertolini, Giuseppe de Liguoro and Adolfo Padovan

L'Inferno is a 1911 Italian silent film, loosely adapted from Inferno, the first canticle of Dante Alighieri's Divine Comedy. L'Inferno took over three years to make, and was the first full-length Italian feature film.

<span class="mw-page-title-main">Noble Johnson</span> American actor (1881–1978)

Noble Johnson, later known as Mark Noble, was an American actor and film producer. He appeared in films such as The Mummy (1932), The Most Dangerous Game (1932), King Kong (1933) and Son of Kong (1933).

Myra Lillian Davis Hemmings was an American actress and teacher, and a founder of Delta Sigma Theta Sorority, Incorporated.

<span class="mw-page-title-main">Christian film industry</span> Aspect of Christian media

The Christian film industry is an aspect of Christian media for films containing a Christian-themed message or moral. They are often interdenominational films, but can also be films targeting a specific denomination of Christianity.

<i>Dantes Inferno</i> (1924 film) 1924 film by Henry Otto

Dante's Inferno is a 1924 American silent drama film directed by Henry Otto that was released by Fox Film Corporation and adapted from Inferno, part of Dante Alighieri's epic poem Divine Comedy. The film mixes material from Dante's "Inferno" with plot points from Charles Dickens' A Christmas Carol. The book was filmed earlier in 1911 in Italy as L'Inferno, and Fox later remade the film in 1935, again as Dante's Inferno, starring Spencer Tracy in the lead role.

<i>Son of Ingagi</i> 1940 film by Richard C. Kahn

Son of Ingagi is a 1940 American monster movie directed by Richard C. Kahn. It was the first science fiction horror film to feature an all-black cast. It was written by Spencer Williams based on his own short story, House of Horror. Although the film's title appears to suggest that it is a sequel to the 1930 movie Ingagi, it is not.

<span class="mw-page-title-main">Fede Álvarez</span> Uruguayan filmmaker (born 1978)

Federico Álvarez is a Uruguayan filmmaker. He is known for directing Evil Dead (2013) and Don't Breathe (2016), as well as his short film Ataque de pánico! (2009).

Trailers from Hell is a web series in which filmmakers discuss and promote individual movies through commenting on their trailers. While the series emphasizes horror, science fiction, fantasy, cult, and exploitation cinema, films from a wide variety of genres have been covered. Trailers from Hell launched as a website in October 2007, as a collaborative project by film director Joe Dante, new media entrepreneur Jonas Hudson, graphic artist Charlie Largent, web developer Tom Edgar, and producer Elizabeth Stanley. It also premiered at SXSW in 2009.

<i>The Hell Cat</i> (1918 film) 1918 American film

The Hell Cat is a 1918 American silent Western film produced and distributed by Goldwyn Pictures. Reginald Barker directed and Geraldine Farrar starred. It is not known whether the film currently survives.

The Virginia State Board of Censors was a government agency formed on August 1, 1922 for the purpose of reviewing and licensing films for approval to be screened in the state of Virginia. During the agency's existence its members examined over 52,000 films, over 2,000 of which required edits before approval was given; and another 157 films were rejected entirely, of which only 38 won subsequent approval. The board disbanded in 1968 following a series of U.S. Supreme Court rulings which overturned censorship statutes across the country.

Alfred N. Sack was an American businessperson, newspaper publisher and the proprietor of film distribution, production, and the theater-owning business Sack Amusements in the United States.. He collaborated with Spencer Williams to make films with Black casts. Sack Amusement Enterprises was the leading distributor of this type of film between 1920 and 1950.

Juke: Passages from the Films of Spencer Williams is a 2015 documentary film by film essayist Thom Andersen featuring selected excerpts from the films of African American director Spencer Williams Jr.

References

  1. 1 2 3 4 Within Our Gates: Ethnicity in American Feature Films, 1911–1960. The American Film Institute Catalog of Motion Pictures Produced in the United States. University of California Press. 1997. p. 392. ISBN   0-520-20964-8.
  2. "Go Down Death," The Mystical Movie Guide Archived December 15, 2004, at the Wayback Machine
  3. "Spencer Williams," AfricanAmericans.com Archived January 1, 2009, at the Wayback Machine
  4. Dennis, Looney (2004), "Spencer Williams and Dante: An African-American Filmmaker at the Gates of Hell", in Iannucci, Amilcare A. (ed.), Dante, Cinema, and Television, University of Toronto Press, pp. 135–36, ISBN   0-8020-8601-2
  5. 1 2 Weisenfeld, Judith (2007). Hollywood Be Thy Name: African American Religion in American Film, 1929-1949. University of California Press. pp. 115–19, 127–28. ISBN   978-0-520-22774-3.