Golden Gloves | |
---|---|
Directed by | Gilles Groulx |
Written by | Jean Le Moyne |
Produced by | Victor Jobin Fernand Dansereau |
Narrated by | Claude Jutra |
Cinematography | Guy Borremans |
Edited by | Gilles Groulx |
Music by | Les Jérolas |
Production company | |
Release date |
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Running time | 27 minutes and 43 seconds |
Country | Canada |
Languages | English French |
Golden Gloves is a 1961 Direct Cinema documentary directed by Gilles Groulx about boxers preparing for a Golden Gloves tournament in Montreal. The film is narrated by Claude Jutra. [1]
Golden Gloves focuses on three Montreal boxers in training, exploring their lives and hopes. The 1961 film marked a shift among French-Canadian filmmakers at the NFB away from folkloric films towards works that dealt with contemporary Quebec society. [2] [3]
One of the featured fighters, Black Canadian Ronald Jones, was later cast in a small role in Michel Brault's 1967 drama Entre la mer et l'eau douce . [4] A sequence with Jones and his brother was also used in the 2008 production The Memories of Angels . [5]
During its 1964–1965 season, CBC Television aired Golden Gloves as part of its NFB Presents series of short films. [6]
The National Film Board of Canada is a Canadian public film and digital media producer and distributor. An agency of the Government of Canada, the NFB produces and distributes documentary films, animation, web documentaries, and alternative dramas. In total, the NFB has produced over 13,000 productions since its inception, which have won over 5,000 awards. The NFB reports to the Parliament of Canada through the Minister of Canadian Heritage. It has bilingual production programs and branches in English and French, including multicultural-related documentaries.
Claude Jutra was a Canadian actor, film director, and screenwriter.
The history of cinema in Quebec started on June 27, 1896 when the Frenchman Louis Minier inaugurated the first movie projection in North America in a Montreal theatre room. However, it would have to wait until the 1960s before a genuine Quebec cinema industry would emerge. Approximately 620 feature-length films have been produced, or partially produced by the Quebec film industry since 1943.
Claude Fournier was a Canadian film director, screenwriter, editor and cinematographer. He is one of the forerunners of the Cinema of Quebec. He was the twin brother of Guy Fournier.
Alanis Obomsawin, is an Abenaki American-Canadian filmmaker, singer, artist, and activist primarily known for her documentary films. Born in New Hampshire, United States and raised primarily in Quebec, Canada, she has written and directed many National Film Board of Canada documentaries on First Nations issues. Obomsawin is a member of Film Fatales independent women filmmakers.
Arthur Lipsett was a Canadian filmmaker with the National Film Board of Canada. His short, avant-garde collage films, which he described as "neither underground nor conventional”, contain elements of narrative, documentary, experimental collage, and visual essay. His first film, Very Nice, Very Nice, was nominated for an Academy Award.
Direct cinema is a documentary genre that originated between 1958 and 1962 in North America—principally in the Canadian province of Quebec and in the United States—and was developed in France by Jean Rouch. It is a cinematic practice employing lightweight portable filming equipment, hand-held cameras and live, synchronous sound that became available because of new, ground-breaking technologies developed in the early 1960s. These innovations made it possible for independent filmmakers to do away with a truckload of optical sound-recording, large crews, studio sets, tripod-mounted equipment and special lights, expensive necessities that severely hog-tied these low-budget documentarians. Like the cinéma vérité genre, direct cinema was initially characterized by filmmakers' desire to capture reality directly, to represent it truthfully, and to question the relationship between reality and cinema.
William Weintraub was a Canadian documentarian/filmmaker, journalist and author, best known for his long career with the National Film Board of Canada (NFB).
Gilles Groulx was a Canadian film director. He grew up in a working-class family with 14 children. After studying business in school, he went to work in an office but found the white-collar environment too stultifying. Deciding that the only way out was to become an intellectual, he attended the École du meuble de Montréal for a time and was a supporter of Borduas' automatiste movement. He also made 8 mm amateur films, which landed him a job as picture editor in the news department of the CBC. After three short personal films that confirmed his talent, he was hired by the National Film Board (NFB) at what was the beginning of the candid eye movement in 1956.
Michel Brault, OQ was a Canadian cinematographer, cameraman, film director, screenwriter, and film producer. He was a leading figure of Direct Cinema, characteristic of the French branch of the National Film Board of Canada in the 1960s. Brault was a pioneer of the hand-held camera aesthetic.
Challenge for Change was a participatory film and video project created by the National Film Board of Canada in 1967, the Canadian Centennial. Active until 1980, Challenge for Change used film and video production to illuminate the social concerns of various communities within Canada, with funding from eight different departments of the Canadian government. The impetus for the program was the belief that film and video were useful tools for initiating social change and eliminating poverty. As Druik says, "The new program, which was developed in tandem with the new social policies, was based on the argument that participation in media projects could empower disenfranchised groups and that media representation might effectively bring about improved political representation." Stewart, quoting Jones (1981) states "the Challenge for Change films would convey messages from 'the people' to the government, directly or through the Canadian public."
Between Salt and Sweet Water, also known as Drifting Upstream, is a 1967 Québécois film directed by Michel Brault, co-written by Brault, Gérald Godin, Marcel Dubé, Claude Jutra and Denys Arcand.
The Cat in the Bag is a 1964 drama film by Gilles Groulx, which played a seminal role in the development of Quebec cinema. The film's themes, improvisational style, hand-held camera work and evocative music signalled the emergence of a new generation of Quebec films and filmmakers.
Les raquetteurs is a 1958 Direct Cinema documentary film co-directed by Michel Brault and Gilles Groulx. The film explores life in rural Quebec, at a convention of snowshoers in Sherbrooke, Quebec in February 1958. The film is notable for helping to establish the then-nascent French language production unit at the National Film Board of Canada, and more importantly, the development of a uniquely Quebec style of direct cinema.
The Merry World of Léopold Z is a 1965 comedy-drama directed by Gilles Carle that played a key role in efforts to create a popular national cinema in Quebec.
The Memories of Angels is a 2008 collage film by Luc Bourdon.
Bernard Gosselin was a Canadian cinematographer and documentary film director. He is known for his work with the National Film Board of Canada. He was an early adopter of the direct cinema documentary style.
Martin Duckworth is a Canadian documentary director and cinematographer who was on staff at the National Film Board from 1963 to 1970 and has continued to work with them as a freelance filmmaker. He was cinematographer on more than 100 films, and directed or co-directed 30, most of them with the NFB.
24 heures ou plus is a radical political documentary about Quebec society, shot in 1971 and completed by director by Gilles Groulx by mid-January 1973. However, the film was initially suppressed by producer National Film Board of Canada and not released until February 1977.
Guy Glover was a senior National Film Board of Canada (NFB) producer and administrator.
Gloves.