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Joan Beaufort was Queen of Scotland from 1424 to 1437 as the spouse of King James I of Scotland. During part of the minority of her son James II, she served as the regent of Scotland.
Rowland Lockey was an English painter and goldsmith, and was the son of Leonard Lockey, a crossbow maker of the parish of St Bride's, Fleet Street, London. Lockey was apprenticed to Queen Elizabeth's miniaturist and goldsmith Nicholas Hilliard for eight years beginning Michaelmas 1581 and was made a freeman or master of the Worshipful Company of Goldsmiths by 1600.
Henry Singleton was an English painter and miniaturist.
Catherine Howard was Queen of England from 1540 until 1541 as the fifth wife of King Henry VIII. She was the daughter of Lord Edmund Howard and Joyce Culpeper, a cousin to Anne Boleyn, and the niece of Thomas Howard, 3rd Duke of Norfolk. Thomas Howard was a prominent politician at Henry's court, and he secured her a place in the household of Henry's fourth wife, Anne of Cleves, where she caught the King's interest. She married him on 28 July 1540 at Oatlands Palace in Surrey, just 19 days after the annulment of his marriage to Anne. He was 49, and she was between 15 and 21 years old, though it is widely accepted that she was 17 at the time of her marriage to Henry VIII.
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Portrait painting in Scotland includes all forms of painted portraiture in Scotland, from its beginnings in the early sixteenth century until the present day. The origins of the tradition of portrait painting in Scotland are in the Renaissance, particularly through contacts with the Netherlands. The first portrait of a named person that survives is that of Archbishop William Elphinstone, probably painted by a Scottish artist using Flemish techniques around 1505. Around the same period Scottish monarchs turned to the recording of royal likenesses in panel portraits, painted in oils on wood. The tradition of royal portrait painting in Scotland was probably disrupted by the minorities and regencies it underwent for much of the sixteenth century. It began to flourish after the Reformation, with paintings of royal figures and nobles by Netherlands artists Hans Eworth, Arnold Bronckorst and Adrian Vanson. A specific type of Scottish picture from this era was the "vendetta portrait", designed to keep alive the memory of an atrocity. The Union of Crowns in 1603 removed a major source of artistic patronage in Scotland as James VI and his court moved to London. The result has been seen as a shift "from crown to castle", as the nobility and local lairds became the major sources of patronage.
Elizabeth Walker (1800–1876) was a British engraver and portrait-painter.
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Mary Anne Knight was an English miniature-painter, specialising in miniatures of children and babies. She was closely associated with Andrew Plimer, who married her sister.
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Gladys Kathleen Madge Bell née Farrar (1882–1965) was a British artist and miniature painter.
May Bridges Lee (1884-1977), later Lady Stott, was an English portrait painter.
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References
- 1 2 3 HCG Matthew & Brian Harrison, ed. (2004). Oxford Dictionary of National Biography Vol 52 (Spruce-Strakosch). Oxford University Press. ISBN 0-19-861402-0.
- 1 2 3 Peter J.M. McEwan (1994). The Dictionary of Scottish Art and Architecture. Antique Collectors' Club. ISBN 1-85149-134-1.
- ↑ Benezit Dictionary of Artists Volume 13 Sommer-Valverane. Editions Grund, Paris. 2006. ISBN 2-7000-3083-4.
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