Graham Alexander | ||||
---|---|---|---|---|
Studio album by | ||||
Released | December 28, 2011 | |||
Recorded | 2009–2011 | |||
Studio | Lair Studio 1, Lair Studio (Perkins Dairy), Studio 4, The Studio, Philadelphia | |||
Genre | ||||
Length | 31:13 | |||
Label | self-released, ThisTime Records (Japan) | |||
Producer | Graham Alexander, Fran Smith Jr., Andy Kravitz | |||
Graham Alexander chronology | ||||
|
Graham Alexander is the debut album by the American singer-songwriter Graham Alexander, [1] [2] [3] [4] self-released on December 28, 2011. It was released in Japan on ThisTime Records in 2013. [5] Recording sessions for the album took place at several locations from 2009 to 2011. [6] The album's production was credited to songwriter Graham Alexander, Fran Smith Jr., and Andy Kravitz. Spotify's top 100 songs chosen by fans playlist included the first single from the album "Biggest Fan" at No. 6 in its 2011 list. [7] [8] [9]
Before joining the Broadway show, Rain , Alexander built a following with his band, The Roadrunners and developed a following in the New York City and Philadelphia areas. [10] Members of the Philadelphia rock band, The Hooters, joined in the recording sessions. Andy Kravitz, a Grammy award-winning producer, were enlisted to drum as well as produce. Arthur Barrow, a member of Frank Zappa's band added bass to "Hang Around". The record was mastered at Sterling Sound in NYC.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Don't Give in Tonight" |
| 3:11 |
2. | "Biggest Fan" |
| 2:51 |
3. | "Only Fools Rush In" |
| 3:12 |
4. | "Paralyzed" |
| 3:41 |
5. | "The Light That Guides You Home" |
| 2:19 |
6. | "Replace Me" | 2:42 | |
7. | "World Without You" |
| 2:41 |
8. | "Hang Around" |
| 3:08 |
9. | "Have A Good Life" | 4:20 | |
10. | "On The Outside Looking In" |
| 4:28 |
2013 Japan Release bonus tracks
Spotify bonus tracks
When I Was a Boy is a 1993 album by Jane Siberry. Internationally, it is her most famous album. In Siberry's native Canada, however, the album was commercially successful but not as big a hit as her 1985 album The Speckless Sky.
Winter Pays For Summer is an album released in 2005 by Glen Phillips. The album was Phillips' debut for Lost Highway/Universal Records. It was recorded during 2003 and 2004. It was produced by John Fields at Paramount Studios and Mansfield Lodge, and features guest appearances by Jon Brion, Sam Phillips, Ben Folds, Andy Sturmer, Kristin Mooney, and Jonathan Foreman. The album boasts a well-produced, radio-ready sheen unheard since Phillips' days with Toad the Wet Sprocket.
Another Passenger is the sixth studio album by American singer-songwriter Carly Simon, released by Elektra Records, on June 5, 1976.
Drive is the debut solo album by New Zealand artist Bic Runga, released on 14 July 1997. The album went seven times platinum in New Zealand, and won the New Zealand Music Award for Album of the Year at the 32nd New Zealand Music Awards.
Junction Seven is the seventh solo studio album by English musician and songwriter Steve Winwood, released in June 1997. The album broke the Top 40 in the UK but did not sell well in the US, and Winwood took a six-year break from making solo albums. This album was co-produced with Narada Michael Walden, while Winwood's wife Eugenia co-wrote several songs. Des'ree provided vocals on 'Plenty Lovin'.
Hai Hai is the second solo album by ex-Supertramp singer/guitarist/keyboardist Roger Hodgson, released in September 1987. Co-produced by future No Doubt and Black Crowes producer Jack Joseph Puig, and recorded at Hodgson's 48-track home studio in Nevada City, California, the album is a merger of Supertramp-styled progressive pop-rock and extensive use of Los Angeles session musicians and late-1980s synthesizer technology.
Rites of Passage is the third album by Roger Hodgson, recorded in August 1996 near Hodgson's home in Nevada City, California and his first live album. It was the last gig of several Californian dates in the summer of 1996.
Thousand Roads is the third solo studio album by the rock artist David Crosby, a founding member of Crosby, Stills, Nash & Young. It was released on May, 4 1993 on Atlantic Records. It was the last solo studio album from Crosby for 21 years until Croz in 2014.
T-R-O-U-B-L-E is the third studio album by American country music artist Travis Tritt. It was released on Warner Bros. Records in 1992. Five singles were released from the album: "Lord Have Mercy on the Working Man", "Can I Trust You with My Heart", the title track, "Looking Out for Number One", and "Worth Every Mile"; they reached numbers 5, 1, 13, 11, and 30 on Billboard Hot Country Songs. The album was certified 2× Platinum by the RIAA for U.S. shipments of two million copies.
Thoroughfare Gap is the fifth studio album by American singer-songwriter Stephen Stills, released in 1978. It was a critical and commercial disappointment that only charted at number 84 in the US. This album is now available as a three-album set on two CDs with Stills & Illegal Stills, having never been released on its own on CD.
Liquid Acrobat as Regards the Air is the ninth album by the Incredible String Band. It features Mike Heron, Robin Williamson, Licorice McKechnie and Malcolm Le Maistre. The album was the band's first almost entirely electric recording; a new feature that was to define the change in the band's sound throughout their final period through 1974.
Aretha is the thirty-first studio album by American singer Aretha Franklin, originally released on October 27, 1986, by Arista Records. It is the third album with the Aretha title to be released by Franklin, following her 1961 album and 1980 album.
News from Nowhere is the thirteenth studio album by British/Australian soft rock duo Air Supply, released in 1995. The album marks a turn for the band from pop to more adult-oriented themes. The single "Someone" reached #60 in US Adult Contemporary charts. The interpretation of the song "Unchained Melody" and single "Always" both have become favourites in the band's repertoire.
The Book of Love is the fourteenth studio album by British/Australian soft rock duo Air Supply, released in 1997. The album was a serious attempt for the band to penetrate the charts, mainly focusing on mature adult contemporary songs.
Yours Truly is the fifteenth studio album by British/Australian soft rock duo Air Supply, released in 2001. The songs "Yours Truly" and "You Are the Reason" have gained critical acclaim.
No Ordinary World is the seventeenth studio album by Joe Cocker, released on 8 October 1999 in Europe and on 22 August 2000 in USA. The US edition of the album features two bonus tracks and has different cover artwork. Notable songs on the album include a cover of Leonard Cohen's "First We Take Manhattan" and "She Believes in Me" co-written by Bryan Adams, who had also provided backing vocals for the song.
Animal Soup is an album by Simon Townshend, the younger brother of The Who's guitarist Pete Townshend. The album was released in March 1999 and features Ben Townshend, Phil Spalding, James Hayto, Tony Lowe, Linz King among others.
Good Times! is the twelfth studio album by American pop rock band the Monkees. Produced primarily by Adam Schlesinger, the album was recorded to commemorate the band's 50th anniversary. It is the first Monkees studio album since Justus (1996), marking the longest gap between releases to date, and the first since the death of Davy Jones. The album features surviving Monkees Micky Dolenz, Michael Nesmith, and Peter Tork, as well as a posthumous contribution from Jones.
Repeat Deceiver is the second album by the American singer-songwriter Graham Alexander, released on December 19, 2014 by Victor Talking Machine Company. Recording sessions for the album took place at several locations from 2013 to 2014. The album's production was credited to songwriter Graham Alexander.
Ivory is the fourth studio album by L.A.-based, New Zealand alternative rock singer Gin Wigmore, named after her son. The album was released on 6 April 2018 by Island Records Australia peaking at number 11 in New Zealand. Ivory explores a heavier alternative rock sound along with a heavy blue-eyed soul vibe and doo-wop inspired ballads counting on a funky, groovy production. The lyrics of the album provide commentary on feminism, empowerment, and a return to roots.