Arthur Barrow (born February 28, 1952) is a multi-instrumental musician, best known for his stint as a bass guitar player for Frank Zappa in the late 1970s and early 1980s.
Barrow was born in San Antonio, Texas in 1952 and grew up in Alamo Heights. His father played piano and organ, as had his father, Arthur Barrow of Buffalo, New York, a strict piano teacher and organist. When he was 13, he washed neighborhood cars until he had saved enough money to buy his first electric guitar (an Alamo) and his first amplifier (a Kent). He learned how to play music by ear by copying surf guitar records like The Ventures, and later, Jimi Hendrix, and still later, Frank Zappa. He played in local bands through junior high and high school during the 1960s. He began to study classical organ in 1970.
While attending Alamo Heights High School, Arthur Barrow cut his musical teeth playing lead guitar in rock bands such as The Restless Ones (Jesse Childs on bass, Mike Maxwell on drums, and Jim Collins on rhythm guitar) and The Wisdom (Ian "Toby" French on vocals, Raymond Tolbert on bass, Tom Graham on keyboards, James Yeverino on drums, and Jim Collins on rhythm guitar) playing fraternity parties, high school dances, and small concerts in the San Antonio area. His fellow band members knew that Arthur was "marked for greatness" due to his outstanding talent and ability to quickly learn songs and teach them to the other band members. (source?).
He attended North Texas State University (now University of North Texas) in Denton, Texas from 1971 to 1975 where he studied composition and organ. He began teaching himself bass guitar in 1974 while at school there. He spent many hours in the electronic music labs learning about analog synthesis on the Moog modular systems there. He graduated cum laude, receiving a bachelor of music degree with a major in composition, specializing in electronic music.
In 1975, he moved to Los Angeles to pursue a professional music career, with one of his main goals being to play in Frank Zappa's band. He took whatever kind of musical work he could get - night clubs, weddings, high school dances, a few sessions. He met Robby Krieger in 1976 and recorded synthesizer with The Doors on the album An American Prayer . He formed a jazz group with Bruce Fowler and Don Preston called Loose Connection in the latter 1970s. They made some recordings in Echo Park and performed a few times in Los Angeles. They did some recordings in Hollywood with Vinnie Colaiuta in December 1978.
In mid-1978, he passed the audition and began playing bass in Frank Zappa's band. In 1979, he also took on the duties of being the "clonemeister", or band rehearsal director. [1] The band rehearsed for eight to ten hours a day, five days a week. He would run the rehearsals for the first half of the day, then Zappa would take over when he arrived. He did four tours with Zappa and can be heard playing bass, guitar and keyboards on about a dozen recorded albums.
In the early 1980s, he co-wrote music, recorded and toured the U.S. with Robby Krieger. They had a live band then for a short time called Red Shift that did only a few recordings and gigs in the LA area. By this time, having a 1/2" eight track tape recorder, an electric piano and some synthesizer gear, he focused a lot of attention to writing and recording music at home.
He began working with Giorgio Moroder in the mid-1980s on albums and film sound tracks, including Scarface (1983) and Top Gun (1986). He did keyboards, programming, bass, and arranging for a wide range of artists including Joe Cocker, Diana Ross, Billy Idol, Berlin, The Motels, and others.
He opened his own Lotek recording studio in the Mar Vista district of Los Angeles in 1985. Through the latter 1980s and into the 1990s he has produced albums and composed sound tracks for films and television at his studio. He has composed and produced three solo CDs and he is currently working on a fourth CD as well as other projects, like the Strange News from Mars - feat. Tommy Mars and Jon Larsen, and The Mar Vista Philharmonic, featuring Tommy Mars, Bruce Fowler, Vinnie Colaiuta, and other Frank Zappa alumni, on the Zonic Entertainment label.
In 2010, he recorded an album with Robby Krieger called Singularity which was nominated for a Grammy. It includes performances by Vinnie Colaiuta, Bruce Fowler, Walt Fowler and Sal Marquez among others. Most of the album was co-written by Arthur Barrow and Robby Krieger and recorded at Barrow's studio.
In 2012 and again in 2015, Barrow did residencies at The University of North Texas in connection with a class on Frank Zappa which included concerts of Zappa'a music. View the 2015 concert here: He also did a Zappa residency and concert at The University of South Dakota in 2013.
In 2016, he published a memoir called "Of Course I Said Yes!" subtitled "The Amazing Adventures of a Life in Music." It describes his musical history from his youth up to the time of publication.
Vincent Peter Colaiuta is an American drummer known for his technical mastery who has worked as a session musician in many genres. He was inducted into the Modern Drummer Hall of Fame in 1996 and the Classic Drummer Hall of Fame in 2014. Colaiuta has won one Grammy Award and has been nominated twice. Since the late 1970s, he has recorded and toured with Frank Zappa, Joni Mitchell, and Sting, among many other appearances in the studio and in concert.
Them or Us is an album by American musician Frank Zappa, released in October 1984 by Barking Pumpkin Records.
Ship Arriving Too Late to Save a Drowning Witch is an album by American musician Frank Zappa, released in May 1982 and digitally remastered in 1991. It features five tracks composed by Zappa, and one song, "Valley Girl", co-written with his then-14 year old daughter Moon Zappa, who provided the spoken monologue mocking Valley girls, including phrases like "Gag me with a spoon!".
Frank Zappa Plays the Music of Frank Zappa: A Memorial Tribute is a posthumous album by Frank Zappa.
Shut Up 'n Play Yer Guitar is a series of three albums - Shut Up 'n Play Yer Guitar, Shut Up 'n Play Yer Guitar Some More, and Return of the Son of Shut Up 'n Play Yer Guitar - released by Frank Zappa in 1981. The albums consist solely of electric guitar instrumentals and improvised solos (mostly) played live by Zappa and featuring a wide variety of backing musicians.
You Can't Do That on Stage Anymore, Vol. 6 is the last of six double-disc collection volumes of live performances by Frank Zappa recorded between 1970 and 1988. All of the material on disc one has a sexual theme. Zappa used the monologue in "Is That Guy Kidding or What?" to ridicule Peter Frampton's album I'm in You with its double entendre title and pop pretensions. Disc two includes performances from Zappa's shows between 1976 and 1981 at the Palladium in New York City, as well as material like "The Illinois Enema Bandit" and "Strictly Genteel" that he frequently used as closing songs at concerts. It was released on October 23, 1992, under the label Rykodisc.
The Man from Utopia is an album by American musician Frank Zappa, released in March 1983 by Barking Pumpkin Records. The album is named after a 1950s song, written by Donald and Doris Woods, which Zappa covers as part of "The Man from Utopia Meets Mary Lou".
Guitar is a 1988 live album by Frank Zappa. It is the follow-up to 1981's Shut Up 'n Play Yer Guitar; like that album it features Zappa's guitar solos excerpted from live performances, recorded between 1979 and 1984. It garnered Zappa his sixth Grammy nomination for "Best Rock Instrumental Performance".
Back Against the Wall is an album released in 2005 by Billy Sherwood in collaboration with a number of (mostly) progressive rock artists as a tribute to Pink Floyd's album The Wall. A year later, Sherwood followed it with the release of Return to the Dark Side of the Moon, a tribute to Pink Floyd's The Dark Side of the Moon.
The Lost Episodes is a 1996 posthumous album by Frank Zappa which compiles previously unreleased material. Much of the material covered dates from early in his career, and as early as 1958, into the mid-1970s. Zappa had been working on these tracks in the years before his death in 1993.
Donald Ward Preston is an American jazz and rock keyboardist. He is best known for being a member of the original version of Frank Zappa's band The Mothers of Invention during the late 1960s. He continued to work with Zappa during the early 1970s following the band's split.
Tommy Mars is an American keyboard player known for his work with Frank Zappa.
Trance-Fusion is an album by Frank Zappa. Released posthumously in 2006, 13 years after the musician's death, the album forms the third in a trilogy of instrumental albums which focus on Zappa's improvised guitar solos, after Shut Up 'n Play Yer Guitar (1981) and Guitar (1988). Trance-Fusion was among the last albums completed by Zappa before his death, along with The Rage & The Fury: The Music Of Edgard Varèse, Dance Me This and Civilization Phaze III. It was also among the first releases by Zappa to be made available digitally via iTunes through Gail Zappa's distribution deal with Universal Music Enterprises.
Buffalo is a live album by Frank Zappa, posthumously released in April 2007 as a two-CD set, consisting of the complete concert given on October 25, 1980 at the Buffalo Memorial Auditorium in Buffalo, New York with a band that has previously been heard on Tinsel Town Rebellion (1981) and Shut Up 'n Play Yer Guitar (1981). It is the second installment on the Vaulternative Records label that is dedicated to the posthumous release of complete Zappa concerts, the first release being FZ:OZ, the concert on January 20, 1976 at the Hordern Pavilion in Sydney.
Return to the Dark Side of the Moon is a tribute album organised by Billy Sherwood, and released in 2006 on Purple Pyramid. It is a re-creation of Pink Floyd's The Dark Side of the Moon, and a sequel to Sherwood's Back Against the Wall, itself a re-creation of Pink Floyd's The Wall. Return to the Dark Side of the Moon, in addition includes an original piece composed by Sherwood in the style of the original album.
"My Guitar Wants to Kill Your Mama" is a song written by Frank Zappa and originally recorded by The Mothers of Invention in February 1969 at Criteria Studios (Miami), with overdubs recorded sometime between August and September 1969 at TTG Studios and Whitney Studios. This version was included on their 1970 album Weasels Ripped My Flesh, an LP that included various recordings by the band from 1967 to 1969. A second version was released as a single on the Bizarre and Reprise labels as "My Guitar." Despite the more conventional naming, "My Guitar" did not chart.
Tinsel Town Rebellion is a double live album released by Frank Zappa in May 1981. The album was conceived by Zappa after he scrapped the planned albums Warts and All and Crush All Boxes, and contains tracks that were intended for those albums.
One Shot Deal is an album by Frank Zappa, posthumously released in June 2008.
Edward L. Mann was an American musician best known for his mallet percussion performances onstage with Frank Zappa's ensemble from 1977 to 1988, and his appearances on over 30 of Zappa's albums, both studio recordings and with Zappa's band live. Mann also released a number of CDs as a bandleader and composer.
"I Don't Wanna Get Drafted" is a 1980 single by American musician Frank Zappa. The song peaked at #103 US Billboard Bubbling Under Hot 100 and #68 on the Cash Box charts, but more successfully reached #3 in Sweden. The original single version has never been reissued on LP or CD.
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