Ship Arriving Too Late to Save a Drowning Witch | ||||
---|---|---|---|---|
Studio album / Live album by | ||||
Released | May 3, 1982 | |||
Recorded | September 1981 – April 1982 | |||
Studio | UMRK (Los Angeles) (studio tracks) | |||
Genre | ||||
Length | 35:15 | |||
Label | Barking Pumpkin | |||
Producer | Frank Zappa | |||
Frank Zappa chronology | ||||
| ||||
Singles from Ship Arriving Too Late to Save a Drowning Witch | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | [1] |
Ship Arriving Too Late to Save a Drowning Witch is an album by American musician Frank Zappa, released in May 1982 and digitally remastered in 1991. It features five tracks composed by Zappa, and one song, "Valley Girl", co-written with his then-14 year old daughter Moon Zappa, who provided the spoken monologue mocking Valley girls, including phrases like "Gag me with a spoon!". [2]
The album's first half consists of studio recordings, while the second half consists of live recordings.
Side one was recorded at Zappa's Utility Muffin Research Kitchen studio at his home in Los Angeles; while side two consisted of live performances from Zappa's fall 1981 U.S. tour with studio overdubs. The live material was originally intended for a double album tentatively titled either Chalk Pie or Crush All Boxes II, which was scrapped after Zappa's record distributor requested a single album instead. [3]
The cover art for the album (from which it gets its name) shows the classic Droodle , by Roger Price. The shapes in the cover art also suggest the letters "ZA" (and "P", sideways), as in "Zappa". At the time of the album's production, Price was living nearby to Zappa. [4]
The phrase "Ebzen Sauce" in "No Not Now" is derived from "Epsom Salt", an alternative name for magnesium sulfate. This was apparently one of John Smothers's (Zappa's bodyguard) many malapropisms, which are also referred to in the song "Dong Work for Yuda" from Joe's Garage (1979). [5] In the February 1983 issue of Guitar Player magazine, the song was said to have an "extremely distinctive bass line", which Zappa liked "because for people who don't understand what's going on in the rest of the song, there's always the bass line". [6]
"Valley Girl" – the second song on the album, and the song that would eventually become the album's single – was a combination of a guitar riff that Frank had composed, and a desire from his daughter, Moon, to work with her father. Musically, it is one of the most atypical Zappa tunes because of how relatively "normal" it is compared to other compositions, and is played entirely in 4/4 with the exception of the 7/4 groove at the very end. Tom Mulhern observed in Guitar Player that the "red-hot" guitar riff had actually been mixed "back in the mix", which Zappa explained was "because it conflict[ed] with the vocal part. And that red-hot-sounding guitar was just me and the drummer jamming at three o'clock in the morning. That track was the basis for the song. It was a riff that started off at a soundcheck about a year before, and I had been piddling with it for a long time. One night, we finally did it, saved the tape, and little by little we added all of this other stuff to it, and we got 'Valley Girl'." Scott Thunes's bass line was spontaneous and played through a Vox amp, and was the final addition to the song, which originally "didn't even have a bass part; it was [originally] just guitar and drums". [6]
The pseudo-title track, "Drowning Witch", begins with lyrics based around the theme of the cover art, and segues into an instrumental section of typical (for Zappa) complexity and intricacy, featuring musical quotations from The Rite of Spring by Stravinsky and the Dragnet TV theme composed by Walter Schumann and Miklós Rózsa. In Guitar Player, Zappa commented that the album version included 15 edits between live performances from different cities. [6]
"Envelopes" was originally written in 1968 – with a prototype recording made that Zappa later recalled as being made the same year, but was in fact recorded in 1970 and eventually included in the posthumous CD box set The Mothers 1970 (2020) – and is constructed around a harmony based on seven and eight note chords that "generate their own counterpoint as an automatic result of the voice leading". [7]
Zappa's band for the fall 1981 and summer 1982 tours, which he would continue to feature on the next few albums and the You Can't Do That on Stage Anymore series, included Ray White on rhythm guitar and vocals, Steve Vai on guitar, Tommy Mars on keyboards, Bobby Martin on keyboards, saxophone and vocals, Ed Mann on percussion, Scott Thunes on bass and Chad Wackerman on drums. For studio sessions, he also used past band members including vocalists Ike Willis, Bob Harris and Roy Estrada and bassists Arthur Barrow and Patrick O'Hearn.
The album "was mixed on JBL 4311 speakers" with MicMix Dynaflanger and Aphex compressors, consequently giving a "played up" prominence to its songs' bass lines. [8] [6]
The original LP release contained a note that reads "This album has been engineered to sound correct on JBL 4311 speakers or an equivalent. Best results will be achieved if you set your pre-amp tone controls to the flat position with the loudness control in the off position. Before adding any treble or bass to the sound of the album, it would be advisable to check it out this way first. F.Z."
The LP also featured a "letter from FZ" advertising the Shut Up 'n Play Yer Guitar box set, which had previously only been made available separately in the United States and, at the time Ship Arriving Too Late to Save a Drowning Witch was released, was being made available for the first time in Europe. To promote the release of the UK box set, the first pressing of the UK edition of this album contained a 4-song 7-inch EP with A: "Shut Up & Play Yer Guitar" B1: "Variations on the Carlos Santana Secret Chord Progression" B2: "Why Johnny Can't Read?".
In some countries outside of the US, Track B1 is entitled on the label as: "Ship Arriving Too Late to Save a Drowning Witch".
It was issued on CD by EMI with The Man from Utopia (1983) on the same disc, and separately by Barking Pumpkin, and later Rykodisc.
It also had a release on 8-track tape. [9]
All songs written and composed by Frank Zappa, except where noted.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "No Not Now" | 5:50 | |
2. | "Valley Girl" |
| 4:50 |
3. | "I Come from Nowhere" | 6:13 | |
Total length: | 17:19 |
No. | Title | Length |
---|---|---|
1. | "Drowning Witch" | 12:03 |
2. | "Envelopes" | 2:46 |
3. | "Teen-Age Prostitute" | 2:43 |
Total length: | 17:56 |
Musicians
Billboard (United States)
Year | Chart | Position |
---|---|---|
1982 | Billboard 200 | 23 [10] |
Song | Chart | Peak position |
---|---|---|
"Valley Girl" | Mainstream Rock | 12 [10] |
Pop Singles | 32 [10] |
Them or Us is an album by American musician Frank Zappa, released in October 1984 by Barking Pumpkin Records.
Apostrophe (') is the sixth solo album and eighteenth in total by Frank Zappa, released in March 1974 in both stereo and quadraphonic formats. An edited version of its lead-off track, "Don't Eat the Yellow Snow", was the first of Zappa's three Billboard Top 100 hits, ultimately peaking at number 86. The album itself became the biggest commercial success of Zappa's career, reaching number 10 on the US Billboard 200.
Scott Thunes is a bass player, formerly with Frank Zappa, Wayne Kramer, Steve Vai, Andy Prieboy, Mike Keneally, Fear, The Waterboys, Big Bang Beat, and others.
Jazz from Hell is an instrumental album whose selections were all composed and recorded by American musician Frank Zappa. It was released on November 15, 1986, by Barking Pumpkin Records on vinyl and cassette, and in 1987 by Rykodisc on CD.
Thing-Fish is an album by Frank Zappa, originally released as a triple album box set on Barking Pumpkin Records in 1984. It was billed as a cast recording for a proposed musical of the same name, which was ultimately not produced by Zappa, but later performed partially in 2003, ten years after his death.
You Can't Do That on Stage Anymore, Vol. 1 is a double disc live album by Frank Zappa. It was released in 1988 under the label Rykodisc. It was the beginning of a six-volume, 12-CD set Zappa assembled of live performances throughout his career.
You Can't Do That on Stage Anymore, Vol. 3 is a double disc live album by Frank Zappa, spanning from December 10, 1971, to December 23, 1984. It was released in 1989.
You Can't Do That on Stage Anymore, Vol. 5 is a double compact disc collection of live recordings by Frank Zappa. Disc one comprises performances by the original Mothers of Invention, spanning the period from 1965 to 1969. "My Guitar" had been previously released as a single in 1969. Disc two comprises performances from the summer 1982 tour of Europe. It was released in 1992 under the label Rykodisc. The last track on this collection ends with Zappa's anger at some audience members tossing cigarettes on stage; after a warning to stop was not obeyed, the disc ends with Zappa stating, "Houselights! The concert's over!"
You Can't Do That on Stage Anymore, Vol. 6 is the last of six double-disc collection volumes of live performances by Frank Zappa recorded between 1970 and 1988. All of the material on Disc one has a sexual theme. Zappa used the monologue in "Is That Guy Kidding or What?", to ridicule Peter Frampton's album I'm in You with its double entendre title and pop pretensions. Disc two includes performances from Zappa's shows between 1976 and 1981 at the Palladium in New York City, as well as material like "The Illinois Enema Bandit" and "Strictly Genteel" that he frequently used as closing songs at concerts. It was released on October 23, 1992, under the label Rykodisc.
The Man from Utopia is an album by American musician Frank Zappa, released in March 1983 by Barking Pumpkin Records. The album is named after a 1950s song, written by Donald and Doris Woods, which Zappa covers as part of "The Man from Utopia Meets Mary Lou".
Does Humor Belong in Music? is a live album by Frank Zappa.
Guitar is a 1988 live album by Frank Zappa. It is the follow-up to 1981's Shut Up 'n Play Yer Guitar; like that album it features Zappa's guitar solos excerpted from live performances, recorded between 1979 and 1984. It garnered Zappa his sixth Grammy nomination for "Best Rock Instrumental Performance".
Make a Jazz Noise Here is a live double album by Frank Zappa. It was first released in June 1991, and was the third Zappa album to be compiled from recordings from his 1988 world tour, following Broadway the Hard Way (1988) and The Best Band You Never Heard in Your Life (1991). The album's cover art was made by Larry Grossman.
Trance-Fusion is an album by Frank Zappa. Released posthumously in 2006, 13 years after the musician's death, the album forms the third in a trilogy of instrumental albums which focus on Zappa's improvised guitar solos, after Shut Up 'n Play Yer Guitar (1981) and Guitar (1988). Trance-Fusion was among the last albums completed by Zappa before his death, along with The Rage & The Fury: The Music Of Edgard Varèse, Dance Me This and Civilization Phaze III. It was also among the first releases by Zappa to be made available digitally via iTunes through Gail Zappa's distribution deal with Universal Music Enterprises.
"Valley Girl" is a song by American musician Frank Zappa, released as the sole single from his 1982 album Ship Arriving Too Late to Save a Drowning Witch and featuring his then-14-year-old daughter Moon. Though Zappa intended it to mockingly satirize San Fernando Valley teen culture, the song's success inadvertently popularized the "valley girl" stereotype and its associated mannerisms. The song was also nominated for the Grammy Award for Best Rock Performance by a Duo or Group with Vocal at the 25th Annual Grammy Awards.
"Willie the Pimp" is a song from Frank Zappa's 1969 album Hot Rats. It features an idiosyncratic Captain Beefheart vocal and one of Zappa's classic guitar solos. It is the only track that is not instrumental on the album, though the track features a long guitar solo.
The Dub Room Special is an album by American musician Frank Zappa, released in August 2007. It is a soundtrack for the film of the same name, and combines recordings from a TV-show performance on August 27, 1974, and from a concert in New York City on October 31, 1981. The album, originally prepared for vinyl release by Zappa, was first sold at Zappa Plays Zappa shows in the United States during August 2007. Shortly thereafter, it became available for mail order.
One Shot Deal is an album by Frank Zappa, posthumously released in June 2008.
Ed Mann is a musician who has been "a drummer and piano dabbler since childhood." He is best known for his mallet percussion performances onstage with Frank Zappa's ensemble from 1977 to 1988, and his appearances on over 30 of Zappa's albums, both studio recordings and with Zappa's band live. Mann also has released a number of CDs as a bandleader and composer.
Halloween 81 is a live box set by Frank Zappa released posthumously on October 2, 2020. It is a compilation of live material in six CDs. Recorded between October 29 and November 1, 1981, it is the third album released in the Halloween box set series of live concerts that Frank Zappa performed yearly for Halloween. The live concert was the first live simulcast in cable history. It was also broadcast over the then-recently launched channel MTV. Material from these shows was used in later projects, such as The Dub Room Special and The Torture Never Stops.