Halloween 77 | ||||
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Live album by | ||||
Released | October 31, 2017 | |||
Recorded | October 28–31, 1977 | |||
Venue | Palladium (New York City) | |||
Genre | Progressive rock | |||
Length | 208:57(3CD) 945:29 (Digital) | |||
Label | Zappa Records | |||
Producer | Joe Travers | |||
Frank Zappa chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Halloween 77 is a live album by Frank Zappa, released in October 2017, consisting of six recordings of shows performed in late October 1977 at the Palladium in New York City. Portions of the October 29th, 30th and 31st concerts were previously released on the album Sheik Yerbouti and in the film Baby Snakes , both released in 1979.
It was released as a USB containing 24-bit WAV audio and as a 3-CD box set, containing a total of 158 tracks. The USB box set was designed to resemble a Halloween mask package containing a mask of Zappa's likeness. [2] [3] This format was replicated for the follow-up releases Halloween 73 (2019) and Halloween 81 (2020).
All tracks are written by Frank Zappa
No. | Title | Prior Release | Length |
---|---|---|---|
1. | "10-28-77 Show 1 Start/Introductions" | 3:28 | |
2. | "Peaches en Regalia" | 2:42 | |
3. | "The Torture Never Stops" | 13:05 | |
4. | "Trying To Grow A Chin" | 3:37 | |
5. | "City Of Tiny Lites" | 6:04 | |
6. | "Pound For A Brown" | 8:05 | |
7. | "Bobby Brown Goes Down" | 4:33 | |
8. | "Conehead (Instrumental)" | 9:19 | |
9. | "Flakes" | 4:03 | |
10. | "Big Leg Emma" | 1:47 | |
11. | "Envelopes" | 2:29 | |
12. | "Terry's Solo #1" | 4:42 | |
13. | "Disco Boy" | 3:53 | |
14. | "Läther" | 3:36 | |
15. | "Wild Love" | same performance as "Bowling on Charen" from Trance-Fusion (guitar solo only) | 24:05 |
16. | "Tittie's 'N Beer" | 7:16 | |
17. | "Audience Participation #1" | 0:48 | |
18. | "The Black Page #2" | 3:02 | |
19. | "Jones Crusher" | 2:48 | |
20. | "Broken Hearts Are For Assholes" | 3:52 | |
21. | "Punky's Whips" | 9:43 | |
22. | "Encore Audience #1" | 1:21 | |
23. | "Dinah-Moe Humm" | 4:55 | |
24. | "Camarillo Brillo" | 3:35 | |
25. | "Muffin Man" | 4:36 | |
Total length: | 137:24 |
No. | Title | Length |
---|---|---|
1. | "10-28-77 Show 2 Start/Introductions" | 3:13 |
2. | "Peaches en Regalia" | 2:42 |
3. | "The Torture Never Stops" | 12:33 |
4. | "Trying To Grow A Chin" | 3:37 |
5. | "City Of Tiny Lites" | 8:00 |
6. | "Pound For A Brown" | 9:19 |
7. | "Bobby Brown Goes Down" | 5:36 |
8. | "Conehead (Instrumental)" | 9:18 |
9. | "Flakes" | 4:10 |
10. | "Big Leg Emma" | 1:48 |
11. | "Envelopes" | 2:33 |
12. | "Terry's Solo #2" | 4:17 |
13. | "Disco Boy" | 3:54 |
14. | "Läther" | 3:42 |
15. | "Wild Love" | 26:01 |
16. | "Tittie's 'N Beer" | 7:50 |
17. | "Audience Participation #2" | 2:37 |
18. | "The Black Page #2" | 3:14 |
19. | "Jones Crusher" | 2:58 |
20. | "Broken Hearts Are For Assholes" | 3:54 |
21. | "Punky's Whips" | 9:51 |
22. | "Encore Audience #2" | 2:13 |
23. | "Dinah-Moe Humm" | 4:01 |
24. | "Camarillo Brillo" | 3:36 |
25. | "Muffin Man" | 6:20 |
Total length: | 147:17 |
No. | Title | Length |
---|---|---|
1. | "10-29-77 Show 1 Start/Introductions" | 4:06 |
2. | "Peaches en Regalia" | 2:42 |
3. | "The Torture Never Stops" | 12:59 |
4. | "Trying To Grow A Chin" | 3:34 |
5. | "City Of Tiny Lites" | 7:15 |
6. | "Pound For A Brown" | 8:26 |
7. | "Bobby Brown Goes Down" | 6:06 |
8. | "Conehead (Instrumental)" | 5:50 |
9. | "Flakes" | 3:53 |
10. | "Big Leg Emma" | 1:52 |
11. | "Envelopes" | 2:42 |
12. | "Terry's Solo #3" | 3:51 |
13. | "Disco Boy" | 3:57 |
14. | "Läther" | 3:40 |
15. | "Wild Love" | 22:51 |
16. | "Tittie's 'N Beer" | 6:01 |
17. | "Audience Participation #3" | 2:42 |
18. | "The Black Page #2" | 3:05 |
19. | "Jones Crusher" | 2:53 |
20. | "Broken Hearts Are For Assholes" | 3:50 |
21. | "Punky's Whips" | 9:18 |
22. | "Encore Audience #3" | 1:46 |
23. | "Dinah-Moe Humm" | 5:12 |
24. | "Camarillo Brillo" | 3:29 |
25. | "Muffin Man" | 5:09 |
Total length: | 137:09 |
No. | Title | Length |
---|---|---|
1. | "10-28-77 Show 2 Start/Introductions" | 4:21 |
2. | "Peaches En Regalia" | 2:42 |
3. | "The Torture Never Stops" | 11:30 |
4. | "Trying To Grow A Chin" | 3:36 |
5. | "City Of Tiny Lites" | 7:01 |
6. | "Pound For A Brown" | 9:05 |
7. | "Bobby Brown Goes Down" | 9:12 |
8. | "Conehead (Instrumental)" | 6:29 |
9. | "Flakes" | 3:28 |
10. | "Big Leg Emma" | 1:49 |
11. | "Envelopes" | 2:52 |
12. | "Terry's Solo #4" | 4:07 |
13. | "Disco Boy" | 3:54 |
14. | "Läther" | 3:56 |
15. | "Wild Love" | 27:33 |
16. | "Tittie's 'N Beer" | 8:12 |
17. | "Audience Participation #4" | 5:02 |
18. | "The Black Page #2" | 2:57 |
19. | "Jones Crusher" | 2:49 |
20. | "Broken Hearts Are For Assholes" | 3:48 |
21. | "Punky's Whips" | 9:36 |
22. | "Encore Audience #4" | 2:23 |
23. | "Dinah-Moe Humm" | 6:19 |
24. | "Camarillo Brillo" | 3:30 |
25. | "Muffin Man" | 6:02 |
Total length: | 152:13 |
No. | Title | Prior Release | Length |
---|---|---|---|
1. | "10-30-77 Show Start/Introductions" | 1:40 | |
2. | "Stink-Foot" | 7:45 | |
3. | "The Poodle Lecture" | same performance as You Can't Do That on Stage Anymore, Vol. 6 | 5:10 |
4. | "Dirty Love" | 2:32 | |
5. | "Peaches En Regalia" | 2:40 | |
6. | "The Torture Never Stops" | 12:53 | |
7. | "Tryin’ To Grow A Chin" | 3:32 | |
8. | "City Of Tiny Lites" | 7:36 | |
9. | "Pound For A Brown" | 10:03 | |
10. | "I Have Been In You" | same performance as You Can't Do That on Stage Anymore, Vol. 6, including "Is That Guy Kidding or What?" (spoken intro) | 8:35 |
11. | "Dancin' Fool (World Premiere)" | 4:50 | |
12. | "Jewish Princess (Prototype)" | same performance as Sheik Yerbouti and Have I Offended Someone?, with overdubs | 4:41 |
13. | "King Kong" | 8:45 | |
14. | "Terry's Solo #5" | 5:07 | |
15. | "Disco Boy" | 4:01 | |
16. | "Envelopes" | 2:19 | |
17. | "A Halloween Treat with Thomas Nordegg" | 6:17 | |
18. | "Läther" | 3:47 | |
19. | "Wild Love" | 25:19 | |
20. | "Titties 'N Beer" | 7:01 | |
21. | "Audience Participation #5" | 8:28 | |
22. | "The Black Page #2" | 2:59 | |
23. | "Jones Crusher" | 2:53 | |
24. | "Broken Hearts Are For Assoles" | 3:52 | |
25. | "Punky's Whips" | 12:36 | |
26. | "Encore Rap" | 1:11 | |
27. | "Dinah-Moe Humm" | 6:06 | |
28. | "Camarillo Brillo" | 3:27 | |
29. | "Muffin Man" | 5:18 | |
30. | "San Ber'dino" | 6:20 | |
Total length: | 187:43 |
No. | Title | Prior Release | Length |
---|---|---|---|
1. | "10-31-77 Show Start/Introductions" | 3:11 | |
2. | "Peaches En Regalia" | 2:42 | |
3. | "The Torture Never Stops" | 13:54 | |
4. | "Trying To Grow A Chin" | same performance as You Can't Do That on Stage Anymore, Vol. 6 | 3:35 |
5. | "City Of Tiny Lites" | 8:17 | |
6. | "Pound For A Brown" | 13:40 | |
7. | "The Demise Of the Imported Rubber Goods Mask" | 8:33 | |
8. | "Bobby Brown Goes Down" | 3:49 | |
9. | "Conehead (Instrumental)" | 8:21 | |
10. | "Flakes" | 3:04 | |
11. | "Big Leg Emma" | 1:58 | |
12. | "Envelopes" | 2:25 | |
13. | "Terry's Halloween Solo" | 4:38 | |
14. | "Disco Boy" | 3:55 | |
15. | "Läther" | 3:58 | |
16. | "Wild Love" | 30:11 | |
17. | "Tittie's 'N Beer" | 7:24 | |
18. | "Halloween Audience Participation" | 7:04 | |
19. | "The Black Page #2" | 2:55 | |
20. | "Jones Crusher" | same performance as Sheik Yerbouti, with overdubs | 2:58 |
21. | "Broken Hearts Are For Assholes" | 3:52 | |
22. | "Punky's Whips" | 11:23 | |
23. | "Halloween Encore Audience" | 2:07 | |
24. | "Dinah-Moe Humm" | 6:41 | |
25. | "Camarillo Brillo" | 3:24 | |
26. | "Muffin Man" | 5:21 | |
27. | "San Ber'dino" | 5:01 | |
28. | "Black Napkins" | 9:19 | |
Total length: | 183:43 |
No. | Title | Length |
---|---|---|
1. | "10-31-77 Show Start/Introductions" | 3:11 |
2. | "Peaches En Regalia" | 2:42 |
3. | "The Torture Never Stops" | 13:54 |
4. | "Trying To Grow A Chin" | 3:35 |
5. | "City Of Tiny Lites" | 8:17 |
6. | "Pound For A Brown" | 13:40 |
7. | "The Demise Of the Imported Rubber Goods Mask" | 8:33 |
8. | "Bobby Brown Goes Down" | 3:49 |
9. | "Conehead (Instrumental)" | 8:21 |
10. | "Flakes" | 3:04 |
11. | "Big Leg Emma" | 1:58 |
Total length: | 71:04 |
No. | Title | Length |
---|---|---|
1. | "Envelopes" | 2:25 |
2. | "Terry's Halloween Solo" | 4:38 |
3. | "Disco Boy" | 3:55 |
4. | "Läther" | 3:58 |
5. | "Wild Love" | 30:11 |
6. | "Tittie's 'N Beer" | 7:24 |
7. | "Halloween Audience Participation" | 7:04 |
8. | "The Black Page #2" | 2:55 |
9. | "Jones Crusher" | 2:58 |
10. | "Broken Hearts Are For Assholes" | 3:52 |
Total length: | 69:20 |
No. | Title | Length |
---|---|---|
1. | "Punky's Whips" | 11:23 |
2. | "Halloween Encore Audience" | 2:07 |
3. | "Dinah-Moe Humm" | 6:41 |
4. | "Camarillo Brillo" | 3:24 |
5. | "Muffin Man" | 5:21 |
6. | "San Ber'dino" | 5:01 |
7. | "Black Napkins" | 9:19 |
No. | Title | Length |
---|---|---|
8. | "King Kong" | 8:17 |
9. | "A Halloween Treat With Thomas Nordegg" | 6:15 |
10. | "Audience Participation #5" | 7:46 |
11. | "The Black Page #2" | 2:59 |
Total length: | 68:33 |
Quaudiophiliac is a compilation album featuring music by Frank Zappa, released in DVD-Audio format by Barking Pumpkin Records in 2004. It compiles recordings he made while experimenting with quadraphonic, or four-channel, sound in the 1970s. Zappa prepared quadraphonic mixes of a number of his 1970s albums, with both Over-Nite Sensation (1973) and Apostrophe (') (1974) being released in discrete quadraphonic on Zappa's DiscReet Records label.
Roxy & Elsewhere is a double live album by Frank Zappa and The Mothers, released on September 10, 1974. Most of the songs were recorded on December 8, 9 and 10, 1973 at The Roxy Theatre in Hollywood, California.
You Can't Do That on Stage Anymore, Vol. 3 is a double disc live album by Frank Zappa, spanning from December 10, 1971, to December 23, 1984. It was released in 1989.
You Can't Do That on Stage Anymore, Vol. 5 is a double compact disc collection of live recordings by Frank Zappa. Disc one comprises performances by the original Mothers of Invention, spanning the period from 1965 to 1969. "My Guitar" had been previously released as a single in 1969. Disc two comprises performances from the summer 1982 tour of Europe. It was released in 1992 under the label Rykodisc. The last track on this collection ends with Zappa's anger at some audience members tossing cigarettes on stage; after a warning to stop was not obeyed, the disc ends with Zappa stating, "Houselights! The concert's over!"
You Can't Do That on Stage Anymore, Vol. 6 is the last of six double-disc collection volumes of live performances by Frank Zappa recorded between 1970 and 1988. All of the material on Disc one has a sexual theme. Zappa used the monologue in "Is That Guy Kidding or What?" to ridicule Peter Frampton's album I'm in You with its double entendre title and pop pretensions. Disc two includes performances from Zappa's shows between 1976 and 1981 at the Palladium in New York City, as well as material like "The Illinois Enema Bandit" and "Strictly Genteel" that he frequently used as closing songs at concerts. It was released on October 23, 1992, under the label Rykodisc.
This is a list of albums by Frank Zappa, including all those credited to the Mothers of Invention. During his lifetime, Zappa released 62 albums. Since 1994, the Zappa Family Trust has released 66 posthumous albums as of June 2024, making a total of 128 albums/album sets.
Halloween is a live album by Frank Zappa, released in DVD-Audio format by Vaulternative Records in 2003. It features recordings compiled from various shows at The Palladium, New York City in late October 1978—including a Halloween show on October 31—along with some video content from the same period.
Läther is the sixty-fifth official album by Frank Zappa. It was released posthumously as a three-CD set on Rykodisc in 1996. The album's title is derived from bits of comic dialog that link the songs. Zappa also explained that the name is a joke, based on "common bastardized pronunciation of Germanic syllables by the Swiss."
Does Humor Belong in Music? is a live album by Frank Zappa.
Zappa in New York is a double live album by Frank Zappa released on his own DiscReet Records label, distributed by Warner Bros. Records. It was recorded in December 1976 at a series of concerts at the Palladium in New York City.
Zappa Plays Zappa is an American tribute act led by Dweezil Zappa, the elder son of late American composer and musician Frank Zappa, devoted to performing the music of Frank Zappa.
Buffalo is a live album by Frank Zappa, posthumously released in April 2007 as a two-CD set, consisting of the complete concert given on October 25, 1980 at the Buffalo Memorial Auditorium in Buffalo, New York with a band that has previously been heard on Tinsel Town Rebellion (1981) and Shut Up 'n Play Yer Guitar (1981). It is the second installment on the Vaulternative Records label that is dedicated to the posthumous release of complete Zappa concerts, the first release being FZ:OZ, the concert on January 20, 1976 at the Hordern Pavilion in Sydney.
Tinsel Town Rebellion is a double live album released by Frank Zappa in May 1981. The album was conceived by Zappa after he scrapped the planned albums Warts and All and Crush All Boxes, and contains tracks that were intended for those albums.
Joe's Menage is a live album by Frank Zappa, posthumously released on October 1, 2008. It contains previously unreleased material from 1975. It is the fourth album in the "Joe's Corsage" series, which is devoted to various rarities compiled by Joe Travers for the Zappa Family Trust. This album contains material from a concert in Williamsburg on November 1, 1975. It presents for the first time extensive recordings featuring vocalist and alto saxophonist Norma Jean Bell, who was only in Zappa's touring band for a brief period in late 1975.
You Are What You Is is a 1981 double album by American musician Frank Zappa. His 34th album, it consists of three musical suites which encompass pop, doo-wop, jazz, hard rock, reggae, soul, blues, new wave and country. The album's lyrics satirize a number of topics, including hippies, socialites, fashion, narcotics use, cultural appropriation, religion, televangelists and the military draft.
Chicago '78 is a two-disc live album by guitarist, singer, and songwriter Frank Zappa, released in November 2016, consisting of the recording of the entire second concert performed on September 29, 1978 at the Uptown Theatre in Chicago, Illinois.
The Roxy Performances is a box set by Frank Zappa. It was released as a 7-CD boxset on February 2, 2018. The collection contains four full shows, a rehearsal, a recording session at Bolic Sound, a sound check, and a previously unreleased version of "The Idiot Bastard Son" titled "That Arrogant Dick Nixon".
Halloween 73 is a live album by Frank Zappa, released in October 2019, consisting of recordings from the six Halloween shows in Chicago. It was released in a 4-CD boxed set and a different version of the album containing the highlights on a single CD.
The Mothers 1970 is a 4-CD box set celebrating the 50th anniversary of the short-lived 1970 line-up of Rock-band The Mothers. It compiles 70 unreleased tracks recorded during this era of the band.
Halloween 81 is a live box set by Frank Zappa released posthumously on October 2, 2020. It is a compilation of live material in six CDs. Recorded between October 29 and November 1, 1981, it is the third album released in the Halloween box set series of live concerts that Frank Zappa performed yearly for Halloween. The live concert was the first live simulcast in cable history. It was also broadcast over the then-recently launched channel MTV. Material from these shows was used in later projects, such as The Dub Room Special and The Torture Never Stops.