One Size Fits All | ||||
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Studio album with live elementsby | ||||
Released | June 25, 1975 | |||
Recorded | August 27, 1974– April 1975 | |||
Studio | Record Plant Studios, Los Angeles, CA; Caribou Ranch, Nederland, CO; and Paramount Studios, Los Angeles, CA | |||
Genre | ||||
Length | 43:55 | |||
Label | DiscReet | |||
Producer | Frank Zappa | |||
Frank Zappa and the Mothers of Invention chronology | ||||
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Singles from One Size Fits All | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Christgau's Record Guide | C+ [2] |
Kerrang! | [3] |
One Size Fits All is the fourteenth album by the Mothers of Invention, and the twentieth overall album by Frank Zappa, released in June 1975. The album reached #26 on the Billboard Top LPs & Tape chart in the United States in August 1975.
The album features the summer/fall 1974 lineup of the Mothers of Invention, with keyboardist/vocalist George Duke, drummer Chester Thompson, percussionist Ruth Underwood, bass guitarist Tom Fowler and saxophonist/vocalist Napoleon Murphy Brock. “Can’t Afford No Shoes” features bassist James Youman, who temporarily joined when Fowler broke his hand while on tour (an incident referenced by Zappa in the credits).
The album features one of Zappa's most complex tracks, "Inca Roads". The basic tracks of this piece originated from a TV recording at the KCET studios in Los Angeles on August 27, 1974, while the guitar solo came from a concert in Helsinki on September 22 or 23, 1974. "Florentine Pogen"'s basic tracks were also from the KCET recording, which would later be a source of Zappa's video release The Dub Room Special, while in 1988 Zappa released You Can't Do That on Stage Anymore, Vol. 2 from the Helsinki concerts, including the unedited "Inca Roads" solo.
Johnny "Guitar" Watson, one of Zappa's musical heroes, guests on two tracks ("flambé" vocals on the out-choruses of "San Ber'dino" and "Andy"). [4] Captain Beefheart also appears under a pseudonym.
Zappa was very proud of this album [5] and he complained bitterly to fans about the lack of promotion given to it by the distributor Warner Bros. Records. [6]
Zappa stated in the liner notes that the album was recorded simultaneously with his next studio album, but this "next album" would be replaced by Bongo Fury, consisting mostly of live recordings with Beefheart from May 1975. From comments Zappa made in radio interviews in April 1975, it seems likely that the unreleased next album would have included "Greggery Peccary," which first appeared three years later on Studio Tan.
Early U.S. LP pressings of One Size Fits All are notable in that they have the catalog number "BS 2879" inscribed - and crossed out - in the runoff matrix, indicating that at one point One Size Fits All was planned for release on the Warner Bros. label. An April 1975 interview with Zappa confirms this. [5] The Warner subsidiary Reprise Records distributed Zappa's DiscReet Records label. The album was ultimately released on DiscReet with a catalog number in Reprise's sequence, DS 2216. Warner Bros. did not reassign the number BS 2879 to another album.
In addition to the usual stereo version, a four-channel quadraphonic version of this album was also advertised but never released. The quadraphonic version was assigned catalog number BS4-2879 for release on LP in the Compatible Discrete 4 format and L9B-2879 Quadraphonic 8-track tape format. [7]
One Size Fits All was first released on CD by Rykodisc in 1988. It was reissued by Rykodisc in 1995 with restored cover art, but with identical sound quality. In 1996 a 24-karat gold Au20 edition was released with significantly improved sound quality. In 2012 it was remastered and reissued yet again by the Universal Music Group under the Zappa Records imprint.
Village Voice critic Robert Christgau wrote in his review: "Zappa's music has gotten a little slicker rhythmically—which is what happens when you consort with jazz guys—but basically it's unchanged. And his satire has neither improved nor deteriorated—if his contempt would be beneath an overbright high school junior, there's also a brief lieder parody that I'd love to jam onto WQXR." [2] ("Evelyn, A Modified Dog" or "Sofa No.2" is the "lieder parody" Christgau had in mind.)
All tracks are written by Frank Zappa
No. | Title | Length |
---|---|---|
1. | "Inca Roads" | 8:45 |
2. | "Can't Afford No Shoes" | 2:38 |
3. | "Sofa No. 1" | 2:39 |
4. | "Po-Jama People" | 7:39 |
Total length: | 22:15 |
No. | Title | Length |
---|---|---|
5. | "Florentine Pogen" | 5:27 |
6. | "Evelyn, A Modified Dog" | 1:04 |
7. | "San Ber'dino" | 5:57 |
8. | "Andy" | 6:04 |
9. | "Sofa No. 2" | 2:42 |
Total length: | 21:40 |
Chart (1975) | Peak position |
---|---|
Australia (Kent Music Report) [8] | 81 |
US Top LPs & Tape (Billboard) [9] | 26 |
Hot Rats is the second solo album by Frank Zappa, released in October 1969. It was Zappa's first recording project after the dissolution of the original version of the Mothers of Invention. Five of the six songs are instrumental, while "Willie the Pimp" features vocals by Captain Beefheart. In his original sleeve notes, Zappa described the album as "a movie for your ears".
Bizarre Records, self-identified simply as Bizarre, was a production company and record label formed for artists discovered by rock musician Frank Zappa and his business partner/manager Herb Cohen.
Straight Records, self-identified simply as Straight, was a record label formed in 1969 to distribute productions and discoveries of Frank Zappa and his business partner/manager Herb Cohen. Straight was formed at the same time as a companion label, Bizarre Records. Straight and Bizarre were manufactured and distributed in the U.S. by the Warner Bros. Records family of labels, which also included Reprise Records. Straight recordings were distributed in the U.K. by CBS Records.
The Best Band You Never Heard in Your Life is a double-disc live album by American musician Frank Zappa, released in 1991. The album was one of four that were recorded during the 1988 world tour; the other three were Broadway the Hard Way, Make a Jazz Noise Here, and Zappa '88: The Last U.S. Show.
Apostrophe (') is the sixth solo album and eighteenth in total by Frank Zappa, released in March 1974 in both stereo and quadraphonic formats. An edited version of its lead-off track, "Don't Eat the Yellow Snow", was the first of Zappa's three Billboard Top 100 hits, ultimately peaking at number 86. The album itself became the biggest commercial success of Zappa's career, reaching number 10 on the US Billboard 200.
Weasels Ripped My Flesh is the eighth album by the American rock group the Mothers of Invention, and the tenth overall by Frank Zappa, released in 1970. Following the Mothers' late 1969 split, Zappa assembled two albums - Burnt Weeny Sandwich and Weasels Ripped My Flesh - from unreleased studio and live recordings by the band, as well as some outtakes/leftovers from his 1969 solo album Hot Rats. While Burnt Weeny Sandwich focuses mostly on studio recordings and tightly arranged compositions, Weasels Ripped My Flesh focuses mostly on live recordings and loose/improvisational pieces.
Quaudiophiliac is a compilation album featuring music by Frank Zappa, released in DVD-Audio format by Barking Pumpkin Records in 2004. It compiles recordings he made while experimenting with quadraphonic, or four-channel, sound in the 1970s. Zappa prepared quadraphonic mixes of a number of his 1970s albums, with both Over-Nite Sensation (1973) and Apostrophe (') (1974) being released in discrete quadraphonic on Zappa's DiscReet Records label.
Roxy & Elsewhere is a double live album by Frank Zappa and The Mothers, released on September 10, 1974. Most of the songs were recorded on December 8, 9 and 10, 1973 at The Roxy Theatre in Hollywood, California.
Bongo Fury is a collaborative album by American artists Frank Zappa, Captain Beefheart, and Zappa's band the Mothers, released in October 1975. The live portions were recorded on May 20 and 21, 1975, at the Armadillo World Headquarters in Austin, Texas. Tracks 5, 6 and 9 are studio tracks recorded in January 1975 during the sessions which produced One Size Fits All (1975) and much of Studio Tan (1978).
Zoot Allures is the 22nd album by the American rock musician Frank Zappa, released in October 1976 and his only release on the Warner Bros. Records label. Due to a lawsuit with his former manager, Herb Cohen, Zappa's recording contract was temporarily reassigned from DiscReet Records to Warner Bros.
Shiny Beast (Bat Chain Puller) is the tenth studio album by American band Captain Beefheart and the Magic Band, released in October 1978 by Warner Bros. Records. The album emerged from production difficulties surrounding Bat Chain Puller, an album Captain Beefheart recorded for DiscReet and Virgin Records in 1976. DiscReet co-founders Herb Cohen and Frank Zappa feuded over the production of the album, because Cohen funded the production with Zappa's royalty checks. Captain Beefheart recorded a new album titled Shiny Beast (Bat Chain Puller) after Zappa withheld the master tapes of the original Bat Chain Puller album.
Sleep Dirt is an album by Frank Zappa, released in January 1979 on his own DiscReet Records label, distributed by Warner Bros. Records. It reached No. 175 on the Billboard 200 album chart in the United States.
Läther is the sixty-fifth official album by Frank Zappa. It was released posthumously as a three-CD set on Rykodisc in 1996. The album's title is derived from bits of comic dialog that link the songs. Zappa also explained that the name is a joke, based on "common bastardized pronunciation of Germanic syllables by the Swiss."
Zappa in New York is a double live album by Frank Zappa released on his own DiscReet Records label, distributed by Warner Bros. Records. It was recorded in December 1976 at a series of concerts at the Palladium in New York City.
Studio Tan is an album by American musician Frank Zappa, released in September 1978 on his own DiscReet Records label, distribued by Warner Bros Records. It reached No. 147 on the Billboard 200 albums chart in the United States.
Orchestral Favorites is an album by Frank Zappa, released in May 1979 on his own DiscReet Records label. The album is entirely instrumental and features music performed by the 37-piece Abnuceals Emuukha Electric Symphony Orchestra. It reached No .168 on the Billboard 200 album chart in the United States.
The Lost Episodes is a 1996 posthumous album by Frank Zappa which compiles previously unreleased material. Much of the material covered dates from early in his career, and as early as 1958, into the mid-1970s. Zappa had been working on these tracks in the years before his death in 1993.
Bat Chain Puller is the 13th studio album by Captain Beefheart, released on February 22, 2012. It was recorded in 1976 by DiscReet Records, who had intended to release it with Virgin Records as Captain Beefheart's tenth studio album. It was co-produced by Beefheart and Kerry McNab.
DiscReet Records, self-identified simply as DiscReet, was a record label founded by Frank Zappa and his then business partner and manager Herb Cohen. The name of the label was a pun derived from disc and the Compatible Discrete 4 process of encoding quadraphonic sound signals into phonograph records.
"Advance Romance" is a Frank Zappa song originally from his live album with Captain Beefheart, Bongo Fury. Other versions of the song can be found on You Can't Do That on Stage Anymore, Vol. 3, You Can't Do That On Stage Anymore, Vol. 5, and Make a Jazz Noise Here. It is a humorous parody of typical love songs and is sung by Napoleon Murphy Brock with George Duke. The song was played from 1975 to 1976 and from 1982 to 1988 making the song one of Zappa's most performed. Almost all of Zappa's lineups after its release on Bongo Fury played this song in concert.
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