Songs
Zappa intended the album to be divided into two operatic suites with all the songs continually linked,which at the time of recording predated the release of The Who’s "A Quick One While He’s Away" and The Beatles’ Sgt. Pepper's Lonely Hearts Club Band . The first suite,entitled “Absolutely Free”,is essentially a send-up of a romantic love story with fruits and vegetables acting as a metaphor for people;the second suite,“The M.O.I. American Pageant”,is a trenchant social commentary on American life including aspects of social status and mobility,consumerism,alcoholism,greed,and political corruption.
Plastic People
“Plastic People”evolved from the group’s cover of "Louie Louie",with new lyrics. It opens with an announcement of the President of the United States,who is ill and needs chicken soup,before going on to critique the “plastic”hippies who hung out at clubs like Pandora's Box,the epicenter of the Sunset Strip Riots happening at the time of the album’s recording. [8] "Son of Suzy Creamcheese" later in the album goes further into the subject,which presages the themes of The Mothers' next album.
The Duke of Prunes
The primary subject of the suite,food,appears on this mock-AOR love ballad with comedic lyrics improvised by Ray Collins. Originally based on a Zappa composition titled “And Very True”,the subject involves Ray,as the Duke of Prunes,attempting to pick up a woman at the supermarket by using food references that are meant as euphemisms for sex. [8]
Amnesia Vivace
According to the album’s libretto,the Duke attempts to pick up two cheerleaders in a parking lot when they bash him in the face,giving him amnesia. [5] This is portrayed musically as a one minute free-jazz freak out which eventually quotes Stravinsky’s The Firebird .
The Duke Regains His Chops
The Duke suddenly recovers his memory as a reprise of “Duke of Prunes”appears in a faster tempo before the Duke attempts his final pick-up by singing a Supremes-like tune reminiscent of "Baby Love".
Call Any Vegetable
The food imagery continues on this frantic rocker,although Zappa claimed “vegetables”referred to people who are inactive in society,but who might be “woken up”if moved sufficiently—hence the idea to call the vegetable and release the person from apathy. [8]
Invocation and Ritual Dance of the Young Pumpkin
This seven-minute instrumental opens with a quote from Holst’s The Planets before morphing into a wild,proto-jazz fusion group jam in which Zappa displays his improvisational guitar skills for the first time on record.
Soft-Cell Conclusion
A reprise of “Call Any Vegetable”,somewhat slower and bluesier with harmonica accompaniment,in which Zappa instructs his listeners how to call to vegetables. The speed then increases to a very fast tempo before ending on a series of sexual pants.
America Drinks
The second suite opens with this send-up of a lounge ballad,sung deliberately off-tempo as if the singer is very drunk,to illustrate the empty phoniness of American culture. This is followed by quotes from Fucik’s "Entrance of the Gladiators" and the overture to Rimsky-Korsakov's The Tsar’s Bride ,for a cartoonish circus ambience.
Status Back Baby
One of Zappa’s doo-wop parodies,although there are oblique insertions of quotes from Stravinsky and Debussy. The lyrical content skewers high school social cliques,as a self-absorbed jock finds he’s losing status with the pom-pom girls. [8]
Uncle Bernie’s Farm
This relatively straightforward,fast-paced rocker critiques the makers of violent children’s toys and compares them to the child’s equally plastic parents. It closes with several overlapping voices attempting to sell the listener toy bombs,rockets,intestines,brass knuckles,and other grotesque products.
Son of Suzy Creamcheese
The character of Suzy Creamcheese,a groupie,was first introduced on Freak Out! Here we learn more about her desire to be "in" as she drops acid,stays out all night on Sunset Strip,steals her boyfriend’s stash of drugs and attends a protest march in Berkeley. [8] Zappa admitted that the rocker was one of the most difficult songs for The Mothers to learn to play due to its dizzying change of time signatures,moving between 4/4,8/8,9/8,4/8,5/8,6/8 and back to 4/4. [9]
Brown Shoes Don’t Make It
Described by François Couture of AllMusic as a "condensed two-hour musical",the album’s longest song,at over seven minutes,moves through 22 distinct sections covering psychedelia,chamber music,Sprechstimme,garage rock,classical,music hall,doo-wop,The Beach Boys,electronics,and more. [10] It is the only track on the album to feature outside orchestration,which climaxes the piece. There is also a homemade synthesizer played by Don Preston,one of the earliest appearances of such an instrument on a rock record. The song’s primary subject is corruption in politics,as a city hall official fantasizes sleeping with a thirteen-year-old girl in graphic detail. The line “I’d like to make her do a nasty on the White House lawn”apparently held up the album’s release,as an MGM exec protested its inclusion and wanted to change the line to "I'd like to make her do a crossworld puzzle on the back of TV Guide." [9]
America Drinks and Goes Home
A reprise of “America Drinks”set at the "Pompadour-a-Go-Go",this is a similar piano-based lounge ballad Zappa penned in 1964 over which sounds of drinking,gambling,and slot machines get louder until the song fades and only the sounds of drunk partygoers' grotesque laughs and screams remain,meant to illustrate the casual disrespect such audiences have for the performers. [8] There is a stylistic similarity between this number and the later Beatles B-side "You Know My Name (Look Up the Number)" as well as The Rolling Stones’“On with the Show”.
