"Plastic People" is the first track of the Mothers of Invention's 1967 album Absolutely Free . A live version from 1969 is featured on You Can't Do That on Stage Anymore, Vol. 1 , released in 1988, as Track 1 on disc 2, along with a "Louie, Louie/Plastic People"-like version titled "Ruthie-Ruthie" from 1974 as Track 10 on disc 1. It was also featured on the 1998 Mystery Disc release.
"Plastic People" | |
---|---|
Song by The Mothers of Invention | |
from the album Absolutely Free | |
Released | May 26, 1967 |
Recorded | November 15, 1966 [1] |
Genre | Experimental rock |
Length | 3:42 |
Label | Verve |
Composer(s) | Frank Zappa [2] |
Producer(s) | Frank Zappa, Tom Wilson |
The title was the inspiration for the name of the Czech band Plastic People of the Universe. [3] The tune is loosely based on Richard Berry's 1957 classic "Louie Louie". The song is a manifesto against conformity and materialistic culture, with Frank Zappa finally asking, "Go home/and check yourself/you think we're singing 'bout someone else?"
It is sampled throughout the GZA single "Cold World" from the Liquid Swords album. [4]
Frank Vincent Zappa was an American musician, composer, and bandleader. In a career spanning more than 30 years, Zappa composed rock, pop, jazz, jazz fusion, orchestral and musique concrète works; he also produced almost all of the 60-plus albums that he released with his band the Mothers of Invention and as a solo artist. His work is characterized by nonconformity, improvisation sound experimentation, musical virtuosity and satire of American culture. Zappa also directed feature-length films and music videos, and designed album covers. He is considered one of the most innovative and stylistically diverse musicians of his generation.
"Louie Louie" is a rhythm and blues song written and composed by American musician Richard Berry in 1955, recorded in 1956, and released in 1957. It is best known for the 1963 hit version by the Kingsmen and has become a standard in pop and rock. The song is based on the tune "El Loco Cha Cha" popularized by bandleader René Touzet and is an example of Afro-Cuban influence on American popular music.
Liquid Swords is the second solo studio album by the American rapper and Wu-Tang Clan member GZA, released on November 7, 1995, by Geffen Records. Recording sessions for the album began midway through 1995 at producer RZA's basement studio in the New York City borough of Staten Island. The album heavily samples dialogue from the martial arts film Shogun Assassin and maintains a dark atmosphere throughout, incorporating lyrical references to chess, crime and philosophy. Liquid Swords features numerous guest appearances from the other eight members of Wu-Tang Clan along with Wu-Tang affiliate Killah Priest.
Some Time in New York City is a part-studio, part-live double album by John Lennon and Yoko Ono as Plastic Ono Band that included backing by the American rock band Elephant's Memory. Released in June 1972 in the US and in September 1972 in the UK on Apple Records, it is Lennon's sixth album to be released under his own name, and his fourth with Ono. Like Lennon's previous solo albums, it was co-produced by Lennon, Ono and Phil Spector. The album's agitprop lyrics are politically charged compared to its predecessors, addressing political and social issues and topics such as sexism, incarceration, colonialism, and racism.
Absolutely Free is the second album by American rock band the Mothers of Invention, released on May 26, 1967, by Verve Records. Much like their 1966 debut Freak Out!, the album is a display of complex musical composition with political and social satire, whose blend of jazz, classical, avant-garde and rock idioms within multi-sectional, suite-like compositions is seen as an important and influential precursor to progressive rock. The band had been augmented since Freak Out! by the addition of woodwinds player Bunk Gardner, keyboardist Don Preston, rhythm guitarist Jim Fielder, and drummer Billy Mundi; Fielder quit the group before the album was released, and his name was removed from the album credits.
Freak Out! is the debut studio album by the American rock band the Mothers of Invention, released on June 27, 1966, by Verve Records. Often cited as one of rock music's first concept albums, it is a satirical expression of guitarist/bandleader Frank Zappa's perception of American pop culture and the nascent freak scene of Los Angeles. It was the second rock music double album ever released, following Bob Dylan's Blonde on Blonde just one week earlier, as well as the first double debut album by a rock artist. In the UK, the album was originally released as an edited single disc.
Uncle Meat is the sixth album by the Mothers of Invention, and seventh overall by Frank Zappa, released as a double album in 1969. Uncle Meat was originally developed as a part of No Commercial Potential, a project which spawned three other albums sharing a conceptual connection: We're Only in It for the Money, Lumpy Gravy and Cruising with Ruben & the Jets.
Hot Rats is the second solo album by Frank Zappa, released in October 1969. It was Zappa's first recording project after the dissolution of the original lineup of the Mothers of Invention. Five of the six songs are instrumental, while "Willie the Pimp" features vocals by Captain Beefheart. In his original sleeve notes, Zappa described the album as "a movie for your ears".
Lumpy Gravy is a 1968 solo album by Frank Zappa, written by Zappa and performed by a group of session players he dubbed the Abnuceals Emuukha Electric Symphony Orchestra & Chorus. Zappa conducted the orchestra but did not perform on the album. It is his fourth album overall: his previous releases had been under the name of his group, the Mothers of Invention.
The Plastic Ono Band was a rock band and Fluxus-based artist collective formed by John Lennon and Yoko Ono in 1968-9 for their collaborative musical and sound art projects, films, conceptual art projects and eventual solo LPs. The creation of The Plastic Ono Band, which began in 1967 with Ono's idea for an art exhibition in Berlin, allowed Lennon to separate his artistic output from that of The Beatles.
One Size Fits All is the fourteenth album by the Mothers of Invention, and the twentieth overall album by Frank Zappa, released in June 1975. The album reached #26 on the Billboard Top LPs & Tape chart in the United States in August 1975.
Zoot Allures is the 22nd album by the American rock musician Frank Zappa, released in October 1976 and his only release on the Warner Bros. Records label. Due to a lawsuit with his former manager Herb Cohen, Zappa's recording contract was temporarily reassigned from DiscReet Records to Warner Bros.
Läther is the sixty-fifth official album by Frank Zappa. It was released posthumously as a three-CD set on Rykodisc in 1996. The album's title is derived from bits of comic dialog that link the songs. Zappa also explained that the name is a joke, based on "common bastardized pronunciation of Germanic syllables by the Swiss."
The Lost Episodes is a 1996 posthumous album by Frank Zappa which compiles previously unreleased material. Much of the material covered dates from early in his career, and as early as 1958, into the mid-1970s. Zappa had been working on these tracks in the years before his death in 1993.
Mystery Disc is a compilation album by Frank Zappa. It was released on CD in 1998, compiling tracks that were originally released on two separate vinyl records and included in the mail order Old Masters box sets, which were released in three volumes between 1985 and 1987. The CD omits the last two tracks from the 1985 LP, "Why Don'tcha Do Me Right?" and "Big Leg Emma", both of which were included on the CD version of Absolutely Free (1967) in 1989.
"The Return of the Son of Monster Magnet" is a Frank Zappa composition, performed by the Mothers of Invention, released on the Mothers' debut album, Freak Out!. It is the longest song on the album, at 12:17, consisting of 2 parts: "Ritual Dance Of The Child-Killer", and "Nullis Pretii ". The composition includes a musical quote from "Louie Louie".
The Old Masters is a box set series by Frank Zappa, released in three volumes on Barking Pumpkin Records from April 1985 to December 1987, consisting of studio and live albums by Zappa and The Mothers of Invention originally released from 1966 to 1976 on other labels, as well as "Mystery Discs" which contained previously unreleased material. The graphics on all three sets was airbrush illustrated by Larry Grossman. 200 Motels was not included in the series, as it was the only Zappa/Mothers album for which Zappa was unable to secure the rights.
Instant Karma: All-Time Greatest Hits, a three-disc compilation album of music recorded by John Lennon, is a budget release targeted for sale at warehouse-type stores such as Sam's Club and Costco. The album was released in 2002 by Timeless/Traditions Alive Music under license from Capitol/EMI Special Projects.
Carnegie Hall is a quadruple live album by Frank Zappa and The Mothers of Invention, released posthumously on October 31, 2011, by the Zappa Family Trust on Vaulternative Records. It is a mono recording of the two shows given on October 11, 1971 at Carnegie Hall in New York City and the sixth installment on the Vaulternative Records label that is dedicated to the posthumous release of complete Zappa concerts, following the releases of FZ:OZ (2002), Buffalo (2007), Wazoo (2007), Philly '76 (2009) and Hammersmith Odeon (2010).
The Hot Rats Sessions is a 6-CD box set celebrating the 50th anniversary of the Frank Zappa album Hot Rats. It was released on December 20, 2019.