Sheik Yerbouti is a double album by American musician Frank Zappa, released in March 1979 as the first release on Zappa Records It is mostly made up of live material recorded in 1977 and 1978, with extensive overdubs added in the studio. In an October 1978 interview, Zappa gave the working album title as Martian Love Secrets. It was later released on a single CD.
Them or Us is an album by American musician Frank Zappa, released in October 1984 by Barking Pumpkin Records.
Burnt Weeny Sandwich is the seventh album by the American rock band the Mothers of Invention, and the ninth overall by Frank Zappa, released in 1970. It consists of both studio recordings and live elements. In contrast to the next album Weasels Ripped My Flesh, which is predominantly live and song-oriented, most of Burnt Weeny Sandwich focuses on studio recordings and tightly arranged compositions.
Frank Zappa Plays the Music of Frank Zappa: A Memorial Tribute is a posthumous album by Frank Zappa.
The project Shut Up 'n Play Yer Guitar consisting of Shut Up 'n Play Yer Guitar, Shut Up 'n Play Yer Guitar Some More and Return of the Son of Shut Up 'n Play Yer Guitar is a series of albums by Frank Zappa. The albums consist solely of electric guitar instrumentals and improvised solos (mostly) played live by Zappa and featuring a wide variety of backing musicians.
Thing-Fish is an album by Frank Zappa, originally released as a triple album box set on Barking Pumpkin Records in 1984. It was billed as a cast recording for a proposed musical of the same name, which was ultimately not produced by Zappa, but later performed partially in 2003, ten years after his death.
Zoot Allures is the 22nd album by the American rock musician Frank Zappa, released in October 1976 and his only release on the Warner Bros. Records label. Due to a lawsuit with his former manager, Herb Cohen, Zappa's recording contract was temporarily reassigned from DiscReet Records to Warner Bros.
Roy Estrada is an American former musician. He is best known for his bass guitar work with Frank Zappa and the Mothers of Invention; for having been a founding member of Little Feat, playing on their first two studio albums; and for being a member of Captain Beefheart's the Magic Band.
FZ:OZ is a live album by Frank Zappa, released in 2002 as a two-CD set and is the first release on the Vaulternative Records label from the Zappa Family Trust. It contains almost all of the January 20, 1976 concert at the Hordern Pavilion in Sydney, Australia.
Uncle Meat is a 1987 film written and directed by Frank Zappa. It was conceived in 1968 as a vehicle for the Mothers of Invention, but remained unfinished until 20 years after the production began.
"Wind Up Workin' in a Gas Station" is the opening song on Frank Zappa's 1976 album Zoot Allures. The song contains a fake German accent from Zappa as a result of Zappa's fascination with the German culture. In concert, the extensive repetition of the lines "Show me your thumb if you're really dumb" was given the response by the audience members putting both thumbs firmly in the air. Despite the lyrics being pessimistic, the song became a fan favorite. A live version can be found on You Can't Do That on Stage Anymore, Vol. 6.
"Who Are the Brain Police?" is a Frank Zappa song, performed by The Mothers of Invention, released on the Mothers' debut album, Freak Out!. It was released by Verve Records as a single in 1966. Zappa said the song had a religious theme, according to one source.
The **** of the Mothers is an out-of-print compilation album of early works by The Mothers of Invention, an American rock band. The album features a gatefold featuring some of the contemporary band members such as Ian Underwood, Art Tripp, and Motorhead Sherwood. This was the first of numerous repackaged "Best Of" LPs put out by MGM that were not authorized by Frank Zappa; Mothermania is the only one that Zappa worked on and approved.
"Dancin' Fool" is a song by Frank Zappa from his 1979 album Sheik Yerbouti. It was the first of two singles released from the album, followed by the second single "Bobby Brown ." The song premiered on stage on the 30th of October 1977.
"Advance Romance" is a Frank Zappa song originally from his live album with Captain Beefheart, Bongo Fury. Other versions of the song can be found on You Can't Do That on Stage Anymore, Vol. 3, You Can't Do That On Stage Anymore, Vol. 5, and Make a Jazz Noise Here. It is a humorous parody of typical love songs and is sung by Napoleon Murphy Brock with George Duke. The song was played from 1975 to 1976 and from 1982 to 1988 making the song one of Zappa's most performed. Almost all of Zappa's lineups after its release on Bongo Fury played this song in concert.
"Sofa" is a composition by American musician Frank Zappa, released in 1975 on One Size Fits All. In 1993, the year of Zappa's death, Steve Vai covered "Sofa" for Zappa's tribute album Zappa's Universe. The cover won a Grammy Award for Best Rock Instrumental Performance in 1994. This was Vai's first of three Grammies.
"Disco Boy" is a single composed by musician Frank Zappa from his 1976 album Zoot Allures. It was featured on Frank Zappa's best of album Strictly Commercial.
"The Torture Never Stops" is a song by Frank Zappa from the 1976 album Zoot Allures. Other versions appear on Zappa in New York, Thing-Fish, You Can't Do That on Stage Anymore, Vol. 1, You Can't Do That on Stage Anymore, Vol. 4, The Best Band You Never Heard in Your Life, FZ:OZ, Cheap Thrills, Buffalo, Philly '76, and Hammersmith Odeon.
"A Little Green Rosetta", by Frank Zappa, is the final song on the 1979 concept album Joe's Garage Acts II & III. The main character from this triple-album rock opera is faced with the decline of the music industry, and is forced to work on an assembly line placing little frosted rosettes on top of muffins at the Utility Muffin Research Kitchen facility
"I Have Been in You", by Frank Zappa, is the opening song on the 1979 album Sheik Yerbouti. Taking the structure of a love song pastiche, Zappa used the composition to ridicule Peter Frampton's 1977 album and single I'm in You. Zappa's parody was directed at Frampton's change from the earnest musician to teen pop idol, replete with bare chested album cover, and syrupy love ballads. The song is in the same vein as the Mothers of Invention's lampooning of the Beatles with We're Only in It for the Money.
