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"The Return of the Son of Monster Magnet (Unfinished Ballet in Two Tableaux)" | |
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Song by the Mothers of Invention | |
from the album Freak Out! | |
Released | 1966 |
Recorded | March 12, 1966 |
Genre | |
Length | 12:17 |
Label | Verve |
Composer(s) | Frank Zappa |
Producer(s) | Frank Zappa |
"The Return of the Son of Monster Magnet" is a Frank Zappa composition, performed by the Mothers of Invention, released on the Mothers' debut album, Freak Out! . It is the longest song on the album, at 12:17, consisting of 2 parts: "Ritual Dance Of The Child-Killer", and "Nullis Pretii (No Commercial Potential)". The composition includes a musical quote from "Louie Louie" (Richard Berry).
The name of the song was probably inspired by a toy called "Monster Magnet" from the Wham-O company which was then being heavily advertised on American television. [3] The Return of the Son of Monster Magnet consists of an avant-garde sound collage. [4]
According to Zappa himself, the Freak Out! version of this song is merely a rhythm track and was never finished as intended. Apparently for budgetary reasons, Verve executives curtailed further recording of the track even after shelling out $500 [5] for rented percussion. Indeed, the subtitle of the track is "an Unfinished Ballet in two Tableaux". Unlike many of his extended works, Zappa never augmented or completed this piece when he had the time, money and his own recording studio.
Dr. John (Mac Rebennack) appears on piano, and his voice can be heard sporadically throughout the track. Van Dyke Parks was also present at the recording session, but it is unclear what, if anything, played by him was used for the released version.
According to Beatles author and Zappa biographer Barry Miles, the unreleased Beatles experimental track "Carnival of Light" which was recorded in January 1967 resembles "The Return of The Son of Monster Magnet", although it is believed that "Carnival of Light" is more fragmented and abstract than Zappa's effort the previous year. [6]
The song begins with the following dialogue:
Male voice: Suzy?
Female voice: Yes?
Male voice: Suzy Creamcheese?
Female voice: Yes?
Male voice: This is the voice of your conscience baby ... uh, I just want to check one thing out with you ... you don't mind, do ya?
Female voice: What?
Male voice: Suzy Creamcheese, honey, what's got into ya?
This is the first mention of Suzy Creamcheese on any Mothers album, [7] although a "Suzie" is mentioned on side 3 of Freak Out! in the track "It Can't Happen Here". And the line "Suzy Creamcheese, what's got into you?" can also be read in a speech balloon on the back cover of the album.
Frank Vincent Zappa was an American musician, composer, and bandleader. In a career spanning more than 30 years, Zappa composed rock, pop, jazz, jazz fusion, orchestral and musique concrète works; he also produced almost all of the 60-plus albums that he released with his band the Mothers of Invention and as a solo artist. His work is characterized by nonconformity, improvisation sound experimentation, musical virtuosity and satire of American culture. Zappa also directed feature-length films and music videos, and designed album covers. He is considered one of the most innovative and stylistically diverse musicians of his generation.
We're Only in It for the Money is the third album by American rock band the Mothers of Invention, released on March 4, 1968, by Verve Records. As with the band's first two efforts, it is a concept album, and satirizes left- and right-wing politics, particularly the hippie subculture, as well as the Beatles' album Sgt. Pepper's Lonely Hearts Club Band. It was conceived as part of a project called No Commercial Potential, which produced three other albums: Lumpy Gravy, Cruising with Ruben & the Jets, and Uncle Meat.
Absolutely Free is the second album by American rock band the Mothers of Invention, released on May 26, 1967, by Verve Records. Much like their 1966 debut Freak Out!, the album is a display of complex musical composition with political and social satire, whose blend of jazz, classical, avant-garde and rock idioms within multi-sectional, suite-like compositions is seen as an important and influential precursor to progressive rock. The band had been augmented since Freak Out! by the addition of woodwinds player Bunk Gardner, keyboardist Don Preston, rhythm guitarist Jim Fielder, and drummer Billy Mundi; Fielder quit the group before the album was released, and his name was removed from the album credits.
Freak Out! is the debut studio album by the American rock band the Mothers of Invention, released on June 27, 1966, by Verve Records. Often cited as one of rock music's first concept albums, it is a satirical expression of guitarist/bandleader Frank Zappa's perception of American pop culture and the nascent freak scene of Los Angeles. It was the second rock music double album ever released, following Bob Dylan's Blonde on Blonde just one week earlier, as well as the first double debut album by a rock artist. In the UK, the album was originally released as an edited single disc.
Uncle Meat is the sixth album by the Mothers of Invention, and seventh overall by Frank Zappa, released as a double album in 1969. Uncle Meat was originally developed as a part of No Commercial Potential, a project which spawned three other albums sharing a conceptual connection: We're Only in It for the Money, Lumpy Gravy and Cruising with Ruben & the Jets.
Lumpy Gravy is a 1968 solo album by Frank Zappa, written by Zappa and performed by a group of session players he dubbed the Abnuceals Emuukha Electric Symphony Orchestra & Chorus. Zappa conducted the orchestra but did not perform on the album. It is his fourth album overall: his previous releases had been under the name of his group, the Mothers of Invention.
Cruising with Ruben & the Jets is the fourth album by the Mothers of Invention, and fifth overall by Frank Zappa, released under the alias Ruben and the Jets. Released on December 2, 1968 on Bizarre and Verve Records with distribution by MGM Records, it is a concept album, influenced by 1950s doo-wop and rock and roll. The album's concept deals with a fictitious Chicano doo-wop band called Ruben & the Jets, represented by the cover illustration by Cal Schenkel, which depicts the Mothers of Invention as anthropomorphic dogs. It was conceived as part of a project called No Commercial Potential, which produced three other albums: Lumpy Gravy, We're Only in It for the Money and Uncle Meat.
Weasels Ripped My Flesh is the eighth album by the American rock group the Mothers of Invention, and the tenth overall by Frank Zappa, released in 1970. Following the Mothers' late 1969 split, Zappa assembled two albums - Burnt Weeny Sandwich and Weasels Ripped My Flesh - from unreleased studio and live recordings by the band, as well as some outtakes/leftovers from his 1969 solo album Hot Rats. While Burnt Weeny Sandwich focuses mostly on studio recordings and tightly arranged compositions, Weasels Ripped My Flesh focuses mostly on live recordings and loose/improvisational pieces.
The Mothers of Invention were an American rock band from California. Formed in 1964, their work is marked by the use of sonic experimentation, innovative album art, and elaborate live shows. Originally an R&B band called the Soul Giants, the band's first lineup comprised Ray Collins, David Coronado, Ray Hunt, Roy Estrada, and Jimmy Carl Black. Frank Zappa was asked to take over as the guitarist when a fight between Collins and Hunt led to the latter's being fired. Zappa insisted they perform his original material — a decision that resulted in Coronado's leaving because he did not agree to the change — and on Mother's Day in 1965 the band changed its name to the Mothers. Record executives demanded the name be changed again, and so, "out of necessity", Zappa later said, "We became the Mothers of Invention".
Mothermania (1969), subtitled The Best of the Mothers, is a compilation album by the Mothers of Invention. While the songs were previously released on Freak Out!, Absolutely Free and We're Only in It for the Money, it contains unique mixes or edits made specifically for this compilation.
"Carnival of Light" is an unreleased avant-garde recording by the English rock band the Beatles. It was commissioned for the Million Volt Light and Sound Rave, an event held at the Roundhouse in London on 28 January and 4 February 1967. Recorded during a session for the song "Penny Lane", "Carnival of Light" is nearly 14 minutes long and contains distorted, echo-laden sounds of percussion, keyboards, guitar and vocals. Its creation was initiated by Paul McCartney's interest in the London avant-garde scene and through his connection with the design firm Binder, Edwards & Vaughan.
Joe's Corsage is a compilation album featuring music recorded by Frank Zappa with The Mothers of Invention in the mid-1960s, before the recording of their debut album Freak Out! (1966). The album was compiled by archivist Joe Travers, and its title is a play on Zappa's 1979 work Joe's Garage.
Ray Collins was an American musician. He is best known for being an original member of the Mothers of Invention.
"Brown Shoes Don't Make It" is a song by The Mothers of Invention, written by band leader Frank Zappa. It is the penultimate song on the second album Absolutely Free. The song is one of his most widely renowned works, declared by the AllMusic as "Zappa's first real masterpiece".
"America Drinks & Goes Home" is a song written by Frank Zappa and recorded in November 1966 and released in 1967 on the Mothers of Invention album Absolutely Free.
"Who Are the Brain Police?" is a Frank Zappa song, performed by The Mothers of Invention, released on the Mothers' debut album, Freak Out!. It was released by Verve Records as a single in 1966. Zappa said the song had a religious theme, according to one source.
Euclid James "Motorhead" Sherwood was an American rock musician notable for being a member of the original version of Frank Zappa's band the Mothers of Invention, providing soprano, tenor and baritone saxophone, tambourine, vocals and vocal sound effects. He appeared on all the albums of the original Mothers line-up and the 'posthumous' releases Burnt Weeny Sandwich and Weasels Ripped My Flesh, as well as certain subsequent Zappa albums. He also appeared in the films 200 Motels, Video from Hell and Uncle Meat.
The Jimmy Carl Black Story is an album by Norwegian guitarist Jon Larsen.
Teddy and His Patches were an American garage rock band formed in San Jose, California in 1964. The group, for the greater duration of its existence, was rather straightforward in their musical style; however, their best-known recording, "Suzy Creamcheese", exemplifies some of the odder aspects of psychedelia. The song was a regional hit and has since achieved favor among psychedelic music enthusiasts, who rediscovered the composition through several compilation albums.
"Help, I'm a Rock" is a song written by American musician Frank Zappa. It was recorded by Zappa along with the rock band the Mothers of Invention on the group's debut album Freak Out!, which was released on Verve Records on June 27, 1966.
Freak Out!, Mothers of Invention, Verve/MGM, 1966, liner notes The Making Of Freak Out!: An FZ Audio Documentary, Zappa Records, 2006