Mothermania | ||||
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Greatest hits album by | ||||
Released | March 24, 1969 | |||
Recorded | March 9, 1966 – October 1967 | |||
Genre | ||||
Length | 40:34 | |||
Label | Bizarre/Verve | |||
Producer | Frank Zappa | |||
Frank Zappa and the Mothers of Invention chronology | ||||
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Mothermania (1969), subtitled The Best of the Mothers, is a compilation album by the Mothers of Invention. While the songs were previously released on Freak Out! , Absolutely Free and We're Only in It for the Money , it contains unique mixes or edits made specifically for this compilation.
After the Mothers of Invention's contract with MGM and Verve Records expired, Frank Zappa and Herb Cohen negotiated to form a semi-independent record label Bizarre Records, with Verve releasing three Bizarre releases with distribution by MGM: a new Mothers of Invention album, Cruising with Ruben & the Jets , the compilation Mothermania, and an album by Sandy Hurvitz, Sandy's Album is Here at Last. [1] [2] Mothermania was prepared in order to recoup money which Verve felt it lost funding the Mothers of Invention albums Freak Out! , Absolutely Free and We're Only in It for the Money . [3] Frank Zappa prepared the masters for the release, remixing and sequencing the track listing, as well as overseeing its packaging. [2] [3] The compilation was notable for featuring unique mixes or edits of the songs compiled for its release, including an uncensored version of "Mother People", which previously appeared on We're Only in It for the Money in a censored version, and a radically different mix of "The Idiot Bastard Son". [3] [4]
Review scores | |
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Source | Rating |
Allmusic | [5] |
Mothermania was released shortly before the release of the Mothers of Invention's fifth studio album, Uncle Meat , a releasing tactic that Frank Zappa felt was intentional on the behalf of Verve. [3] [4] Zappa subsequently disowned the compilation following its release. [3] Allmusic reviewer William Ruhlmann described the compilation as being "redundant", giving it three out of five stars. [5] Verve would go on to produce further compilations, beginning with The **** of the Mothers which was released in the fall of 1969, without Zappa's involvement. [3]
The album was out of print for a long time, but has since been officially reissued as a digital download in 2009, [6] a CD in 2012, and an LP in 2019.
All tracks are written by Frank Zappa
No. | Title | Original album | Length |
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1. | "Brown Shoes Don't Make It" | Absolutely Free | 7:26 |
2. | "Mother People" | We're Only in It for the Money | 1:41 |
3. | "Duke of Prunes" | Absolutely Free | 5:09 |
4. | "Call Any Vegetable" | Absolutely Free | 4:31 |
5. | "The Idiot Bastard Son" | We're Only in It for the Money | 2:26 |
No. | Title | Original album | Length |
---|---|---|---|
6. | "It Can't Happen Here" | Freak Out! | 3:13 |
7. | "You're Probably Wondering Why I'm Here" | Freak Out! | 3:37 |
8. | "Who Are the Brain Police?" | Freak Out! | 3:22 |
9. | "Plastic People" | Absolutely Free | 3:40 |
10. | "Hungry Freaks, Daddy" | Freak Out! | 3:27 |
11. | "America Drinks & Goes Home" | Absolutely Free | 2:43 |
Total length: | 40:34 |
Art Tripp appears in the album cover but he didn't play on any of the songs (Freak Out!, Absolutely Free and We're Only in it for the Money were recorded before he joined the band).
Frank Vincent Zappa was an American musician, composer, and bandleader. In a career spanning more than 30 years, Zappa composed rock, pop, jazz, jazz fusion, orchestral and musique concrète works; he also produced almost all of the 60-plus albums that he released with his band the Mothers of Invention and as a solo artist. His work is characterized by nonconformity, improvisation sound experimentation, musical virtuosity and satire of American culture. Zappa also directed feature-length films and music videos, and designed album covers. He is considered one of the most innovative and stylistically diverse musicians of his generation.
We're Only in It for the Money is the third album by American rock band the Mothers of Invention, released on March 4, 1968, by Verve Records. As with the band's first two efforts, it is a concept album, and satirizes left- and right-wing politics, particularly the hippie subculture, as well as the Beatles' album Sgt. Pepper's Lonely Hearts Club Band. It was conceived as part of a project called No Commercial Potential, which produced three other albums: Lumpy Gravy, Cruising with Ruben & the Jets, and Uncle Meat.
Absolutely Free is the second album by American rock band the Mothers of Invention, released on May 26, 1967, by Verve Records. Much like their 1966 debut Freak Out!, the album is a display of complex musical composition with political and social satire, whose blend of jazz, classical, avant-garde and rock idioms within multi-sectional, suite-like compositions is seen as an important and influential precursor to progressive rock. The band had been augmented since Freak Out! by the addition of woodwinds player Bunk Gardner, keyboardist Don Preston, rhythm guitarist Jim Fielder, and drummer Billy Mundi; Fielder quit the group before the album was released, and his name was removed from the album credits.
Freak Out! is the debut studio album by the American rock band the Mothers of Invention, released on June 27, 1966, by Verve Records. Often cited as one of rock music's first concept albums, it is a satirical expression of guitarist/bandleader Frank Zappa's perception of American pop culture and the nascent freak scene of Los Angeles. It was the second rock music double album ever released, following Bob Dylan's Blonde on Blonde just one week earlier, as well as the first double debut album by a rock artist. In the UK, the album was originally released as an edited single disc.
James Inkanish, Jr., known professionally as Jimmy Carl Black, was an original member of the Mothers of Invention, providing drums and vocals. who is known for a saying on the songs “Are you hung up?” & “Concentration moon” for the mothers album “We’re Only in it for the money” saying “hi boys and girls my name is jimmy Carl black and I’m the Indian of the Group “
Thomas Blanchard Wilson Jr. was an American record producer. He is best known for his work in the 1960s with acclaimed artists such as Bob Dylan, Frank Zappa and the Mothers of Invention, Simon & Garfunkel, the Velvet Underground, Cecil Taylor, Sun Ra, Eddie Harris, Nico, Eric Burdon and the Animals, the Blues Project, the Clancy Brothers and Tommy Makem, and others.
Uncle Meat is the sixth album by the Mothers of Invention, and seventh overall by Frank Zappa, released as a double album in 1969. Uncle Meat was originally developed as a part of No Commercial Potential, a project which spawned three other albums sharing a conceptual connection: We're Only in It for the Money, Lumpy Gravy and Cruising with Ruben & the Jets.
Bizarre Records, self-identified simply as Bizarre, was a production company and record label formed for artists discovered by rock musician Frank Zappa and his business partner/manager Herb Cohen.
Lumpy Gravy is a 1968 solo album by Frank Zappa, written by Zappa and performed by a group of session players he dubbed the Abnuceals Emuukha Electric Symphony Orchestra & Chorus. Zappa conducted the orchestra but did not perform on the album. It is his fourth album overall: his previous releases had been under the name of his group, the Mothers of Invention.
Cruising with Ruben & the Jets is the fourth album by the Mothers of Invention, and fifth overall by Frank Zappa, released under the alias Ruben and the Jets. Released on December 2, 1968 on Bizarre and Verve Records with distribution by MGM Records, it is a concept album, influenced by 1950s doo-wop and rock and roll. The album's concept deals with a fictitious Chicano doo-wop band called Ruben & the Jets, represented by the cover illustration by Cal Schenkel, which depicts the Mothers of Invention as anthropomorphic dogs. It was conceived as part of a project called No Commercial Potential, which produced three other albums: Lumpy Gravy, We're Only in It for the Money and Uncle Meat.
The Mothers of Invention were an American rock band from California. Formed in 1964, their work is marked by the use of sonic experimentation, innovative album art, and elaborate live shows. Originally an R&B band called the Soul Giants, the band's first lineup comprised Ray Collins, David Coronado, Ray Hunt, Roy Estrada, and Jimmy Carl Black. Frank Zappa was asked to take over as the guitarist when a fight between Collins and Hunt led to the latter's being fired. Zappa insisted they perform his original material — a decision that resulted in Coronado's leaving because he did not agree to the change — and on Mother's Day in 1965 the band changed its name to the Mothers. Record executives demanded the name be changed again, and so, "out of necessity", Zappa later said, "We became the Mothers of Invention", referencing the proverb "Necessity is the mother of invention."
"Absolutely Free" is a song written by Frank Zappa and released on the Mothers of Invention album We're Only in It for the Money in 1968. The song is not to be confused with the Mothers of Invention album of the same name.
King Kong: Jean-Luc Ponty Plays the Music of Frank Zappa is an album by French jazz fusion artist Jean-Luc Ponty first released in May 1970 on Liberty Records' World Pacific Records subsidiary label and later released on Blue Note.
"The Return of the Son of Monster Magnet" is a Frank Zappa composition, performed by the Mothers of Invention, released on the Mothers' debut album, Freak Out!. It is the longest song on the album, at 12:17, consisting of 2 parts: "Ritual Dance Of The Child-Killer", and "Nullis Pretii ". The composition includes a musical quote from "Louie Louie".
The Lumpy Money Project/Object is a compilation album by Frank Zappa. Released posthumously on January 23, 2009 as Official Release #85, it compiles the releases Lumpy Gravy and We're Only in It for the Money with previously unreleased material, with the overall package serving as an audio documentary of the production of the two albums, which share conceptual continuity themes. It is project/object #2 in a series of 40th Anniversary FZ Audio Documentaries, following MOFO (2006).
The Old Masters is a box set series by Frank Zappa, released in three volumes on Barking Pumpkin Records from April 1985 to December 1987, consisting of studio and live albums by Zappa and The Mothers of Invention originally released from 1966 to 1976 on other labels, as well as "Mystery Discs" which contained previously unreleased material. The graphics on all three sets was airbrush illustrated by Larry Grossman. 200 Motels was not included in the series, as it was the only Zappa/Mothers album for which Zappa was unable to secure the rights.
Euclid James "Motorhead" Sherwood was an American rock musician notable for being a member of the original version of Frank Zappa's band the Mothers of Invention, providing soprano, tenor and baritone saxophone, tambourine, vocals and vocal sound effects. He appeared on all the albums of the original Mothers line-up and the 'posthumous' releases Burnt Weeny Sandwich and Weasels Ripped My Flesh, as well as certain subsequent Zappa albums. He also appeared in the films 200 Motels, Video from Hell and Uncle Meat.
The **** of the Mothers is an out-of-print compilation album of early works by The Mothers of Invention, an American rock band. The album features a gatefold featuring some of the contemporary band members such as Ian Underwood, Art Tripp, and Motorhead Sherwood. This was the first of numerous repackaged "Best Of" LPs put out by MGM that were not authorized by Frank Zappa; Mothermania is the only one that Zappa worked on and approved.
"Help, I'm a Rock" is a song written by American musician Frank Zappa. It was recorded by Zappa along with the rock band the Mothers of Invention on the group's debut album Freak Out!, which was released on Verve Records on June 27, 1966.
Lumpy Gravy, also known as Lumpy Gravy (Primordial), is the recalled original debut solo album by Frank Zappa. It is an entirely orchestral recording written by Zappa and performed by a group of session players he dubbed the Abnuceals Emuukha Electric Symphony Orchestra. Zappa conducted the orchestra but did not perform on the album. It was commissioned and briefly released, on August 7, 1967, by Capitol Records in the 4-track Stereo-Pak format only and then withdrawn due to a lawsuit from MGM Records. MGM claimed that the album violated Zappa's contract with their subsidiary, Verve Records, and the album was recalled.
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