"Watermelon in Easter Hay" | |
---|---|
Song by Frank Zappa | |
from the album Joe's Garage Acts II & III | |
Released | November 19, 1979 |
Recorded | Village Recorders, LA Spring 1979 |
Genre | Instrumental rock, hard rock, progressive rock |
Length | 9:08 |
Label | Zappa Records |
Songwriter(s) | Frank Zappa |
Producer(s) | Frank Zappa |
"Watermelon in Easter Hay", full name "Playing a Guitar Solo With This Band is Like Trying To Grow a Watermelon in Easter Hay", [1] by Frank Zappa, is the penultimate song on the 1979 concept album Joe's Garage. The main character from this three-part rock opera is faced with the banning of all music after being repeatedly raped in prison, and copes after his release by imagining guitar solos in his head for the entire third act of the album. As he "begins to feel depressed now, he knows the end is near", [2] this song acts as the character's final goodbye to music as he moves on with his life, detailed in "A Little Green Rosetta", the next and final song of the album.
The song is introduced by opening narration by Zappa as the Central Scrutinizer, which then gives way to a guitar solo. This guitar solo is the only guitar solo specifically recorded for the album, as every other guitar solo was xenochronous—overdubbed from older live recordings. [3] : 154 [3] : 381 The entire song consists of two alternating harmonies: A and B / E (This could also be thought of as an E major 7th sus 2), linked by a G#. This simplicity is made more interesting by the emphasis in the solo on the note D#, a tritone above the bass A, which conveys the harmony A#11. The 9/4 time signature keeps the two-chord harmonic structure sounding fresh. [4]
In their review of the album, Down Beat magazine criticized the song, [5] : 376 but subsequent reviewers have championed the song as Zappa's masterpiece. Kelly Fisher Lowe called it the "crowning achievement of the album" and "one of the most gorgeous pieces of music ever produced". [3] : 159 Zappa told Neil Slaven that he thought it was "the best song on the album". [5] : 376 The song's title is thought to have come from a saying used by Zappa while recording the album: "Playing a guitar solo with this band is like trying to grow a watermelon in Easter hay". [1] After Zappa died, "Watermelon in Easter Hay" became known as one of his signature songs, and his son Dweezil Zappa later referred to it as "the best solo Zappa ever played". [6] : 90–91
Joe's Garage is a three-part rock opera released by American musician Frank Zappa in September and November 1979. Originally released as two separate albums on Zappa Records, the project was later remastered and reissued as a triple album box set, Joe's Garage, Acts I, II & III, in 1987. The story is told by a character identified as the "Central Scrutinizer" narrating the story of Joe, an average adolescent male, from Canoga Park, Los Angeles, who forms a garage rock band, has unsatisfying relationships with women, gives all of his money to a government-assisted and insincere religion, explores sexual activities with appliances, and is imprisoned. After being released from prison into a dystopian society in which music itself has been criminalized, he lapses into insanity.
Uncle Meat is the sixth album by the Mothers of Invention, and seventh overall by Frank Zappa, released as a double album in 1969. Uncle Meat was originally developed as a part of No Commercial Potential, a project which spawned three other albums sharing a conceptual connection: We're Only in It for the Money, Lumpy Gravy and Cruising with Ruben & the Jets.
Over-Nite Sensation is the twelfth album by The Mothers of Invention, and the seventeenth album overall by Frank Zappa, released in September 1973. It was Zappa's first album released on his DiscReet label. His solo album Apostrophe (') (1974) was recorded during the same sessions for Over-Nite Sensation.
Frank Zappa Plays the Music of Frank Zappa: A Memorial Tribute is a posthumous album by Frank Zappa.
The Mothers of Invention was an American rock band from California. Formed in 1964, their work is marked by the use of sonic experimentation, innovative album art, and elaborate live shows.
The project Shut Up 'n Play Yer Guitar consisting of Shut Up 'n Play Yer Guitar, Shut Up 'n Play Yer Guitar Some More and Return of the Son of Shut Up 'n Play Yer Guitar is a series of albums by Frank Zappa. The albums consist solely of electric guitar instrumentals and improvised solos (mostly) played live by Zappa and featuring a wide variety of backing musicians.
Bongo Fury is a collaborative album by American artists Frank Zappa and the Mothers, with Captain Beefheart, released in October 1975. The live portions were recorded on May 20 and 21, 1975, at the Armadillo World Headquarters in Austin, Texas. Tracks 5, 6 and 9 are studio tracks recorded in January 1975 during the sessions which produced One Size Fits All (1975) and much of Studio Tan (1978).
Xenochrony is a studio-based musical technique developed at an unknown date, but possibly as early as the early 1960s, by Frank Zappa, who used it on several albums. Xenochrony is executed by extracting a guitar solo or other musical part from its original context and placing it into a completely different song, to create an unexpected but pleasing effect. He said that this was the only way to achieve some rhythms.
Guitar is a 1988 live album by Frank Zappa. It is the follow-up to 1981's Shut Up 'n Play Yer Guitar; like that album it features Zappa's guitar solos excerpted from live performances, recorded between 1979 and 1984. It garnered Zappa his sixth Grammy nomination for "Best Rock Instrumental Performance".
Isaac Willis is an American vocalist and guitarist who was a regular member of Frank Zappa's studio and touring bands from 1978 until the last tour in 1988. He did not tour with Zappa in 1981 and 1982 because he wanted to be at home for the birth of his two children, and returned to touring with Zappa for his final two tours in 1984 and 1988. He currently tours with the Frank Zappa tribute bands Bogus Pomp, Ossi Duri, Project/Object, Pojama People, Ugly Radio Rebellion and ZAPPATiKA. He also performed several times with the Brazilian Zappa cover band, The Central Scrutinizer Band, The Muffin Men, and with the Italian bands Ossi Duri and Elio e le Storie Tese. Additionally, he has appeared multiple times at the annual Zappanale Festival in Bad Doberan, Germany. He is most recognized for his involvement in Zappa records such as playing Joe in Joe's Garage, providing vocals on Tinsel Town Rebellion, You Are What You Is, and The Man from Utopia, and as the title character and narrator in Zappa's off-Broadway-styled conceptual musical Thing-Fish.
"Inca Roads" is the opening track of the Frank Zappa and the Mothers of Invention 1975 album, One Size Fits All. The song features unusual time signatures, lyrics and vocals. The marimba-playing of Zappa's percussionist Ruth Underwood is featured prominently. The song was played in concert from 1970 to 1976, 1979 and 1988.
You Are What You Is is a 1981 double album by American musician Frank Zappa. His 34th album, it consists of three musical suites which encompass pop, doo-wop, jazz, hard rock, reggae, soul, blues, new wave and country. The album's lyrics satirize a number of topics, including hippies, socialites, fashion, narcotics use, cultural appropriation, religion, televangelists and the military draft.
"Trouble Every Day" is a song by the Mothers of Invention, released on their 1966 debut album Freak Out!
"Advance Romance" is a Frank Zappa song originally from his live album with Captain Beefheart, Bongo Fury. Other versions of the song can be found on You Can't Do That on Stage Anymore, Vol. 3, You Can't Do That On Stage Anymore, Vol. 5, and Make a Jazz Noise Here. It is a humorous parody of typical love songs and is sung by Napoleon Murphy Brock with George Duke. The song was played from 1975 to 1976 and from 1982 to 1988 making the song one of Zappa's most performed. Almost all of Zappa's lineups after its release on Bongo Fury played this song in concert.
"I Don't Wanna Get Drafted" was a 1980 single by American musician Frank Zappa. The song peaked at #103 US Billboard Bubbling Under Hot 100 and #68 on the Cash Box charts, but more successfully reached #3 in Sweden. The original single version has never been reissued on LP or CD.
"Find Her Finer" is a 1976 single by Frank Zappa from the album Zoot Allures. The song was recorded with Zappa's lips extremely close to the microphone, creating an intimate sound. Roy Estrada provided falsetto vocals to create a comic effect to the song. It was intended to be the lead single for Zoot Allures, but failed to chart, unlike its other single "Disco Boy". A live and sped up jazz version can also be found on the album The Best Band You Never Heard in Your Life. It was played in concert in 1976 and 1988.
"The Torture Never Stops" is a song by Frank Zappa from the 1976 album Zoot Allures. Other versions appear on Zappa in New York, Thing-Fish, You Can't Do That on Stage Anymore, Vol. 1, You Can't Do That on Stage Anymore, Vol. 4, The Best Band You Never Heard in Your Life, FZ:OZ, Cheap Thrills, Buffalo, Philly '76, and Hammersmith Odeon.
"A Little Green Rosetta", by Frank Zappa, is the final song on the 1979 concept album Joe's Garage Acts II & III. The main character from this triple-album rock opera is faced with the decline of the music industry, and is forced to work on an assembly line placing little frosted rosettes on top of muffins at the Utility Muffin Research Kitchen facility
"I Have Been in You", by Frank Zappa, is the opening song on the 1979 album Sheik Yerbouti. Taking the structure of a love song pastiche, Zappa used the composition to ridicule Peter Frampton's 1977 album and single I'm in You. Zappa's parody was directed at Frampton's change from the earnest musician to teen pop idol, replete with bare chested album cover, and syrupy love ballads. The song is in the same vein as the Mothers of Invention's lampooning of the Beatles with We're Only in It for the Money.
"Uncle Remus" is a song written by American musicians Frank Zappa and George Duke, and first released on Zappa's 1974 album Apostrophe ('). The name of the song is derived from Uncle Remus, a fictional character found in works by writer Joel Chandler Harris. The song has been said to reflect Zappa's feelings about racism and the civil rights movement, themes which had previously been explored in his earlier song "Trouble Every Day".