Liquid Swords

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"Cold World"
The track features gritty, surreal lyrics, simple musical variation, and an eerie-sounding, RZA-produced beat. [7]
"4th Chamber"
The lyrically raw track contains an electric guitar-laden beat and metaphysical imagery by Ghostface Killah. [7] [8]
"I Gotcha Back"
The album's lead single has a looping, feverish horn line and lyrics about urban, criminal lifestyle. [8] [9]
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Liquid Swords
Liquidswords1995.png
Studio album by
GZA
ReleasedNovember 7, 1995 (1995-11-07)
StudioRZA's basement studio, New York City
Genre
Length50:48
Label Geffen
Producer RZA
GZA chronology
Words from the Genius
(1991)		Liquid Swords
(1995)		 Beneath the Surface
(1999)
Wu-Tang Clan solo chronology
Only Built 4 Cuban Linx...
(1995)		Liquid Swords
(1995)		 Ironman
(1996)

The album's cover was designed by Milestone Media Founder/Creative Director and chief artist Denys Cowan, according to the album's liner notes. [10] Cowan's black and white line art was inked by Inker Prentis Rollins. Milestone's Color Editor, Jason Scott Jones created the cover color art digitally at a time when digital coloring was emerging in comic art eventually becoming the standard. [11] GZA's personal manager Geoffrey L. Garfield, commissioned Cowan. Garfield, an avid comic book fan, said the cover art was supervised under the auspices of GZA GrafX, a subsidiary company of GZA Entertainment owned by GZA and Garfield. The concept of the chessboard with its sword-wielding warriors was conceived by GZA, an avid chess player. The GZA version of the Wu-Tang Clan logo, the "G" using the logo iconography, was rendered by Wu-Tang Clan DJ Mathematics who was also an accomplished graphic artist. [12]

GZA also enjoyed a successful side career as a music video director, and with Garfield as writer and producer, created all four videos for the Liquid Swords album ("Liquid Swords", "Cold World", "Shadowboxin'/4th Chamber", and "I Gotcha Back"), [13] and also did videos for Sunz of Man, Ghostface Killah's song ("Motherless Child") on the Sunset Park film soundtrack, Shabazz the Disciple (Penalty Records) and Case (Def Jam). The Source recognized their video "Shadowboxin'/4th Chamber" as one of the Top Five Videos of 1995.

Liquid Swords was performed in its entirety on July 13, 2007, at the Pitchfork Music Festival and again in England, on December 9 at All Tomorrow's Parties and on December 10 at KOKO in London, as part of the ATP-curated Don't Look Back series. After the cancellation of an appearance in Brooklyn, New York, the performance was rescheduled for December 13 and 14 at the Knitting Factory in New York.

Singles

Four total singles were released for Liquid Swords. The first of which was "I Gotcha' Back", released August 22, 1994. Similar to Raekwon's single "Heaven & Hell," the song first appeared on the soundtrack for the movie Fresh , and was the first song written for the album, with its version being re-recorded in 1995. Describing the song's background and theme, GZA later stated "This was a short rhyme I wrote for one of my nephews. When I said, 'My lifestyle so far from well, could've wrote a book called Age Twelve and Going Through Hell.' It's for my nephew who was twelve at the time, and whose father, my brother, had been locked up since '88. So he wasn't around for my nephew when times were rough, so I wanted to up my nephew a bit with this track. I had two nephews in the video, they were both real young at the time. And in video, they both had met up and shots rang out from some young gangsters. It's a shame because both those kids in the video, both nephews of mine, ended up getting in trouble for ringing out shots and are both doing time right now. It's kind of ironic. One of my nephews ended up getting eights years for that shit. So the whole song is a sad irony to me now." [13]

The second single released for the album, was the title track "Liquid Swords", released over one year later on October 10, 1995. GZA later commented "Usually I take a beat home and write to it for a few days, but it wasn’t like that with this track. I think RZA played the beat for me and I just spit to it right there. The hook was actually a routine from around ‘84 that me RZA and Ol' Dirty would do: 'When the emcees came, to live out the name.' Just like that." [4]

November 28, 1995 saw the release of the album's third single "Cold World". In regards to his writing approach to the song, GZA stated "Normally, when I hear a beat, I already know where to go with it. I can picture the track and just vibe off it. As soon as I heard the beat to “Cold World,” I knew it would be another inner-city story." [13]

The fourth and final single released for the album was "Shadowboxin'", released early 1996, with "4th Chamber" as its B-Side. In an interview with Wax Poetics , GZA praised Method Man's rapping on "Shadowboxin'", saying that the song "seemed more like Meth's track". [14] GZA stated "Making '4th Chamber' was crazy because I didn’t have a rhyme ready for that one. That’s why I went last on it. Plus, Ghost killed it with his verse so I knew I had to come correct. It’s not even a GZA song to me—it’s a Wu-Tang song. And Ghost’s verse is just incredible to me. He delivered so well. I don’t know if you saw the video, I directed that too. This song, the guest verses, the video, the crowd response, all turned out perfect for this one." [13]

Critical reception

Professional ratings
Aggregate scores
SourceRating
Metacritic 94/100 [15]
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar full.svg [16]
Entertainment Weekly B+ [17]
The Guardian Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [18]
Los Angeles Times Star full.svgStar full.svgStar full.svgStar half.svg [19]
NME 9/10 [20]
Pitchfork 10/10 [21]
Q Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [22]
Record Collector Star full.svgStar full.svgStar full.svgStar full.svgStar full.svg [23]
Rolling Stone Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [24]
The Source Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [25]

Upon its release, Liquid Swords received critical acclaim. Selwyn Seyfu Hinds from The Source called GZA "a highly focused master-graftsman" and felt that "throughout Liquid Swords he maintains a clear, precise flow, one that reflects deadly-sharp purpose and skilled execution." Hinds also praised RZA's production on the album, noting his "increasingly sophisticated style: shuffling kicks, neck snapping snares, haunting melodies via strings or vibe-like textures and penetrating bass tones." [25] In his review for Entertainment Weekly , Dimitri Ehrlich said that, "With its tight beat, Liquid Swords emphasizes the finesse with which GZA weaves his vocals over straightforward rhythms." [17] Los Angeles Times critic Cheo H. Coker described GZA as "a hip-hop M. C. Escher" whose lyrics "reveal layer after layer of thought with repeated listening", concluding that the album cements the Wu-Tang Clan as "the kings of New York rap." [19]

NME hailed Liquid Swords as "the best hip-hop album" in years, citing RZA's "spooked, creaky, incredibly dense" production and GZA's complex and "quite brilliant" lyrics. [20] Mojo magazine characterized the album as "creepily beautiful" and "East Coast hip hop with a far more warped and disturbing slant on inner-city sickness than the in-your-face Californian equivalent". [26] In Select , Matt Hall wrote that RZA "provides a series of austere rhythms, sparsely dotting violin stabs and plucked harps to provide the perfect backdrop to Genius' downbeat tales of New York's mean streets… Liquid Swords sneaks under the tape to qualify as Rap Album Of The Year." [5] Tom Doyle of Q wrote that GZA can seem "perhaps unreasonably hardcore in some of his approaches...[but] when his rhyming is enhanced by the dislocated soul chorus of 'Cold World', the result is dramatic and hypnotic." [22]

Robert Christgau was somewhat less enthusiastic, giving the album a two-star honorable mention, which indicated a "likable effort that consumers attuned to its overriding aesthetic or individual vision may well enjoy". [27] In his column for The Village Voice , Christgau cited "Shadowboxin'" and "Killah Hills 10304" as highlights and called the record "gangsta [rap] as mystery, religious and literary". [28]

Retrospect

Liquid Swords continues to be held in high regard as one of the best releases in the Wu-Tang Clan's catalog and among the greatest hip hop albums of all time. [16] [29] According to AllMusic critic Steve Huey, it is "often acclaimed as the best Wu-Tang solo project of all" and "cemented the Genius/GZA's reputation as the best pure lyricist in the group—and one of the best of the '90s". [16] Huey likewise viewed it as a significant progression for RZA as a producer, noting his experiments "with stranger sounds and more layered tracks", while evaluating Liquid Swords as "one of the group's undisputed classics", along with Enter the Wu-Tang (36 Chambers) (1993) and Raekwon's Only Built 4 Cuban Linx... (1995). [16] Reviewing Liquid Swords for RapReviews' "Back to the Lab" series, writer Steve Juon called it "an album of 100% Wu-Tang sonic mastery", adding that among Wu-Tang Clan solo albums, "it may the best—if not one of the top two or three." [7] Nick Catucci, writing in The New Rolling Stone Album Guide (2004), said that, on the album, GZA "went goth, painting the Wu's street grime black." [30] Record Collector 's Paul Bowler stated that Liquid Swords represented an artistic peak for the Wu-Tang Clan as a whole, noting what he found to be their subsequent creative decline from Wu-Tang Forever (1997) onward. [23] Chris Smith from Stylus Magazine wrote that the group "never yet managed to make anything this memorable, otherworldly, and strangely beautiful again." [8]

On October 8, 2015, the Recording Industry Association of America announced that Liquid Swords had earned a platinum certification for having sold more than 1 million copies. It became the first Wu-Tang-related album to get certified since 2004, when Method Man and Ghostface Killah both earned plaques. [31]

Track listing

Track listing information is taken from the official liner notes and AllMusic. [32] [33] All tracks produced by RZA, except track 13 produced by 4th Disciple.

Liquid Swords
No.TitleWriter(s)Length
1."Liquid Swords"
4:31
2."Duel of the Iron Mic [a] " (featuring Inspectah Deck, Masta Killa, and Ol' Dirty Bastard)
4:06
3."Living in the World Today"
  • Grice
  • Diggs
4:23
4."Gold"
  • Grice
  • Diggs
3:57
5."Cold World" (featuring Inspectah Deck and Life)
5:30
6."Labels"
  • Grice
  • Diggs
2:54
7."4th Chamber" (featuring Ghostface Killah, Killah Priest, and RZA)
  • Grice
  • Diggs
4:37
8."Shadowboxin'" (featuring Method Man)
  • Grice
  • Diggs
3:30
9."
  • Hell's Wind Staff" [b]
  • "Killah Hills 10304
"
  • Grice
  • Diggs
5:09
10."Investigative Reports" (featuring Ghostface Killah, Raekwon, and U-God)
3:50
11."Swordsman [c] "
3:21
12."I Gotcha Back"
  • Grice
  • Diggs
5:01
Total length:50:48
Bonus track (CD only)
No.TitleWriter(s)Length
13."B.I.B.L.E. (Basic Instructions Before Leaving Earth)" (performed by Killah Priest)
4:33
Total length:55:24
2012 Bonus disc: The Full-Length Instrumentals
No.TitleLength
1."Liquid Swords"3:29
2."Duel of the Iron Mic"3:45
3."Living in the World Today"4:24
4."Gold"4:17
5."Cold World"5:21
6."Labels"3:08
7."4th Chamber"4:17
8."Shadowboxin'"3:30
9."Killah Hills 10304"4:24
10."Investigative Reports"4:10
11."I Gotcha Back"4:08
Total length:44:48

Notes

Sample credits

Personnel

Charts

Certifications

RegionCertification Certified units/sales
United Kingdom (BPI) [38] Silver60,000*
United States (RIAA) [39] Platinum1,000,000^

* Sales figures based on certification alone.
^ Shipments figures based on certification alone.

Accolades

PublicationCountryAccoladeYearRank
About.com United States 100 Greatest Hip-Hop Albums [40] 200862
Best Rap Albums of 1995 [41] 20083
Ego Trip Hip Hop's 25 Greatest Albums by Year 1980–1998 [42] 19993
Face United Kingdom Albums of the year[ citation needed ]199516
The Guardian 1000 Albums to Hear Before You Die [43] 2007*
Hip-Hop Connection United KingdomThe 100 Greatest Rap Albums 1995–2005 [44] 20067
HUMO Belgium Albums of the Year[ citation needed ]199513
Melody Maker United KingdomAlbums of the Year [45] 199542
NME Albums of the Year [46] 199530
OOR Netherlands Albums of the Year[ citation needed ]199524
Paste United States300 Greatest Albums of All Time [47] 2024174
Pitchfork United StatesTop 100 Albums of the 1990s [48] 200387
Q United KingdomAlbums of the Year[ citation needed ]1995*
Robert DimeryUnited States 1001 Albums You Must Hear Before You Die [49] 2005*
Rolling Stone Top 25 Hip Hop Albums (by Chris Rock) [50] [ deprecated source ]200613
The 500 Greatest Albums of All Time [51] 2020347
Select United KingdomThe 100 Best Albums of the 90s[ citation needed ]199942
Albums of the Year [52] 199636
The Source United StatesThe 100 Best Rap Albums of All Time [53] 1998*
Stylus Magazine Top 101–200 Albums of All time [54] 2004137

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References

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