Pro Tools | ||||
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Studio album by | ||||
Released | August 19, 2008 | |||
Recorded | 2006–2008 | |||
Genre | Hip hop | |||
Length | 44:11 | |||
Label | Babygrande | |||
Producer |
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GZA/Genius chronology | ||||
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Pro Tools is the fifth studio album by American rapper and Wu-Tang Clan member GZA. The album was released August 19, 2008 on Babygrande Records. It serves as his first release since his collaboration album with DJ Muggs, Grandmasters (2005), and follows six years after his last solo effort, Legend of the Liquid Sword (2002). Production for the album took place during 2008 and was handled by several record producers, including RZA, Bronze Nazareth, Preservation, Mathematics, Black Milk, Arabian Knight and True Master.
The album debuted at number 52 on the US Billboard 200 chart, selling 9,000 copies in its first week. Upon its release, Pro Tools received generally positive reviews from most music critics.
The title was derived from Pro Tools, a production software program. In an interview with Vibe , he explained:
Well, it’s the production software program, basically. The people at Babygrande were asking for a name. I was looking around the house, or the studio, and trying to come up with something, and I may have even been reading the actual Pro Tools manual and just went with that, and it works great with the album. [1]
— GZA
Pro Tools features production from Wu-Elements producers RZA, True Master, Mathematics and Bronze Nazareth, as well as Arabian Knight, Dreddy Kruger, Preservation. Guest appearances range from RZA, Masta Killa, and GZA's son Young Justice. GZA later said "I saw an ad out there where it’s promoted as a GZA album. I'll probably be on most of the tracks but its supposed to be a compilation album, there’s various artists on the album". [2]
GZA was asked about producers and having fewer guest appearances on the album, responding "I’m not one who works with big producers because I expect that to make the album go double platinum. I remember once we paid $150,000 for a Trackmasters beat once, with Ron Isley singing, the “Back In The Game” track off of Iron Flag, and it wasn’t even a single, so I don’t bother searching for names. I’d rather people buy the record because they want a GZA album, and then the extras be a surprise. The album as a whole has only two Clan members on it. The last day we were recording, I was in Paris supporting the Wu tour, and a call was put out that I was in the studio and the only two that showed up were RZA & Masta Killa, so that’s what we went with. My next album is going to be no guest appearances. Emcees need to start carrying their own weight". [1] In the same interview, he gave a response about having only a few RZA-produced songs on the album, stating "Well, you have to put in time with your producer, and RZA and I have been working back since I was 11 & he was 8 going to the Bronx to check out this hip hop stuff, so you have to know where they are coming from. Whenever I close my eyes and listen to his stuff, I can’t put a rhyme to it. His beats are more cinematic". [1]
The first single from the album, "Paper Plate," was released on July 18, 2008 and was circulated widely over the internet. The single continues the feud between GZA and 50 Cent (who has not responded to the track). GZA, during a performance in Queens, New York, had this to say about 50 Cent: "a Nigga don't got fuckin lyrics". In response to a question about "Paper Plate," he said:
You know what “Paper Plate” is about? [A paper plate is] just something that is lightweight and disposable. You can recycle it and get rid of it after you’re done with it. It’s just a statement that I wanted to get out, saying that “I’m lyrical and I’m not material.” I’m a sum of a beautiful equation and sometimes these dudes need to just realize and respect the tradition of an emcee. I’ve been working in this game for a while to try and focus on the lyrical aspect of all this. It’s saying 50 Cent and G Unit could never write like me and I’m coming at it focusing on shelf life. I’m not trying to clown all the younger rappers, but just saying that there is so many things to be inspired by, so I don’t understand why people are still rhyming about the same thing. I’m trying to move forward a tradition, and you can see that when I’m going on a Liquid Swords tour 10 years after it came out. Wu-Tang has two or three generations of fans so we must be relevant. And what does it matter that they callin me grandpa? Cuz I fathered your style? [3]
— GZA
The album debuted at number 52 on the US Billboard 200 chart with first-week sales of 9,000 copies. [4] It spent two weeks on the chart. [5] The album also peaked at number 13 on Billboard 's Top R&B/Hip-Hop Albums, at number two on the Top Independent Albums, and at number nine on the Top Rap Albums chart. [5]
Aggregate scores | |
---|---|
Source | Rating |
Metacritic | 76/100 [6] |
Review scores | |
Source | Rating |
AllMusic | [7] |
Boston Herald | (A-) [8] |
MSN Music (Consumer Guide) | (B+) [9] |
Pitchfork Media | (6.8/10) [10] |
PopMatters | (6/10) [11] |
RapReviews | (8.5/10) [12] |
Seattle Weekly | (favorable) [13] |
Slant Magazine | [14] |
Tiny Mix Tapes | [15] |
The Washington Post | (favorable) [16] |
Pro Tools received positive reviews from most music critics, based on an aggregate score of 76/100 from Metacritic. [6] AllMusic writer David Jeffries gave it 4 out of 5 stars and viewed it as reappearance of the Wu-Tang Clan's early sound, stating "the uptempo and sometimes oddball rhymes are back in full force here and sit on a set of melancholy soul productions that have that classic Wu atmosphere". [7] Billboard 's Jeff Vrabel called GZA's rhymes "liquid" and wrote "it's worth a listen to hear what sneaky, suspicious, image-heavy tricks still emerge from his notebook". [17] Ivan Rott of About.com commended GZA's abstract lyrics and the album's musical structure, noting "a distinguishably liquid-like (ahem) sense of continuity and focus throughout the album's duration". [18] JIVE Magazine gave Pro Tools a 5 out of 5 rating and called it "lyrically stunning". [19] Seattle Weekly 's Kevin Capp praised GZA's lyricism and wrote that he crafts "earthquake-proof rhyme structures, steel hulks whose ornate décor distracts from their essential solidity. In short: the aesthetics mask the utility, as well they should". [13] RapReviews writer Steve Juon gave it an 8.5/10 rating and wrote that GZA "honed his lyrical tongue to an even sharper and more polished edge" on the album. [12] Boston Herald writer Chris Faraone gave Pro Tools an A− rating and wrote that GZA "comes as close as he ever has to matching freshman miracle" Liquid Swords (1995). [8]
In contrast, Spin 's Thomas Golianopoulos gave the album 2 out of 5 stars and wrote that GZA "drifts into irrelevant lyrics and weak beats", stating "These C-grade tracks ape RZA's trademark sound, but lack any sense of melody". [20] Addi Stewart of NOW commended its " Shogun Assassin throat-slashing rap", but viewed its production as a weakness and wrote that the album "suffers from the law of diminishing returns". [21] Giving it a 6/10 rating, PopMatters writer Anthony Henriques perceived a lack of presence by other Wu-Tang members "to complement and add contrast to GZA’s potent style" as its "largest flaw", but ultimately commended its production and called it "just as impressive" lyrically as Liquid Swords. [11] Henriques described Pro Tools as a "quality project" and called it "further proof" that "Those who continue to lament some apparent demise of the Wu-Tang Clan ... need to wake up". [11] Despite calling its production "a glaring weak point of the album", Sputnikmusic writer Sobhi Abdul-Rakhman gave it 3½ out of 5 stars and commended individual producers' contributions, while writing "GZA-science is always refreshing and reflective". [22] Pitchfork Media's Nate Patrin gave Pro Tools a 6.8/10 rating and noted a lack of "stylistic cohesion" in its production, but ultimately lauded GZA's lyrics and viewed them as the album's key strength, stating:
As a pure lyrical record goes, Pro Tools doesn't disappoint, but fans who want everything to be a banger will be let down to find that there's not a lot of headknock here. The buzz around Pro Tools is that GZA just sounds too tired to get people amped, and while that's a more negative assessment than he deserves, this still doesn't really sound like the kind of album you'd call on to fill anyone's late-summer barbecue party soundtracking duties. But high-energy anthems aren't what made GZA great in the first place, and if you're into his most characteristic attributes—high-concept extended-metaphor lyrics, hard-boiled storytelling, that calmly authoritative voice—Pro Tools is still sharp enough to draw blood. [10]
— Nate Patrin
Micah Towery of Slant Magazine wrote that it "serves as a satisfying example of a hip-hop artist who has not burnt out or sold out his craft to be an industry kingpin (cough, Jay-Z, cough). At worst, the album serves as the base minimum of what we should expect from any of the "greatest rappers alive" after five albums". [14] Tiny Mix Tapes writer Larry Fitzmaurice gave the album 3½ out of 5 stars and wrote "while its power as a long-player doesn’t hold up very well, random dissection brings out tracks destined for analog and digital freaks alike". [15] Giving it a B+ rating, The A.V. Club 's Nathan Rabin called the album "so rich in detail that it takes a few listens just to soak everything in", and commended its sonic sound, stating "GZA relies on production to convey emotion". [23] Alex Baldinger of The Washington Post gave Pro Tools a generally positive review and wrote "The album's fine production carries GZA through several tracks, rather than the other way around. But his rhymes are sharp as ever, displaying his knack for imbuing his lyrics with double-entendres and extended metaphors". [16] In his consumer guide for MSN Music, critic Robert Christgau gave the album a B+ rating, [9] indicating "remarkable one way or another, yet also flirts with the humdrum or the half-assed". [24] Christgau commended GZA's "factual" lyrics and its minimal style of production, stating "the budget production enhances a master lyricist's specialty by subtraction". [9] The Village Voice 's Christopher R. Weingarten called the album "a no-nonsense mash of classic Gary Numan breakbeats, swipes at 50 Cent, retro-future noir production, and his inimitable puns". [25]
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
1. | "Intromental" |
| Dreddy Kruger | 0:52 |
2. | "Pencil" (featuring Masta Killa and RZA) | Mathematics | 3:58 | |
3. | "Alphabets" |
| True Master | 2:42 |
4. | "Groundbreaking" (featuring Justice Kareem) |
| Bronze Nazareth | 2:32 |
5. | "7 Pounds" |
| Black Milk | 2:41 |
6. | "0% Finance" |
| Jose "Choco" Reynoso | 4:20 |
7. | "Short Race" (featuring Roc Marciano) |
| Arabian Knight | 4:05 |
8. | "Interlude" | Grice | 0:26 | |
9. | "Paper Plate" |
| RZA | 2:48 |
10. | "Columbian Ties" (featuring True Master) |
| Bronze Nazareth | 2:47 |
11. | "Firehouse" (featuring Ka) |
| Roc Marciano | 3:43 |
12. | "Path of Destruction" |
| Jay "Waxx" Garfield | 2:36 |
13. | "Cinema" (featuring Justice Kareem) |
| Arabian Knight | 2:59 |
14. | "Intermission (Drive In Movie)" | Grice | 0:24 | |
15. | "Life Is a Movie" (featuring RZA and Irfane Khan-Acito) |
| RZA | 3:10 |
16. | "Elastic Audio (Live)" | Grice | Dreddy Kruger | 4:00 |
Total length: | 44:11 |
|
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Chart (2008) | Peak position |
---|---|
US Billboard 200 [26] | 52 |
US Top Rap Albums (Billboard) [27] | 9 |
US Top R&B/Hip-Hop Albums (Billboard) [28] | 13 |
US Independent Albums (Billboard) [29] | 2 |
Wu-Tang Clan is an American hip hop musical collective formed in Staten Island, New York City, in 1992. Its members include RZA, GZA, Method Man, Raekwon, Ghostface Killah, Inspectah Deck, U-God, Masta Killa, and, until his death in 2004, Ol' Dirty Bastard. Close affiliate Cappadonna later became an official member. They are credited for revitalizing East Coast hip hop and are considered one of the greatest hip hop groups of all time.
Enter the Wu-Tang is the debut studio album by the American hip-hop group Wu-Tang Clan, released on November 9, 1993, by Loud Records and RCA Records. The recording sessions took place during late 1992 to early 1993 at Firehouse Studio in New York City, and the album was produced by the group's de facto leader RZA. Its title originates from the martial arts films Enter the Dragon (1973) and The 36th Chamber of Shaolin (1978).
Liquid Swords is the second solo studio album by the American rapper and Wu-Tang Clan member GZA, released on November 7, 1995, by Geffen Records. Recording sessions for the album began midway through 1995 at producer RZA's basement studio in the New York City borough of Staten Island. The album heavily samples dialogue from the martial arts film Shogun Assassin and maintains a dark atmosphere throughout, incorporating lyrical references to chess, crime and philosophy. Liquid Swords features numerous guest appearances from the other eight members of Wu-Tang Clan along with Wu-Tang affiliate Killah Priest.
Tical is the debut studio album by American rapper and Wu-Tang Clan member Method Man. It was released November 15, 1994, by Def Jam Recordings. It was the first Wu-Tang solo album released after the group's debut, Enter the Wu-Tang . Similar to all first generation solo Wu-Tang projects, Tical was mainly produced by group member RZA, who provided a dark, murky and rugged sound. The album features guest appearances from RZA, Raekwon, Inspectah Deck, as well as several affiliates, who would later appear on future group projects. On October 5, 2017, Method Man revealed on the Viceland talk show Desus & Mero that the album's title is an acronym for "taking into consideration all lives."
Return to the 36 Chambers: The Dirty Version is the debut studio album by American rapper and Wu-Tang Clan member Ol' Dirty Bastard, released March 28, 1995, by Elektra Records in the United States. Intent on creating a solo album away from Wu-Tang, he signed to Elektra in January of 1993 and began a two year recording process that started that same year.
Only Built 4 Cuban Linx... Pt. II is the fourth studio album by American rapper and Wu-Tang Clan member Raekwon, released September 8, 2009, on Ice H2O/EMI Records in the United States. The album experienced numerous delays to its release due to Raekwon's approach of continual re-writing, as well as distribution issues with his record labels. Serving as the sequel to his critically acclaimed debut album Only Built 4 Cuban Linx... (1995), Pt. II maintains many of the themes covered on its predecessor, and features guest appearances from several Wu-Tang Clan members, as well as Busta Rhymes, Jadakiss and Beanie Sigel.
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The W is the third studio album by American hip hop group Wu-Tang Clan. It was released on November 21, 2000, by Loud Records. After their 1997 album Wu-Tang Forever, several of the group's members released solo projects before The W, which has a more rugged, less polished sound than that of most Wu-Tang related albums from that era. The album also features guest appearances from Isaac Hayes, Redman, Nas, Busta Rhymes, Snoop Dogg and Junior Reid. It is the group's last album to feature Ol' Dirty Bastard before his death in 2004, as he was absent from their next album, Iron Flag (2001).
The RZA Hits is a compilation produced by The RZA. It contains songs featured on the first Wu-Tang Clan album and its first round of solo albums. All songs, apart from "Brooklyn Zoo", are produced by RZA.
Wu-Massacre is a collaboration studio album by American rappers and Wu-Tang Clan members Method Man, Ghostface Killah and Raekwon, under the group name Meth • Ghost • Rae, released March 30, 2010 on Def Jam Recordings. Production for the album was handled by several hip hop producers, including RZA, Allah Mathematics, Scram Jones, Emile, Ty Fyffe, BT and Digem Tracks Productions.
Shaolin vs. Wu-Tang is the fifth studio album by American rapper and Wu-Tang Clan-member Raekwon, released March 8, 2011, on Ice H2O and EMI Records. Guests for the album include Black Thought, Busta Rhymes, Ghostface Killah, GZA, Inspectah Deck, Lloyd Banks, Method Man, Nas, and Rick Ross, among others.
A Better Tomorrow is the sixth studio album by American hip hop group Wu-Tang Clan. The album was released on December 2, 2014, by Warner Bros. Records. The album was supported by the singles "Keep Watch", "Ron O'Neal" and "Ruckus in B Minor". A Better Tomorrow received generally mixed reviews from music critics. The album debuted at number 29 on the Billboard 200 chart, selling 24,386 copies in its first week of release.
Only Built 4 Cuban Linx... is the debut studio album by American rapper and Wu-Tang Clan member Raekwon, released on August 1, 1995, by Loud Records and RCA Records. The album was loosely composed to play like a film with Raekwon as the "star", fellow Wu-Tang member Ghostface Killah as the "guest-star", and producer RZA as the "director". It features appearances from every member of the Wu-Tang Clan. The album also features debut appearances from affiliates Cappadonna and Blue Raspberry, and an acclaimed guest appearance from rapper Nas, which marked the first collaboration with a non-affiliated artist on a Wu-Tang related album.
Wu-Tang Forever is the second studio album by the American hip hop group Wu-Tang Clan, released June 3, 1997, by Loud and RCA Records in the United States. Pressed as a double album, it was released after a long run of successful solo projects from various members of the group, and serves as the follow-up to their debut album Enter the Wu-Tang . Forever features several guest appearances from Wu-Tang affiliates Cappadonna, Streetlife, 4th Disciple, True Master, and Tekitha. The original run of compact discs featured an enhanced CD which allowed users to walk around the "Wu Mansion" and access additional content.
Gary Eldridge Grice, better known by his stage names GZA and The Genius, is an American rapper. A founding member of the hip hop group Wu-Tang Clan, GZA is the group's "spiritual head", being both the first member in the group to receive a record deal and being the oldest member. He has appeared on his fellow Wu-Tang members' solo projects, and has maintained a successful solo career starting with his second album Liquid Swords (1995).
Ironman is the debut studio album by American rapper Ghostface Killah, released on October 29, 1996, by Epic Records. It was produced by fellow Wu-Tang Clan member RZA. The album's music draws prominently on blaxploitation films and soul samples. More so than on other solo debuts from the group's members, Ironman contains references to the Nation of Gods and Earths.
"Wu Tang Forever" is a song by American rapper Logic, featured as the sixth track on his 2018 album YSIV. The song is a homage to the hip-hop group Wu-Tang Clan and features all living members of the group: Ghostface Killah, Raekwon, RZA, Method Man, Inspectah Deck, Cappadonna, U-God, Masta Killa and GZA, as well as Wu-Tang Clan affiliate Jackpot Scotty Wotty; deceased member Ol' Dirty Bastard received a writing credit. The song shares the same title as the group's second studio album.
"Liquid Swords" is a song by American rapper and Wu-Tang Clan member GZA. It is the second single and title track of his second studio album (1995). The song contains background vocals from RZA, who also produced the song.
"Shadowboxin'" is a song by American rapper and Wu-Tang Clan member GZA, featuring fellow Wu-Tang member Method Man. It was released, along with "4th Chamber", as the fourth and final single from GZA's second studio album Liquid Swords (1995), on March 28, 1996. The song was produced by RZA.
"Cold World" is a song by American rapper and Wu-Tang Clan member GZA, released on October 10, 1995, as the second single from his second studio album Liquid Swords (1995). It features fellow Wu-Tang member Inspectah Deck and singer Life. The song contains samples from "In The Rain" by The Dramatics, "Plastic People" by The Mothers of Invention and the film Shogun Assassin, as well as interpolations from "Rocket Love" by Stevie Wonder and "Love Me In A Special Way" by DeBarge.
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