"4th Chamber" | ||||
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Single by GZA featuring RZA, Ghostface Killah and Killah Priest | ||||
from the album Liquid Swords | ||||
A-side | "Shadowboxin'" | |||
Released | March 28, 1996 | |||
Recorded | 1995 | |||
Genre | Hip hop | |||
Length | 4:37 | |||
Label | Geffen | |||
Songwriter(s) | ||||
Producer(s) | RZA | |||
GZA singles chronology | ||||
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RZA singles chronology | ||||
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Ghostface Killah singles chronology | ||||
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Killah Priest singles chronology | ||||
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Music video | ||||
"Shadowboxin' / 4th Chamber" on YouTube |
"4th Chamber" is a song by American rapper and Wu-Tang Clan member GZA,released as the fourth and final single (along with "Shadowboxin'") from his second studio album Liquid Swords (1995),on March 28,1996. It features fellow Wu-Tang members RZA and Ghostface Killah and American rapper Killah Priest. The song contains samples from the film Shogun Assassin ,"Assassin With Son" by W. Michael Lewis &Mark Lewis from the movie Shogun Assassin,"Groovin'" by Willie Mitchell and "Dharmatma Theme Music (Sad)" by Kalyanji Anandji.
GZA stated in an interview with Wax Poetics :
Making "4th Chamber" was crazy because I didn't have a rhyme ready for that one. That's why I went last on it. Plus,Ghost killed it with his verse so I knew I had to come correct. It's not even a GZA song to me—it's a Wu-Tang song. And Ghost's verse is just incredible to me. He delivered so well. I don't know if you saw the video,I directed that too. This song,the guest verses,the video,the crowd response,all turned out perfect for this one." [1]
The song begins with dialogue excerpt from Shogun Assassin: "Choose the sword and you will join me, choose the ball and you will join your mother in death." [2] Built on an electric guitar-laden beat, [3] [4] it features an "impossibly bugged-out synth hook". In Ghostface Killah's verse, he asks complex metaphysical questions and mentions "sipping rum out of Stanley Cups". [4] [5]
The song received generally positive reviews. Cheo Hodari Coker of Los Angeles Times , describing the song to be "hypnotic", cited it as one of the songs from Liquid Swords that "add to the evidence that the Wu-Tang Clan are the kings of New York rap." [6] Steve "Flash" Juon of RapReviews wrote, "the raw verbal assaults of Killah Priest, RZA, and Ghostface Killah share the spotlight with GZA on '4th Chamber.' Built on a track which was heavy metal and headbanging long Limp Bizkit became trendy, the track bubbles over with the supreme confidence only a crew of rappers sitting on top of the world could possibly have. Just peep the boastful and disdainful lyricism of Killah Priest as an example". [3] Chris Smith from Stylus Magazine wrote, "soon gives way to an even more astonishing, hyperactive RZA verse, rich in breathless they've-got-documents-on-it-locked-away but-they-know-we're-onto-them and-they're-coming-for-us paranoia with a righteous-anger, gnomic undertone. It doesn't make much sense, but it sure is amazing." [4] In a review of the album, Ian Cohen of Pitchfork stated "Outside of RZA's phenomenal third-eye verse from '4th Chamber' (yell 'lynched the prominent dominant Islamic, Asiatic black Hebrew' on the subway, it's fun), there is almost nothing here that can't be easily understood by a teenager." [5] Rachel Greenberg of Okayplayer commented that Ghostface Killah "spaz[zes] out on [a] stellar guest turn". [7]
A-side:
1. Shadowboxin' Featuring Method Man (LP version) 3:31
2. Shadowboxin' Featuring Method Man (Clean) 3:31
3. Shadowboxin' (Instrumental) 3:31
B-side:
1. 4th Chamber Featuring Ghostface Killer, Killah Priest, RZA (LP version) 4:07
2. 4th Chamber Featuring Ghostface Killer, Killah Priest, RZA (Clean) 4:07
3. 4th Chamber (Instrumental) 4:07 [8]
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