Graham Robertson (born July 16, 1973) is an American filmmaker and author. A native of Denver, Colorado, Robertson studied film at the College of Santa Fe in Santa Fe, New Mexico. Shortly thereafter, he found his way into the motion picture industry via set decoration and the art department working on numerous television series and feature films.
In 2019, Robertson wrote, produced and directed the short film, Burbank starring Rockmond Dunbar. It's the tale of a man living in Burbank, California with a busted time machine in his garage.
Robertson has also written and directed the ultra low-budget feature film, Able Edwards. Executive produced by Steven Soderbergh and categorized by Guinness World Records as the first all green screen feature film. Able Edwards is the story about the clone of a Walt Disney/Howard Hughes type created to restore vitality to a once glorious corporation.
Based on the experiences of directing Able Edwards, Robertson went on to write the book, Desktop Cinema: Feature Filmmaking on the Home Computer, a step-by-step account into how one would make their own feature film on Apple's Macintosh computer.
Chroma key compositing, or chroma keying, is a visual-effects and post-production technique for compositing (layering) two images or video streams together based on colour hues. The technique has been used in many fields to remove a background from the subject of a photo or video – particularly the newscasting, motion picture, and video game industries. A colour range in the foreground footage is made transparent, allowing separately filmed background footage or a static image to be inserted into the scene. The chroma keying technique is commonly used in video production and post-production. This technique is also referred to as colour keying, colour-separation overlay, or by various terms for specific colour-related variants such as green screen or blue screen; chroma keying can be done with backgrounds of any colour that are uniform and distinct, but green and blue backgrounds are more commonly used because they differ most distinctly in hue from any human skin colour. No part of the subject being filmed or photographed may duplicate the colour used as the backing, or the part may be erroneously identified as part of the backing.
Nepali Cinema, also referred to as Kollywood or "Nepali Chalachitra" in Nepali, is the filmmaking industry in Nepal. This includes films in various languages of Nepal, most notably in Nepali, Maithili and Bhojpuri. The term Kollywood is also used, as a portmanteau for films produced in the Nepali language while the Nepalese films produced from Kathmandu and Janakpur in the Maithili language is known as Mithilawood. Both of these film industries are the largest viewing cinema of Nepal and are collectively known as Kollywood.
Filmmaking is the process by which a motion picture is produced. Filmmaking involves a number of complex and discrete stages, starting with an initial story, idea, or commission. It then continues through screenwriting, casting, pre-production, shooting, sound recording, post-production, and screening the finished product before an audience that may result in a film release and an exhibition. Filmmaking occurs in a variety of economic, social, and political contexts around the world. It uses a variety of technologies and cinematic techniques.
World Wide Pictures (WWP) is a film distributor and production company established as a subsidiary of the Billy Graham Evangelistic Association (BGEA) in 1951. It is involved in the production and distribution of evangelistic films, the production of Graham crusade films, and publicity for Graham crusades.
Rattana Pestonji was a Thai film director, producer, screenwriter and cinematographer and is regarded as the father of contemporary Thai film. Although his filmography was brief, his films placed Thai cinema on the world stage. He also pushed for innovations, and was one of the first Thai directors to use 35-mm film. He died just as he was giving a speech to government officials to call for support of a domestic industry he saw as coming under threat from Hollywood films.
Telugu cinema, also known as Tollywood, is the segment of Indian cinema dedicated to the production of motion pictures in the Telugu language, widely spoken in the states of Andhra Pradesh and Telangana. Telugu cinema is based in Film Nagar, a neighbourhood of Hyderabad, India. The nickname Tollywood is a portmanteau of the words Telugu and Hollywood. By 2021, it has emerged as the largest film industry in India in terms of box-office.
The race film or race movie was a genre of film produced in the United States between about 1915 and the early 1950s, consisting of films produced for black audiences, and featuring black casts. Approximately five hundred race films were produced. Of these, fewer than one hundred remain. Because race films were produced outside the Hollywood studio system, they were largely forgotten by mainstream film historians until they resurfaced in the 1980s on the BET cable network. In their day, race films were very popular among African-American theatergoers. Their influence continues to be felt in cinema and television marketed to African Americans.
Previsualization is the visualizing of scenes or sequences in a movie, prior to filming. It is also a concept in various creative practices, including animation, performing arts, video game design, and still photography. Previsualization is typically used to describe techniques such as storyboarding, either in the form of sketches or in digital technology, in the planning and conceptualization of movie scenes.
Cinema of Indonesia is film that is produced domestically in Indonesia. The Indonesian Film Agency or BPI defines Indonesian film as "movies that are made with Indonesian resources, and wholly or partly Intellectual Property is owned by Indonesian citizens or legal entities in Indonesia". It dates back to the early 1900s. Until the 1920s, most cinema in Indonesia was produced by foreign studios, mostly from Europe, and the United States, whose films would then be imported to the country. Most of these films were silent documentaries and feature films from France and the United States. Many documentaries about the nature and life of Indonesia were sponsored by the Dutch East Indies government and were usually made by the Dutch or at least Western European studios. The first domestically produced documentaries in Indonesia were produced in 1911. However, the first domestically produced film in the Dutch East Indies was in 1926: Loetoeng Kasaroeng, a silent film, which was an adaptation of the Sundanese legend of the same name. During 1926, there were two movie theatres, the Oriental and the Elita, in Bandung. The first movie theatre in Jakarta was the Alhamra Theatre, which opened in 1931.
Able Edwards is a 2004 science fiction film directed by Graham Robertson and starring Scott Kelly Galbreath, Keri Bruno, David Ury, Steve Beaumont Jones, and Michael Shamus Wiles. Able Edwards follows the clone of a Walt Disneyesque entertainment mogul created to revive the glory days of his deceased predecessor's corporation. In the process of restoring reality entertainment to a synthetic, virtual world, the clone realizes he has yet to live as his own man.
The cinema of Lebanon, according to film critic and historian Roy Armes, is the only other cinema in the Arabic-speaking region, beside Egypt's, that could amount to a national cinema. Cinema in Lebanon has been in existence since the 1920s, and the country has produced more than 500 films.
Rob Nilsson is a filmmaker, poet, and painter, best known for his feature film Northern Lights, co-directed with John Hanson and winner of the Camera d’Or at the Cannes Film Festival (1979). He also is known for directing and playing the lead role in Heat and Sunlight, produced by Steve and Hildy Burns, also featuring Consuelo Faust, Don Bajema and Ernie Fosseliius. Heat and Sunlight won the Grand Jury Prize Dramatic at the Sundance Film Festival in 1988, and his 9 @ Night Film Cycle won the 2008 San Francisco Film Critics Circle Marlon Riggs Award for Courage and Vision in Cinema. Nilsson has also received Lifetime Achievement awards from the Fargo International Film Festival, the St. Louis International Film Festival, the Kansas City Filmmaker's Jubilee, the Master's Award from the Golden Apricot Film Festival, a Filmmaker of the Year Award from the Silver Lake Film Festival, and the Milley Award from the city of Mill Valley for accomplishment in the Arts.
Aribam Syam Sharma is an Indian filmmaker and composer from Manipur. He debuted in the first Manipuri film Matamgi Manipur as an actor. In 1974, he directed his first movie Lamja Parshuram. It became the first Manipuri film to run for 100 days in the box office. His 1979 film Olangthagee Wangmadasoo was the first ever and the only Manipuri film to run for 32 weeks. It also broke the local box office records of Sholay.
One Day in the Life of Andrei Arsenevich is a 2000 French documentary film directed by Chris Marker, about and an homage to the Russian filmmaker Andrei Tarkovsky. The film was an episode of the French documentary film series Cinéastes de notre temps, which in over ninety episodes since 1966 concentrates on individual film directors, film people and film movements. The title of the film is a play on the title of Aleksandr Solzhenitsyn's novella One Day in the Life of Ivan Denisovich.
A film – also called a movie, motion picture, moving picture, picture or photoplay – is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it.
Russell "Russ" Emanuel is an American director, producer, and independent filmmaker, having directed such actors as John Heard, Tarah Paige, Robert Picardo, Vincent Pastore, Glynnis O'Connor, Hallie Kate Eisenberg, Jeremy London, Ryan Hurst, William Devane, Dan Grimaldi, Vinny Vella, Michelle Lee (actress), Larry Pine, Marina Sirtis, Sean Kenney (actor), Heather McComb, Armin Shimerman, Rico E. Anderson, Eileen Dietz, Kelli Maroney, Gary Graham, Laurene Landon, and Olivia d'Abo.
The cinema of Libya has had an uneven history. Though there was little local film production in Italian Libya and the Kingdom of Libya, cinema-going became a popular entertainment activity. From 1973 onwards, Muammar Gaddafi tried to exercise control over cinema. Though he encouraged some local filmmaking, his obstruction of foreign film consumption resulted in the closing of cinemas. In the post-2011 instability in Libya, hopes for a resurgence of Libyan cinema combine with a lack of infrastructure.
Screenlife or computer screen film is a genre of visual storytelling where all the events are shown on a computer, tablet or smartphone screen. It became popular in the 2010s with the growing impact of the Internet.
Cinema in Qatar is a relatively young industry that evolved as part of the country’s plans to develop different local sectors with the aim of accumulating international recognition and status. Many major steps were taken to implement a long-term plan to develop the infrastructure as well as giving opportunities to local talents to have a platform that establishes their presence within the film industry with the support of the Doha Film Institute, and their various grants, workshops and festivals. The Qatar National Vision 2030 has three major pillars to development: human, social economic and environmental; this vision provides frameworks that enable the development of different elements within Qatar and its society; one of which is the high importance put on developing and cultivating artistic talents to represent and define Qatar on a global scale. Another important element in developing the movie industry is the influence and vision of Sheikha Al Mayassa who founded Doha Film Institution; the establishment of film as a mode of storytelling was imperative because it serves the purpose of granting Qatar a global presence through the talents that are supported and cultivated because of her initiative. The film industry plays a role in amplifying the Qatari national identity alongside the identity of the Arab world as a whole.
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