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| Gramzivost i pohlepa | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | 2002 | |||
| Recorded | January–September 2002, Kod Bareta, Zemun, O studio, Belgrade | |||
| Genre | Garage rock, punk rock, blues rock | |||
| Length | 39:09 | |||
| Label | Hi-Fi Centar 10260 | |||
| Producer | Partibrejkers, Vlada Negovanović | |||
| Partibrejkers chronology | ||||
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Gramzivost i pohlepa is the sixth studio album by the Serbian garage rock/punk rock band Partibrejkers, released by Hi-Fi Centar in 2002.
Serbia, officially the Republic of Serbia, is a country situated at the crossroads of Central and Southeast Europe in the southern Pannonian Plain and the central Balkans. It borders Hungary to the north, Romania to the northeast, Bulgaria to the southeast, North Macedonia to the south, Croatia and Bosnia and Herzegovina to the west, and Montenegro to the southwest. The country claims a border with Albania through the disputed territory of Kosovo. Serbia's population numbers approximately seven million, most of whom are Orthodox Christians. Its capital, Belgrade, ranks among the oldest and largest citiеs in southeastern Europe.
Garage rock is a raw and energetic style of rock and roll that flourished in the mid-1960s, most notably in the United States and Canada, and has experienced various revivals since then. The style is characterized by basic chord structures played on electric guitars and other instruments, sometimes distorted through a fuzzbox, as well as often unsophisticated and occasionally aggressive lyrics and delivery. Its name derives from the perception that groups were often made up of young amateurs who rehearsed in the family garage, although many were professional.
Punk rock is a rock music genre that emerged in the mid-1970s in the United States, United Kingdom, and Australia. Rooted in 1960s garage rock and other forms of what is now known as "proto-punk" music, punk rock bands rejected perceived excesses of mainstream 1970s rock. They typically produced short, fast-paced songs with hard-edged melodies and singing styles, stripped-down instrumentation, and often political, anti-establishment lyrics. Punk embraces a DIY ethic; many bands self-produce recordings and distribute them through independent record labels and other informal channels.
