Grandma Moses American Primitive was the first popular catalog of works by Grandma Moses by Otto Kallir, published in 1946.
Moses’ first solo exhibition had taken place in 1940 "What a Farmwife Painted", at the Galerie St. Etienne in New York. It was organized by Louis J. Caldor and Otto Kallir and since that time Kallir himself had become a firm admirer and promoter of the artist's work. He believed the choice of works in the 1940 exhibition "included many of her early attempts in which her great talent was scarcely recognizable." [1]
Kallir decided to make a catalog based on Grandma Moses' own words on the occasion of her 85th birthday in 1945. He chose to add "American Primitive" to the title and gave the work the subtitle "Forty paintings with comments by Grandma Moses - together with her life's history". He then wrote an essay that partially rejected the "primitive" label that he felt responsible for, writing "It is important, however, not to confuse “primitive” with “self-taught” artists." [1]
Louis Bromfield wrote the introduction, and Hildegard Bachert transcribed interviews with the artist to develop an ego-document that could be illustrated with a selection of paintings that reflected events and scenes from her life. The selection of paintings each accompanied a story from the artist's childhood in her own words. Two of the forty paintings were illustrated in color (Sugaring Off, and Old Oaken Bucket). Though the text and formatting were the same, the second edition switched the order of the paintings that accompanied the artist's stories in order to accompany two more color illustrations (The Old Checkered House in 1860, and Early Springtime on the Farm). These were the first published color illustrations of Grandma Moses paintings and they proved so popular that Kallir first registered her paintings with the Copyright Office in Washington and then arranged for large, higher quality prints that were published in 1948 to accommodate demand. [2]
The list of 42 paintings follows which were included in both the 1946 and 1947 editions. These paintings were referenced with the acronym "GMAP", in Kallir's 1973 catalogue raisonné. Since the plate numbers were different but the topic selections were the same, this list is ordered by painting date. Only four paintings were included from the 1940 exhibition. The 1973 catalogue raisonné numbers and Grandma Moses record book numbers are also included along with known owner information:
title | 1940 exhibition nr. | GMAP 1946 plate nr. | GMAP 1947 plate nr. | 1973 Kallir cat. nr. | "RB" nr. | latest date painted | collection / owner |
---|---|---|---|---|---|---|---|
Shenandoah Valley, South Branch | 20 | 4 | 8 | 51 | 1938 | Louis J. Caldor | |
Bringing in the Maple Sugar | 19 | 3 | 7 | 42 | 1939 | Otto Kallir | |
Sugaring Off in Maple Orchard | 6 | 10 | 56 | 1940 | Sidney Janis | ||
Cambridge in the Valley | 25 | 5 | 9 | 11 | 1940 | Louis J. Caldor | |
On the Road to Greenwich | 27A | 8 | 12 | 26 | 1940 | Louis J. Caldor | |
Home of Hezekiah King, 1776 | 10 | 14 | 187 | 302 | 1942 | ||
Black Horses | 9 | 13 | 181 | 1942 | Otto Kallir | ||
Over the Bridge to Grandma's House | 13 | 17 | 130 | 1942 | |||
A Fire in the Woods | 7 | 11 | 297 | 462 | 1943 | Ala Story | |
The Trappers II | 11 | 15 | 221 | 336 | 1943 | Frank Jay Gould | |
Missouri | 12 | 16 | 224 | 340 | 1943 | Galerie St. Etienne | |
Checkered House | 17 | 317 | 1943 | IBM | |||
McDonnell Farm | 18 | 21 | 313 | 518 | 1943 | The Phillips Collection | |
The Old Checkered House in 1860 | 3 | 387 | 592 | 1943 | Ala Story | ||
Over the River to Grandma's House | 14 | 18 | 277 | 443 | 1943 | Jack Kapp | |
Mt. Nebo in Winter | 16 | 20 | 275 | 441 | 1943 | Bennington Museum | |
Sugaring Off | 1 | 1 | 276 | 442 | 1943 | Galerie St. Etienne | |
Catching the Thanksgiving Turkey | 15 | 19 | 260 | 353 | 1943 | ||
The Old Oaken Bucket | 2 | 2 | 238 | 343 | 1943 | ||
Home for Thanksgiving | 26 | 28 | 441 | 1036 | 1944 | ||
Old Red Mill | 21 | 24 | 480 | 1944 | Jane Elizabeth Gosden | ||
Hoosick Falls in Winter | 23 | 26 | 425 | 810 | 1944 | The Phillips Collection | |
The Old Automobile | 24 | 27 | 442 | 1036 | 1944 | ||
In the Park | 19 | 22 | 343 | 600 | 1944 | Galerie St. Etienne | |
In the Springtime | 20 | 23 | 331 | 528 | 1944 | Susan Vanderpoel Hun | |
Out for the Christmas Trees | 25 | 444 | 1038 | 1944 | |||
In Harvest Time | 22 | 25 | 379 | 583 | 1944 | ||
The Lookout, 1777, Vermont | 31 | 32 | 508 | 1032 | 1945 | ||
Our Barn | 39 | 39 | 541 | 1061 | 1945 | ||
Haying Time | 28 | 29 | 485 | 1011 | 1945 | ||
May: Making Soap, Washing Sheep | 32 | 33 | 509 | 1033 | 1945 | Miss Porter's School | |
A Winter's Day, 1870 | 33 | 34 | 511 | 1035 | 1945 | Jane Winton | |
Bondsville Fair | 34 | 35 | 497 | 1023 | 1945 | ||
Going to Church | 35 | 36 | 502 | 1027 | 1945 | ||
Wash Day | 36 | 37 | 498 | 1024 | 1945 | Rhode Island School of Design Museum | |
Whiteside Church | 38 | 38 | 543 | 1063 | 1945 | Smithsonian American Art Museum | |
Picnic | 30 | 31 | 484 | 1010 | 1945 | ||
Early Springtime on the Farm | 37 | 6 | 500 | 1026 | 1945 | ||
The Lonely Tramp or Traveler | 40 | 40 | 483 | 1003 | 1945 | ||
The First Skating | 29 | 30 | 486 | 1013 | 1945 | ||
Here Comes Aunt Judith | 4 | 581 | 1098 | 1946 | |||
Grandma Moses Goes to the Big City | 27 | 5 | 577 | 1091 | 1946 | Smithsonian American Art Museum |
Anna Mary Robertson Moses, or Grandma Moses, was an American folk artist. She began painting in earnest at the age of 78 and is a prominent example of a newly successful art career at an advanced age. Moses gained popularity during the 1950s, having been featured on a cover of Time Magazine in 1953. She was a subject of numerous television programs and of a 1950 Oscar-nominated biographical documentary. Her autobiography, titled My Life's History, was published in 1952. She was also awarded two honorary doctoral degrees.
Jane Kallir is an American art dealer, curator and author. She is co-director of the Galerie St. Etienne in New York, which specializes in Austrian and German Expressionism as well as self-taught and “outsider” art. In 2020, the gallery ceased commercial operations and became an art advisory. Its archives and library were transferred to the Kallir Research Institute, a foundation established in 2017. Kallir serves as President of the KRI. She has curated exhibitions for many American and international museums and is the author of the catalogue raisonné of Egon Schiele’s work in all mediums.
Galerie St. Etienne is a New York art gallery specializing in Austrian and German Expressionism, established in Vienna in 1939 by Otto Kallir. In 1923, Kallir founded the Neue Galerie in Vienna. Forced to leave Austria after the 1938 Nazi invasion, Kallir established his gallery in Paris as the Galerie St. Etienne, named after the Neue Galerie's location near Vienna's Cathedral of St. Stephen. In 1939, Kallir and his family left France for the United States, moving the Galerie St. Etienne to New York City. The gallery still exists, run by Otto Kallir's granddaughter Jane at 24 West 57th Street.
Otto Kallir was an Austrian-American art historian, author, publisher, and gallerist. He was awarded the Silbernes Ehrenzeichen für Verdienste um das Land Wien in 1968.
Hildegard Bachert was a German-born American art dealer and gallery director. Born in Mannheim, Germany in 1921, Bachert moved to America in 1936 to seek refuge from the Nazi regime. In 1940, she began working at the Galerie St. Etienne, a Manhattan gallery specializing in Austrian and German expressionist art, where she worked until her death.
Checkered House is a 1943 oil painting by the American outsider painter Grandma Moses, produced at age 83 and signed "Moses". It was sold at Sotheby's in 2016.
Thanksgiving Turkey is a 1943 oil painting by the American outsider painter Grandma Moses, produced at age 83 and signed "Moses". It has been in the collection of the Metropolitan Museum of Art since 1950.
A Fire in the Woods is a 1947 oil painting by the American outsider painter Grandma Moses, produced at age 87 and signed "Moses". It has been in the collection of the National Gallery of Art since 1999.
Hoosick Falls in Winter is a 1944 oil painting by the American outsider painter Grandma Moses, produced at age 84 and signed "Moses". It has been in the collection of The Phillips Collection since 1949.
Wash Day is a 1945 oil painting by the American outsider painter Grandma Moses, produced at age 85 and signed "Moses". It has been in the collection of the Rhode Island School of Design Museum since 1946.
The Battle of Bennington is a 1953 oil painting by the American outsider painter Grandma Moses, produced at age 93 and signed "Moses". It has been in the collection of the Bennington Museum since 2014.
Black Horses, or Lower Cambridge Valley is a 1942 oil painting by the American outsider painter Grandma Moses, produced at age 82 and signed "Moses". It was in the collection of Otto Kallir in 1975.
Great Fire is a 1959 oil painting by the American outsider painter Grandma Moses, produced at age 99 and signed "Moses". It has been in the collection of the Bennington Museum since 2024.
The Old Oaken Bucket is a 1945 oil painting by the American outsider painter Grandma Moses, produced at age 85 and signed "Moses". It has been in the collection of the Hirshhorn Museum and Sculpture Garden since 1974.
White Christmas is a 1954 oil painting by the American outsider painter Grandma Moses, produced at age 94 and signed "Moses". It was in the collection of Irving Berlin.
Grandma Moses Goes to the Big City is a 1946 oil painting by the American outsider painter Grandma Moses, produced at age 86 and signed "Moses". It has been in the collection of the Smithsonian American Art Museum since 2016.
What a Farmwife Painted was the first solo exhibition of works by Grandma Moses at the Galerie St. Etienne in October 1940.
The Grandma Moses record book is a small book given in 1941 to Grandma Moses by her brother Fred E. Robertson for keeping track of the titles of paintings she made. According to Otto Kallir in 1975, "The book is bound in black boards; it measures 7 1/2 by 10 inches and bears the word "Record" in gold lettering on the cover. The pages are numbered from 1 to 152."
The McDonnell Farm is a 1943 oil painting by the American outsider painter Grandma Moses, produced at age 83 and signed "Moses". It has been in the collection of The Phillips Collection since 1944.
Sugaring Off is a 1943 oil painting by the American outsider painter Grandma Moses, produced at age 83 and signed "Moses". It is in the collection of the Galerie St. Etienne.