Green Eyes | |
---|---|
Directed by | Roy William Neill |
Screenplay by | Ella Stuart Carson John Lynch R. Cecil Smith (scenario) |
Produced by | Thomas H. Ince |
Starring | Dorothy Dalton Jack Holt Emory Johnson Doris May Robert McKim Clyde Benson |
Cinematography | John Stumar |
Production company | Thomas H. Ince Corporation |
Distributed by | Paramount Pictures |
Release date |
|
Running time | 50 minutes |
Country | United States |
Language | Silent (English intertitles) |
Green Eyes is a 1918 American silent drama film directed by Roy William Neill and written by Ella Stuart Carson, John Lynch, and R. Cecil Smith. The film stars Dorothy Dalton, Jack Holt, Emory Johnson, Doris May, Robert McKim, and Clyde Benson. The film was released on August 11, 1918, by Paramount Pictures. [1] [2] It is not known whether the film currently survives. [3]
As described in a film magazine, [4] hardly had Pearson Hunter (Holt) returned to the south with his young bride Shirley (Dalton) than he flew into a jealous rage because his wife knew one of the men in the welcoming party. Later, when the two lost their way while on a hunting trip, he vented an unreasonable rage upon her.
Margery Gibson (May), fiancé of his brother Morgan (Johnson), felt the pangs of the green-eyed monster whenever Morgan showed his sister-in-law the slightest courtesy. She confided her suspicions to Pearson. In the meantime Morgan, resenting a slur upon his brother's wife by Alexander Chapman (McKim), fell him with a blow.
A mulatto who hated Chapman was lurking nearby and choked the prostrate man to death. Morgan, thinking he was a murderer, fled in panic and hid in his sister-in-law's room, where he was found by his brother Pearson.
Pearson at once passed judgement and did not want to hear explanations, but later after learning the truth upon hearing the confession of the mulatto, he sought forgiveness and promised to banish jealousy from his life.
Like many American films of the time, Green Eyes was subject to restrictions and cuts by city and state film censorship boards. For example, the Chicago Board of Censors removed slurs by required a cut, in Reel 1, of the intertitle "You white nigger, how dare you talk to a gentlemen" and, in Reel 4, the intertitle "I'se the white nigger you kicked in the dirt". [5]
The Slave is a 1917 American silent comedy film starring Billy West and featuring Oliver Hardy. It was unusual for a silent film in that, because it told its story so plainly, subtitles or intertitles were not considered necessary. It is not known whether the film currently survives.
Nan of Music Mountain is a 1917 American silent drama film directed by George Melford and Cecil B. DeMille. The film is based on Frank H. Spearman's novel of the same name and stars Wallace Reid and Anna Little.
Old Wives for New is a 1918 American silent drama film directed by Cecil B. DeMille. Prints of the film survive at the International Museum of Photography and Film at George Eastman House.
The Squaw Man is a 1918 American silent Western film directed by Cecil B. DeMille. It is a remake of DeMille's 1914 film of the same name, which is based upon a 1905 play by Edwin Milton Royle. The film was reportedly made as an experiment to prove DeMille's theory that a good film is based on a good story. It cost $40,000 to make and grossed $350,000. It would be remade again by DeMille in 1931. The 1918 The Squaw Man is a lost film with only the last reel extant.
Headin' South is a 1918 American silent romantic comedy film directed by Arthur Rosson with supervision from Allan Dwan and starring Douglas Fairbanks. The film is now considered to be lost.
The Woman in the Web is a 1918 American drama film serial directed by Paul Hurst and David Smith. It was the 9th of 17 serials released by The Vitagraph Company of America. This World War I period serial about a Russian princess and the overthrow of the Tsar introduced the concept of the Red Menace to serials. The serial is now considered to be a lost film.
The Midnight Flyer is a 1918 American short action drama film directed by George Marshall and starring Hoot Gibson.
The Brass Bullet is a 1918 American adventure film serial directed by Ben F. Wilson. It is now considered to be a lost film.
The Bull's Eye is a 1917 American film serial directed by James W. Horne. It is now considered to be a lost film.
The Hidden Hand is a 1917 American film serial directed by James Vincent. This is a lost serial.
Which Woman? is a 1918 American silent drama film directed by Tod Browning and Harry A. Pollard. The film stars Ella Hall as a reluctant bride and Priscilla Dean as an adventuress and leader of a gang of thieves. The story was remade in 1923 as Nobody's Bride.
The Marriage Ring is a lost 1918 American silent drama film directed by Fred Niblo.
Riddle Gawne is a 1918 American silent Western film directed by William S. Hart and Lambert Hillyer, and featuring William S. Hart, Katherine MacDonald and Lon Chaney. The film was co-produced by William S. Hart and Thomas H. Ince. The screenplay was written by Charles Alden Seltzer from his earlier novel The Vengeance of Jefferson Gawne. Chaney historian Jon C. Mirsalis claims that William S. Hart contributed greatly to the screenplay but all other sources credit the writing of the screenplay solely to Charles Alden Seltzer.
The Passing of the Third Floor Back is a 1918 British/American silent allegorical film based on the 1908 play The Passing of the Third Floor Back by Jerome K. Jerome and directed by Herbert Brenon. The star of the film is Sir Johnston Forbes-Robertson, a legendary Shakespearean actor, who starred in the 1909 Broadway presentation of the play and its 1913 revival. Forbes-Robertson had been knighted by King George V in 1913 and had retired from acting in theatre that same year. In his retirement Forbes-Robertson had only dabbled in film acting making a 1913 film version of Hamlet, the most famous role he had played on the stage. Filmed in 1916, it was released in 1918.
The Bride's Awakening is a 1918 American silent drama film released by Universal Pictures and produced by their Bluebird production unit. Robert Z. Leonard directed the film and his then-wife Mae Murray was the star. A print of the film is housed at the EYE Institute Nederlands.
Love Letters is a 1917 American silent drama film directed by Roy William Neill and written by Ella Stuart Carson and Shannon Fife. The film stars Dorothy Dalton, William Conklin, Dorcas Matthews, Thurston Hall, Hayward Mack, and William Hoffman. The film was released on December 24, 1917, by Paramount Pictures. A print of Love Letters is held by the Library of Congress.
Tyrant Fear is a 1918 American silent drama film directed by Roy William Neill, written by R. Cecil Smith, and starring Dorothy Dalton, Thurston Hall, Melbourne MacDowell, William Conklin, Lou Salter, and Carmen Phillips. It was released on April 29, 1918, by Paramount Pictures. A print of the film is held by the Library of Congress.
Sandy is a 1918 American silent drama film directed by George Melford, and written by Alice Hegan Rice and Edith Kennedy. The film stars Jack Pickford, Louise Huff, James Neill, Edythe Chapman, Julia Faye, and George Beranger. The film was released on July 14, 1918, by Paramount Pictures.
The Law of the North is a 1918 American silent drama film directed by Irvin Willat, and written by Ella Stuart Carson, John Lynch, and R. Cecil Smith. The film stars Charles Ray, Doris May, Robert McKim, Gloria Hope, Charles K. French, and Manuel R. Ojeda. The film was released on September 29, 1918, by Paramount Pictures. It is not known whether the film currently survives.
Mountain Dew is a lost 1917 American silent comedy-drama film directed by Thomas N. Heffron and starring Margery Wilson. It was produced and distributed by the Triangle Film Corporation.