Formation | 1912 |
---|---|
Type | Non-profit organization |
Headquarters | Greenwich, Connecticut |
Website | greenwichartsociety.org |
Formerly called | The Greenwich Society of Artists |
Known originally as The Greenwich Society of Artists, the Greenwich Art Society is an organization dedicated to promoting arts education in the town of Greenwich, Connecticut. It was founded in 1912 by artists affiliated with the "Cos Cob School," and many associated with the development of the American Impressionist movement, who sought “the promotion and maintenance of the fine arts and the exhibition of works of art in Greenwich.” [1] [2]
As wealthy New Yorkers looked to move out of the city at the end of the 19th century, Greenwich evolved from a rural village to a bustling suburb with an established artists’ colony and a growing market for art. Theodore Robinson and John Henry Twachtman taught summer art classes at the Bush-Holley House, and Twachtman and Leonard Ochtman were living in Greenwich full-time. [2]
The first president of the Greenwich Society of Artists was Edward Clark Potter, best known as the sculptor of the lions at the New York Public Library Main Branch; Leonard Ochtman served as the first vice-president. [3] Other notable early Society members include John Plumer Ludlum, Elmer Livingston MacRae, William Bunker Tubby, Joseph Howland Hunt, Sr., Dorothy Ochtman, Mina Fonda Ochtman, Matilda Browne, Charles Henry Ebert, Florence W. Gotthold, George Wharton Edwards, Henry Bill Selden, J. Alden Twachtman (son of John Henry Twachtman) and other artists and patrons affiliated with the Cos Cob Art Colony. A number of these artists were active in other influential organizations at that time, including the Association of American Painters and Sculptors, the group responsible for the 1913 Armory Show. Dorothy Ochtman served as Secretary of the Society from 1928-1946, and President from 1947-1948. [4] [1]
The Society held its first show in September 1912 in a house donated to the town by Robert M. Bruce, which would become the Bruce Museum. Until 1926, the Society continued to organize all of the Bruce Museum’s exhibitions, and the core of the museum's permanent collection grew through purchases and gifts from these exhibitions. [2] In 1928, the Annual Members' Exhibition of the society was moved to the art gallery of the Greenwich Library. [4]
In 1956, the Society expanded its mission: “to further art education and to awaken and stimulate interest in arts and crafts in the Town of Greenwich by means of classes, demonstrations, lectures and exhibitions.” [2] The name was changed the Greenwich Art Society in 1958 when it was incorporated as a non-profit organization and began providing art instruction year-round. [4]
The Greenwich Art Society continues today as an active organization that continues to provide art classes and programs for adults and children, exhibitions for its members, workshops, and gallery trips. [4]
The 1913 Armory Show, also known as the International Exhibition of Modern Art, was a show organized by the Association of American Painters and Sculptors in 1913. It was the first large exhibition of modern art in America, as well as one of the many exhibitions that have been held in the vast spaces of U.S. National Guard armories.
American Impressionism was a style of painting related to European Impressionism and practiced by American artists in the United States from the mid-nineteenth century through the beginning of the twentieth. The style is characterized by loose brushwork and vivid colors with a wide array of subject matters but focusing on landscapes and upper-class domestic life.
John Henry Twachtman was an American painter best known for his impressionist landscapes, though his painting style varied widely through his career. Art historians consider Twachtman's style of American Impressionism to be among the more personal and experimental of his generation. He was a member of "The Ten," a loosely-allied group of American artists dissatisfied with professional art organizations, who banded together in 1898 to exhibit their works as a stylistically unified group.
The Cos Cob art colony was a group of artists, many of them American Impressionists, who gathered during the summer months in and around Cos Cob, a section of Greenwich, Connecticut, from about 1890 to about 1920.
Julian Alden Weir was an American impressionist painter and member of the Cos Cob Art Colony near Greenwich, Connecticut. Weir was also one of the founding members of "The Ten", a loosely allied group of American artists dissatisfied with professional art organizations, who banded together in 1898 to exhibit their works as a stylistically unified group.
Theodore Robinson was an American painter best known for his Impressionist landscapes. He was one of the first American artists to take up Impressionism in the late 1880s, visiting Giverny and developing a close friendship with Claude Monet. Several of his works are considered masterpieces of American Impressionism.
Leonard Ochtman was a Dutch-American Impressionist painter who specialized in landscapes. He was a founding member of the Cos Cob Art Colony and the Greenwich Society of Artists.
Cos Cob is a neighborhood and census-designated place in the town of Greenwich, Connecticut. It is located on the Connecticut shoreline in southern Fairfield County. It had a population of 6,770 at the 2010 census.
The Bush–Holley House is a National Historic Landmark and historic house museum at 39 Strickland Road in the Cos Cob section of Greenwich, Connecticut. It was constructed circa 1730 and in the late nineteenth century was a boarding house and the center of the Cos Cob Art Colony, Connecticut's first art colony. From 1890 to 1920, the house was a gathering place for artists, writers and editors, and scores of art students came to study with leading American Impressionists John Henry Twachtman, J. Alden Weir, Theodore Robinson, and Childe Hassam. It is currently operated as a historic site by the Historical Society of the Town of Greenwich, and is open for tours.
The Bruce Museum is a museum in downtown Greenwich, Connecticut with both art and natural history exhibition space. The Bruce's main building sits on a hill in a downtown park, and its tower can be easily seen by drivers passing by on Interstate 95. Permanent exhibits include minerals, area Native American history and culture, changes in the area landscape and environment by human activity, and dioramas of Connecticut woodland wildlife and birds. The museum hosts changing exhibitions of art, photography, natural history, science, history and culture.
The history of Greenwich, Connecticut.
Mina Fonda Ochtman (1862–1924) was an American Impressionist painter noted for her watercolors of landscapes and coastal scenes. She was wife of the artist Leonard Ochtman, and an active member of the Cos Cob Art Colony in Greenwich, Connecticut the early 20th century.
Henry Fitch Taylor (1853–1925) was an American painter who was to become the oldest among the generation of American artists who responded to and explored Cubism. Taylor served as the first president of the American Association of Artists and Painters (AAPS), the organization which mounted the 1913 Armory Show; he later stepped aside from that role in favor of Arthur B. Davies, but continued to serve as trustee and secretary of AAPS.
Daniel Putnam Brinley was an American muralist and painter. He was born in Newport, Rhode Island, the son of Edward Huntington Brinley and Rebecca Maitland Porter Brinley. Brinley spent his childhood at his parents' home in Cos Cob, Connecticut, where he was known affectionately as "Put". During the 1890s, he came to the attention of local artists when he watched them at work. Brinley studied at the Art Students League of New York from 1900 to 1902. While there, he studied with Bryson Burroughs, Benjamin West Clinedinst, and Henry Siddons Mowbray, and was most influenced by Kenyon Cox and John Henry Twachtman.
The National Association of Women Artists, Inc. (NAWA) is a United States organization, founded in 1889 to gain recognition for professional women fine artists in an era when that field was strongly male-oriented. It sponsors exhibitions, awards and prizes, and organizes lectures and special events.
Elmer Livingston MacRae (1875–1953) was an American visual artist known for his paintings, pastels, and sketches, and for his role as a leading member of the Cos Cob Art Colony, in Greenwich, Connecticut. MacRae was one of the organizers of the influential 1913 Armory Show in New York; he was also instrumental in founding the American Pastel Society, as well as the Greenwich Society of Artists.
Allen Butler Talcott was an American landscape painter. After studying art in Paris for three years at Académie Julian, he returned to the United States, becoming one of the first members of the Old Lyme Art Colony in Connecticut. His paintings, usually landscapes depicting the local scenery and often executed en plein air, were generally Barbizon and Tonalist, sometimes incorporating elements of Impressionism. He was especially known and respected for his paintings of trees. After eight summers at Old Lyme, he died there at the age of 41.
Mary Harvey Tannahill was an American painter, printmaker, embroiderer and batik maker. She studied in the United States and Europe and spent 30 summers in Provincetown, Massachusetts with the artist colony there. She was instructed by Blanche Lazzell there and assumed the style of the Provincetown Printers. She exhibited her works through a number of artist organizations. A native of North Carolina, she spent much of her career based in New York.
Margaret Brassler Kane was an American figurative sculptor known for her use of the direct-carving method.
Katherine Langhorne Adams (1885–1977) was an American painter and printmaker. Other sources give her birthdate as c. 1882 or 1890.