Greg Kuzma (born July 14, 1944 in Rome, New York) is an American poet, essayist, poetry reviewer, and editor, [1] who has written and published more than 30 books. Mostly in the 1970s, more than 300 of his poems were published in the nation's most prestigious journals. At that time, he founded the Best Cellar Press, under which he produced handset letterpress chapbooks giving other poets who have become some of America's best known poets an early audience, including U.S. Poet Laureate Ted Kooser, Albert Goldbarth, Wendell Berry, Alfred Starr Hamilton and Richard Shelton. [2] The Best Cellar Press was the inspiration for the current Backwaters Press in Omaha. [3] In the 1970s, Kuzma also founded the pioneering and influential literary magazine, Pebble. [2] As an author, he has been largely collected by libraries worldwide. [4]
Kuzma's poetry collections include Song for Someone Going Away and Other Poems (Ithaca House, 1971), Good News (Viking, 1973), and Selected Early Poems 1958–1983 (Carnegie Mellon University, 2010).
Kuzma is also the author of the essay collections What Poetry Is All About (1998) and A Book of Rereadings: Two (2008). [1] Over more than forty years, his poetry has appeared in almost every notable literary publication in the nation: The New Yorker, [5] The Paris Review, [6] The Hudson Review, Poetry Northwest, Antioch Review, TriQuarterly, Witness and Poetry. [7] [1] [2] Kuzma won the 1974 Theodore Roethke award for the best poem appearing that year in Poetry Northwest. [8] He received a National Endowment for the Arts Literature Fellowship in 1981. [9]
According to the Poetry Foundation's biography, Kuzma is "known among writers and former students as a brilliant, mercurial spirit, likely to forget more poetry than most of us will ever know," Kuzma's long free-verse poems often investigate the frame of personal memory. Kuzma has spoken about reading in the context of his experience as editor of a small press: “I am not even sure I believe in such a thing as good poetry.… There has not been a single poet, no matter how various my initial impressions, that has not brought something in me alive, to life, or sustained life.” [1]
Greg Kuzma earned a BA and an MA at Syracuse University. Kuzma is professor emeritus at the University of Nebraska–Lincoln where he taught contemporary poetry and poetry writing from 1968 to 2011. [1] [2] Kuzma and his wife, Barb, live in Crete, Nebraska. [10] Kuzma was inducted into the Rome (New York) Arts Hall of Fame in 2010. [11]
Theodore Huebner Roethke was an American poet. He is regarded as one of the most accomplished and influential poets of his generation, having won the Pulitzer Prize for poetry in 1954 for his book The Waking, and the annual National Book Award for Poetry on two occasions: in 1959 for Words for the Wind, and posthumously in 1965 for The Far Field. His work was characterized by a willingness to engage deeply with a multifaceted introspection, and his style was overtly rhythmic, with a skilful use of natural imagery. Indeed, Roethke's mastery of both free verse and fixed forms was complemented by an intense lyrical quality that drew "from the natural world in all its mystery and fierce beauty."
Edward M. Hirsch is an American poet and critic who wrote a national bestseller about reading poetry. He has published nine books of poems, including The Living Fire: New and Selected Poems (2010), which brings together thirty-five years of work, and Gabriel: A Poem (2014), a book-length elegy for his son that The New Yorker called "a masterpiece of sorrow." He has also published five prose books about poetry. He is president of the John Simon Guggenheim Memorial Foundation in New York City.
Peter Balakian is an American poet, prose writer, and scholar. He is the author of many books including the 2016 Pulitzer prize winning book of poems Ozone Journal, the memoir Black Dog of Fate, winner of the PEN/Albrand award in 1998 and The Burning Tigris: The Armenian Genocide and America's Response, winner of the 2005 Raphael Lemkin Prize and a New York Times best seller. Both prose books were New York Times Notable Books. Since 1980 he has taught at Colgate University where he is the Donald M and Constance H Rebar Professor of the Humanities in the department of English and Director of Creative Writing.
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Amy Newman is translator, American poet, and professor. She is a Presidential Research Professor at Northern Illinois University.
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Harry Humes is an American poet, short-story writer, professor, and editor.
David Baker is an American poet. He is Emeritus Professor of English at Denison University where he still teaches. He served for more than 25 years as poetry editor of the Kenyon Review and continues to curate "Nature's Nature" for the magazine.
Neal Bowers is an American poet, novelist, memoirist, and scholar. He received the B.A. (1970) and M.A. (1971) from Austin Peay State University and the Ph.D. in English and American Literature from the University of Florida (1976). He taught for thirty-one years at Iowa State University, earning the highest academic rank awarded by the university, Distinguished Professor. His regular courses included creative writing and modern and contemporary poetry. He retired from teaching in 2008.
James Arthur is an American-Canadian poet. He grew up in Toronto, Canada. Arthur's poems have appeared in The New Yorker, The New Republic, Poetry, Ploughshares, London Review of Books, The Walrus, and The American Poetry Review.
Sarah Arvio is an American poet, essayist and translator.
John Haag (1926–2008) was an American poet and university professor. He spent seven years on the high seas, serving in the United States Merchant Marine during World War II and the United States Navy during the Korean War.
"My Papa's Waltz" is a poem written by Theodore Roethke. The poem was first published during 1942 in Hearst Magazine and later in other collections, including the 1948 anthology The Lost Son and Other Poems.
"Root Cellar" is a poem written by the American poet Theodore Roethke (1908-1963) published in Roethke's second collection, The Lost Son and Other Poems, in 1948 in Garden City, New York. The poem belongs among Roethke's series of "Greenhouse Poems" the first section of The Lost Son, a sequence hailed as "one of the permanent achievements of modern poetry" and marked as the point of Roethke's metamorphosis from a minor poet into one of "the first importance", into the poet James Dickey would regard among the greatest of any in American history.