Biography
Greg Lindquist was born in Wilmington, North Carolina, graduated from Emsley A. Laney High School in 1997, studied art and English at North Carolina State University, and attended graduate school in New York at Pratt Institute, earning an MFA in painting and masters in art history. He also was a studio participant at the Whitney Museum of American Art Independent Study Program (ISP). During graduate school, Lindquist was a research intern at the Museum of Modern Art, writing wall labels for the permanent collection. He also worked as an assistant for the artist Ryan McGinness. Lindquist's early work addressed landscape as a memorial, confronting the gentrification of the deindustrialized Brooklyn waterfronts of Williamsburg and Red Hook in late capitalism. Addressing the entropic forces in architecture, he traveled to Tbilisi, Georgia to research decay from the Soviet Union era. The Dan River coal ash spill in 2014 has been the conceptual, visual, thematic, and political driver of his Smoke and Water project. Working in partnership with Working Films, he created an installation of paintings and murals from an image shared by a waterkeeper documenting ash swirling with river water. The work was completed collaboratively with the local art, ecology, and activist communities. Lindquist works with the guiding principle that art can facilitate social change, actively creating space for the possibility of mobilizing political action and reshaping common values. In 2015, he was Guest Critic for the November issue of The Brooklyn Rail and curated a concurrent show, Social Ecologies which focused on the intersections and ruptures between art and ecology. Returning to NYC as a site of research, Lindquist has continued his engagement with community-centered, ecologically driven interventions through research on the Newtown Creek, a critically polluted waterway on the Brooklyn and Queens border. Working with the Newtown Creek Alliance, he has assisted with water quality collection and has reviewed EPA clean-up plans while serving on a technical data committee. He also co-organized an ongoing series of collaborative research events on a human-powered rowboat in the Newtown Creek's autonomous zone with up-close, site-specific fieldwork and painting.
Will Cotton is an American painter. His work primarily features landscapes composed of sweets, often inhabited by human subjects. Will Cotton lives and works in New York City.
Ursula von Rydingsvard is a sculptor who lives and works in Brooklyn, New York. She is best known for creating large-scale works influenced by nature, primarily using cedar and other forms of timber.
Yvonne Helene Jacquette was an American painter, printmaker, and educator. She was known in particular for her depictions of aerial landscapes, especially her low-altitude and oblique aerial views of cities or towns, often painted using a distinctive, pointillistic technique.
Minnie Eva Evans was an African American artist who worked in the United States from the 1940s to the 1980s. Evans used different types of media in her work such as oils and graphite, but started with using wax and crayon. She was inspired to start drawing due to visions and dreams that she had all throughout her life, starting when she was a young girl. She is known as a southern folk artist and outsider artist as well as a surrealist and visionary artist.
Matthew Earnest is an American theater director. He has also written plays, as well as adapted plays from novels, non-fiction books, short stories, and essays, and he has translated works in other languages for his direction.
Tim Okamura is a Japanese Canadian artist known for his contemporary realist portraits that combine graffiti and realism. His work has been on the cover of Time Magazine and has been featured in several major motion pictures. Okamura's paintings are featured in major permanent collections around the world such as London's National Portrait Gallery and Washington DC's National Portrait Gallery. He was also one of several artists to be shortlisted in 2006 for a proposed portrait of Queen Elizabeth of England.
Minus Space is an art gallery located in Dumbo, Brooklyn, NY. It specializes in abstract art and reductive art.
José Parlá, is a Brooklyn-based contemporary artist whose work has been described as "lying between the boundary of abstraction and calligraphy."
Heather T. Hart is an American visual artist who works in a variety of media including interactive and participatory Installation art, drawing, collage, and painting. She is a co-founder of the Black Lunch Table Project, which includes a Wikipedia initiative focused on addressing diversity representation in the arts on Wikipedia.
Thornton Willis is an American abstract painter. He has contributed to the New York School of painting since the late 1960s. Viewed as a member of the Third Generation of American Abstract Expressionists, his work is associated with Abstract Expressionism, Lyrical Abstraction, Process Art, Postminimalism, Bio-morphic Cubism and Color Field painting.
Dee Shapiro is an American artist and writer associated with the Pattern and Decoration movement.
Mary Miss is an American artist and designer. Her work has crossed boundaries between architecture, landscape architecture, engineering and urban design. Her installations are collaborative in nature: she has worked with scientists, historians, designers, and public administrators. She is primarily interested in how to engage the public in decoding their surrounding environment.
LaToya Ruby Frazier is an American artist and professor of photography at the School of the Art Institute of Chicago.
Kyle Staver is an artist who lives in New York City.
Stephanie Buhmann is a German art critic, art historian, and curator. Born and raised in Hamburg, Germany, she lives in New York City and Lübeck, Germany. Her book series "Studio Conversations" focuses on contemporary female artists from different cities. Each book is in a different city. The concept for the "Studio Conversations" project goes back to 2012 when Buhamann became increasingly disenchanted with the media’s fixation the soaring art market. Buhmann states, "I wanted to counterbalance that trend while supporting my community by creating a permanent record of something private and simple: conversations with artists in their studios about the works on their walls."
Rujeko Hockley is a New York-based US curator. Hockley is currently an Assistant Curator at the Whitney Museum of American Art.
Elizabeth Bradford is an American artist living in Davidson, North Carolina, best known for her large-scale paintings of landscapes. Her works have been widely exhibited throughout the southeastern United States and are collected in museums and collections, both private and corporate, across the country.
Louise Belcourt is a Canadian-American artist based in New York, known for elusive, largely abstract paintings that blend modernist formal play, a commitment to the physical world, and a visual language that shifts between landscape and the body, architecture and geometric form. New York Times critic Ken Johnson writes of her earlier work, "balancing adroitly between Color Field abstraction and Pop-style representation, Ms. Belcourt's paintings invite meditation on the perceptual, the conceptual and how our minds construct the world." Describing her later evolution, David Brody writes in Artcritical, "Hard-nosed Canadian empiricism and Brooklyn grit seem to combine in Belcourt’s work to undermine stylistic stasis."
Cameron Martin is an American contemporary artist. Martin is Co-Chair of the Painting Department at the Milton Avery Graduate School of the Arts at Bard College. He lives and works in Brooklyn, NY.
Sally Michel Avery was an artist and illustrator who created modernist paintings of abstracted figures, landscapes, and genre scenes capturing personal moments of every day life. She was the co-creator of the "Avery style", wife and collaborator of artist Milton Avery, and mother of artist March Avery. Throughout their lives, Michel and Avery shared their studio space together, painting side by side, critiquing each other's work, and developing a shared style which includes the use of abstracted subjects, expressionistic color fields, and harmonious but unusual colors juxtapositions. Michel's work is the collections of the Metropolitan Museum of Art, the National Gallery of Art, the Pennsylvania Academy of Fine Arts, the Wadsworth Atheneum, and the Israel Museum, among others.
