Hubertus von Amelunxen is a philosopher, art historian, editor, curator, photography critic, and professor for philosophy of photography and cultural studies. Amelunxen has authored and published several books focusing on the history and theory of photography and has curated several international exhibitions. He served as president and provost at the European Graduate School, based in Saas-Fee, Switzerland, and Valletta, Malta from October 2013 until June 2018.
The Haus der Kunst is a museum for modern and contemporary art in Munich, Bavaria. It is located at Prinzregentenstraße 1 at the southern edge of the Englischer Garten, Munich's largest park.
Antonio Saura Atarés was a Spanish artist and writer, one of the major post-war painters to emerge in Spain in the fifties whose work has marked several generations of artists and whose critical voice is often remembered.
Olia Lialina is an Internet artist and theorist, an experimental film and video critic and curator.
Furtherfield.org is an artist-led online community, arts organisation and online magazine. It creates and supports global participatory projects with networks of artists, theorists and activists. and offers "a chance for the public to present its own views and enter or alter various art discourses". Their lab-office and gallery currently operates out of in Finsbury Park in London, UK.
Annie Abrahams is a Dutch performance artist specialising in video installations and internet based performances, often deriving from collective writings and collective interaction. Born and raised in Hilvarenbeek in the Netherlands, she migrated to and settled in France in 1987. Her performance work challenges and questions the limitations and possibilities of online communication and collaboration. Abrahams describes her body of work as "an aesthetics of trust and attention." Studying biology became an inspiration for her future line of work. "When studying biology I had to observe a colony of monkeys in a zoo. I found this very interesting because I learned something about human communities by watching the apes. In a certain way I watch the internet with the same appetite and interest. I consider it to be a universe where I can observe some aspects of human attitudes and behaviour without interfering."
Rosa Menkman is a Dutch art theorist, curator, and visual artist specialising in glitch art and resolution theory. She investigates video compression, feedback, and glitches, using her exploration to generate art works.
Post-Internet is a 21st-century art movement involving works that are derived from the Internet or its effects on aesthetics, culture and society.
Lorna Mills is a Canadian net.art and new media artist who is known for her digital animations, videos, and GIFs. Mills has done work in other mediums such as installations. Her work explores how "the notion of public decency is anachronistic" Her use of GIFs are gathered through the dark net which includes 4chan, pornfails, and Russian domains. She currently lives and works in Toronto, Canada.
Lindsay Howard is an American curator, writer, and new media scholar based in New York City whose work explores how the internet is shaping art and culture.
Morehshin Allahyari is an Iranian media artist, activist, and writer based in New York. She is most noted for her projects Material Speculation: ISIS (2015–2016), which is a series of 3D-printed sculptural reconstructions of ancient artifacts destroyed by ISIS (2015–2016); She Who Sees The Unknown (2017–2020), The 3D Additivist Manifesto and Cookbook (2015–2016). As a 2017 Research Resident at Eyebeam, Allahyari also worked on the concept of "Digital Colonialism"; a term she has coined since 2015.
Chiara Passa is a visual artist working in media art since the second half of the 1990s.
Nora Nahid Khan is a Warwick, Rhode Island-born American writer of fiction, non-fiction, and literary criticism. She was previously on the Faculty at the Rhode Island School of Design in Digital and Media. In 2022, she was appointed the executive director of Project X Foundation for Art & Criticism.
Ruth Catlow is an English artist-theorist and curator whose practice focuses on critical investigations of digital and networked technologies and their emancipatory potential. She is also the Director, with Marc Garrett, of the Furtherfield gallery, commons space, and online arts-writing platform based out of London, which the duo founded in 1997.
Maayan Sheleff is an independent art curator and artist based in Tel Aviv, Israel. Her projects explore social and political issues through participatory practices, at the intersection of art and technology.
LaTurbo Avedon is an avatar artist, curator, the designer and founder of Panther Modern. Their work emphasizes the practice of nonphysical identity and authorship since 2008–2009. They have explored the growing relationship between users and virtual environments. They create this body of work using the simulation tools of the current moment. The genesis of their identity occurred in various profile creation processes, eventually taking a more rigid form in Second Life.
Jennifer Watson is an Australian artist known for her paintings that combine text and images.
Imago is an analog, walk-in, large format photo camera. It creates life-size self-portraits of people on 62 × 200cm photographic paper via direct exposure. Since a negative is not created, every image is unique and cannot be reprinted. The images are colloquially referred to as "Imago-grams." The only existing camera was built in the 1970s by German physicist Werner Kraus and artist Erhard Hößle. It is based on an optical system invented by Kraus for scientific purposes.
Tina Sauerlaender is a Berlin-based independent curator and writer. She is the co-founder, director and head curator of peer to space, a platform and exhibition hub for curatorial projects founded in Munich, Germany in 2010.
Karin Mack is an Austrian post-war photo artist, who belongs to the avant-garde feminist art of the 1970s. She is known primarily for generating her themes from very personal introspection and then presenting them as if "in a theater of self-events".
