This article possibly contains original research .(May 2010) |
Author | Salman Rushdie |
---|---|
Language | English |
Genre | Fantasy novel/Science Fiction |
Publisher | Gollancz |
Publication date | 1975 |
Publication place | Great Britain |
Media type | Print (hardback & paperback) |
Pages | 317 pp |
ISBN | 0-575-01871-2 |
OCLC | 1324917 |
823 | |
LC Class | PR6068.U757 G7 1975 |
Grimus is a 1975 fantasy and science fiction novel by Salman Rushdie. It was his literary debut.
The story loosely follows Flapping Eagle, a young Native American man who receives the gift of immortality by drinking a magic fluid. Thereafter, Flapping Eagle wanders the earth for 777 years 7 months and 7 days, searching for his immortal sister and exploring identities before falling through a hole in the Mediterranean Sea. He arrives in a parallel dimension at the mystical Calf Island, where those immortals who have tired of the world but are reluctant to give up their immortality exist in a static community under a subtle and sinister authority.
Published in 1975, Grimus was Salman Rushdie's first published novel. To a large extent it has been disparaged by academic critics; though Peter Kemp's comment is particularly vitriolic, it does give an idea of the novel's initial reception: [1]
Amongst other influences, Rushdie incorporates Sufi, Hindu, Christian and Norse mythologies alongside pre- and post-modernist literature into his construction of character and narrative form. Grimus was created with the intention of competing for Rushdie's then publisher, Victor Gollancz Ltd's "Science Fiction Prize". As an intended work of science fiction, it is comparable to David Lindsay's A Voyage to Arcturus in that there is very little actual science fiction. Rather inter-dimensional/interstellar travelling provides a narrative framework that loosely accords to the bildungsroman narrative form to allegorically encounter and investigate multiple social ideologies whilst in a search for a coherent centre of identity. It can be seen as growing out of and extending the techniques and the literary traditions identified with Jonathan Swift's Gulliver's Travels , or Sir Thomas More's Utopia , in that its journey traverses both outer and inner dimensions, exploring both cultural ideologies and the ambivalent effects that they have on one's psychological being.
Like much of Rushdie's work, Grimus undermines the concept of a "pure culture" by demonstrating the impossibility of any culture, philosophy or Weltanschauung existing in sterile isolation. This profoundly post-structuralist approach gains overt expression, for example, in Virgil's comment on the limitations of aesthetic theories that attempt to suppress their own contingencies: "Any intellect which confines itself to mere structuralism is bound to rest trapped in its own webs. Your words serve only to spin cocoons around your own irrelevance." [Grimus p. 91]
Further, in Grimus the habits that communities adopt to prevent themselves from acknowledging multiplicity gain allegorical representation in the Way of K. The Way of K may be seen as Rushdie probing the Rousseau-influenced theories of man and society that influenced much post-18th century Western travel writing and the modernist influenced literature of 1930s England in particular. In light of this, we can see Rushdie as having produced what Linda Hutcheon terms a "histiographic novel". [2] That is, novels that explore and undermine concepts of stable cultural origins of identity.
Like his later work Midnight's Children , with Grimus Rushdie draws attention to the provisional status of his text’s ‘truth’ and thus the provisional status of any received account of reality, by using meta-texts that foreground the unnaturalness and bias of the text’s construction as an entity. For example, Grimus's epilogue includes a quotation from one of its own characters. Thus, the text revolves around the ‘symptoms of blindness which mark its conceptual limits’ rather than the direct expression of didactic insights. [3]
Rushdie has argued that "one of the things that have happened in the 20th century is a colossal fragmentation reality". [4] Hence, like Gabriel García Márquez, Grimus incorporates magic realism to transgress distinctions of genres, which mirrors "the state of confusion and alienation that defines postcolonial societies and individuals". [5]
One of Grimus's structural devices draws upon Attar of Nishapur's The Conference of the Birds . An allegorical poem that argues "God" to be the transcendental totality of life and reality rather than an entity external to reality. This is a fundamental aspect of Sufism, and Rushdie’s use of it prefigures his exploration of the relation of religion to reality in The Satanic Verses, Shame, East West and a number of his non-fiction works. Both narratives build towards the revelation of the "truth" that waits atop of the Mountain Qâf. The footnote in Virgil's diaries "explains" the use of "K" rather than "Q", which both overtly draws attention to the narrative as a construction, the effects of which are discussed above, and in a quite dark irony prefigures the "Rushdie Affair" when it states that "A purist would not forgive me, but there it is." [Grimus footnote p. 209]
The Dante Alighieri Divine Comedy provides the structure for Grimus's exploration of inner dimensions. i.e. a journey through concentric circles and a crossing of a river to arrive at the most terrifying, central region. Hence, Flapping Eagle's realisation that "[He] was climbing a mountain into the depths of an inferno plunging deep into myself" and his mistaking of Virgil Jones for "a demon" manifest as part of "some infernal torture" [Grimus p. 69]. This manipulation of the Inferno trope, so that it acts to reveal psychological rather than empirical reality, blurs the boundaries dividing internal and external realities, which is a fundamental conceit to the novel and Rushdie's works as a whole. The basing of Calf Island on a merger of Eastern and Western references (i.e. Dante's Mount Purgatory and Attar's Qâf Mountain) is emblematic of Rushdie's locating of post-colonial identity in an eclectic coalescence of cultures.
Kathryn Hume argues that one of Rushdie's most effective techniques for emphasising problematic dualistic thinking is the pairing of characters. [6] However, with Grimus's lack of initial commercial success and the furore over The Satanic Verses , most critics have overlooked the far more interesting exploration of religious tropes embodied in the pairing of Grimus and Flapping Eagle. Grimus representing the godhead of Islam/Sufism whilst Flapping Eagle represents Hinduism's Shiva. As is typical of Rushdie the divisions of characteristics distinguishing the polarities of this pair are traumatised and blurred as these characters are structurally and literally paired, blended and unified within the text.
Reviews of the book when first it was published emphasised its science-fiction elements. [7] The science fiction author Brian Aldiss has claimed that he, Kingsley Amis and Arthur C. Clarke served on a science-fiction book prize jury at the time which identified Grimus as the best candidate for a science fiction book of the year award, but this prize was refused by the publishers who did not want the book to be classified as science fiction for marketing reasons. [8]
Sir Ahmed Salman Rushdie is an Indian-born British-American novelist. His work often combines magic realism with historical fiction and primarily deals with connections, disruptions, and migrations between Eastern and Western civilizations, typically set on the Indian subcontinent. Rushdie's second novel, Midnight's Children (1981), won the Booker Prize in 1981 and was deemed to be "the best novel of all winners" on two occasions, marking the 25th and the 40th anniversary of the prize.
Magic realism, magical realism, or marvelous realism is a style or genre of fiction and art that presents a realistic view of the world while incorporating magical elements, often blurring the lines between speculation and reality. Magical realism is the most commonly used of the three terms and refers to literature in particular. Magic realism often refers to literature in particular, with magical or supernatural phenomena presented in an otherwise real-world or mundane setting, commonly found in novels and dramatic performances. In his article "Magical Realism in Spanish American Literature", Luis Leal explains the difference between magic literature and magical realism, stating that, "Magical realism is not magic literature either. Its aim, unlike that of magic, is to express emotions, not to evoke them." Despite including certain magic elements, it is generally considered to be a different genre from fantasy because magical realism uses a substantial amount of realistic detail and employs magical elements to make a point about reality, while fantasy stories are often separated from reality. The two are also distinguished in that magic realism is closer to literary fiction than to fantasy, which is instead a type of genre fiction. Magical realism is often seen as an amalgamation of real and magical elements that produces a more inclusive writing form than either literary realism or fantasy.
Midnight's Children is a 1981 novel by Indian-British writer Salman Rushdie, published by Jonathan Cape with cover design by Bill Botten, about India's transition from British colonial rule to independence and partition. It is a postcolonial, postmodern and magical realist story told by its chief protagonist, Saleem Sinai, set in the context of historical events. The style of preserving history with fictional accounts is self-reflexive.
The French Lieutenant's Woman is a 1969 postmodern historical fiction novel by John Fowles. The plot explores the fraught relationship of gentleman and amateur naturalist Charles Smithson and Sarah Woodruff, the former governess and independent woman with whom he falls in love. The novel builds on Fowles' authority in Victorian literature, both following and critiquing many of the conventions of period novels.
Metafiction is a form of fiction that emphasizes its own narrative structure in a way that inherently reminds the audience that they are reading or viewing a fictional work. Metafiction is self-conscious about language, literary form, and story-telling, and works of metafiction directly or indirectly draw attention to their status as artifacts. Metafiction is frequently used as a form of parody or a tool to undermine literary conventions and explore the relationship between literature and reality, life, and art.
The simurgh is a benevolent bird in Persian mythology and literature. It bears some similarities with mythological birds from different origins, such as the phoenix and the humā. The figure can be found in all periods of Iranian art and literature and is also evident in the iconography of Georgia, medieval Armenia, the Eastern Roman Empire, and other regions that were within the realm of Persian cultural influence.
The Satanic Verses is the fourth novel of the Indian-British writer Salman Rushdie. First published in September 1988, the book was inspired by the life of the Islamic prophet Muhammad. As with his previous books, Rushdie used magical realism and relied on contemporary events and people to create his characters. The title refers to the Satanic Verses, a group of Quranic verses about three pagan Meccan goddesses: Allāt, Al-Uzza, and Manāt. The part of the story that deals with the satanic verses was based on accounts from the historians al-Waqidi and al-Tabari.
Postmodern literature is a form of literature that is characterized by the use of metafiction, unreliable narration, self-reflexivity, intertextuality, and which often thematizes both historical and political issues. This style of experimental literature emerged strongly in the United States in the 1960s through the writings of authors such as Kurt Vonnegut, Thomas Pynchon, William Gaddis, Philip K. Dick, Kathy Acker, and John Barth. Postmodernists often challenge authorities, which has been seen as a symptom of the fact that this style of literature first emerged in the context of political tendencies in the 1960s. This inspiration is, among other things, seen through how postmodern literature is highly self-reflexive about the political issues it speaks to.
Hysterical realism is a term coined in 2000 by English critic James Wood to describe what he sees as a literary genre typified by a strong contrast between elaborately absurd prose, plotting, or characterization, on the one hand, and careful, detailed investigations of real, specific social phenomena on the other. It is also known as recherché postmodernism.
Escapist fiction is fiction that provides escapism by immersing readers in a "new world" created by the author. This "new world" aims to compensate for the arbitrariness and the unpredictability of the real one. Typically, an author of escapist fiction offers structure, rationality and resolution to real world problems throughout their medium. The genre facilitates mentalisation; that is, escapist fiction encourages psychological engagement from the reader. Escapist fiction is often contrasted with realism, which confronts the reader with the harsh reality of war, disease, family dysfunction, crime, foreclosure, death, etc. It encompasses a number of different genres within it; any fiction that immerses the reader into a world different from their own is fundamentally escapist fiction. Escapist literature aims to give readers imaginative entertainment rather than to address contemporary issues and provoke serious and critical thoughts.
Historiographic metafiction is a term coined by Canadian literary theorist Linda Hutcheon in the late 1980s. It incorporates three domains: fiction, history, and theory.
Linda Hutcheon, FRSC, OC is a Canadian academic working in the fields of literary theory and criticism, opera, and Canadian studies. She is a University Professor Emeritus in the Department of English and of the Centre for Comparative Literature at the University of Toronto, where she has taught since 1988. In 2000 she was elected the 117th President of the Modern Language Association, the third Canadian to hold this position, and the first Canadian woman. She is particularly known for her influential theories of postmodernism.
The Satanic Verses controversy, also known as the Rushdie Affair, was a controversy sparked by the 1988 publication of Salman Rushdie's novel The Satanic Verses. It centered on the novel's references to the Satanic Verses, and came to include a larger debate about censorship and religious violence. It included numerous killings, attempted killings, and bombings by perpetrators who supported Islam.
Verisimilitude is the "lifelikeness" or believability of a work of fiction. The word comes from Latin: verum meaning truth and similis meaning similar. Language philosopher Steve Neale distinguishes between two types: cultural verisimilitude, meaning plausibility of the fictional work within the cultural and/or historical context of the real world, outside of the work; and generic verisimilitude, meaning plausibility of a fictional work within the bounds of its own genre.
Fawzia Afzal-Khan is a professor of English and director of the Women and Gender Studies Program at Montclair State University. Afzal-Khan received her BA from Kinnaird College for Women, Lahore, Pakistan, and her MA and PhD in English Literature from Tufts University. A University Distinguished Professor, Afzal-Khan was awarded The "Excellence in Public Life Award" by the American Muslim Alliance in 2008. Afzal-Khan also serves on the editorial board of Pakistaniaat: A Journal of Pakistan Studies.
Joseph Anton: A Memoir is an autobiographical book by the British Indian writer Salman Rushdie, first published in September 2012 by Random House. Rushdie recounts his time in hiding from ongoing threats to his life.
The Tailor of Panama is a 1996 novel by British writer John le Carré. A 2001 film was released based on the novel.
Quichotte is a 2019 novel by Salman Rushdie. It is his fourteenth novel, published on 29 August 2019 by Jonathan Cape in the United Kingdom and Penguin Books India in India. It was published in the United States on 3 September 2019 by Random House. Inspired by Miguel de Cervantes's classic novel Don Quixote, Quichotte is a metafiction that tells the story of an addled Indian-American man who travels across America in pursuit of a celebrity television host with whom he has become obsessed.
Languages of Truth is a collection of essays by Salman Rushdie. It was published in May 2021 by Random House.
Uma Parameswaran is an Indo-Canadian writer, scholar, and literary critic. Her writing includes works of fiction and poetry, as well as plays and nonfiction. She is a retired professor of English at the University of Winnipeg.