 Exterior view of the Gruuthuse | |
 Interactive fullscreen map | |
| Location | Bruges, Belgium |
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| Coordinates | 51°12′18″N3°13′30″E / 51.205°N 3.225°E |
| Website | Official website |
The Gruuthusemuseum is a museum of applied arts in Bruges, Belgium, located in the medieval Gruuthuse, the house of Louis de Gruuthuse. The collection ranges from the 15th to the 19th century.
Presumably in the 13th century a rich family from Bruges received the monopoly to levy taxes on gruit and built a structure to store it. The building was changed in the early fifteenth century by Jan IV van der Aa to a luxury house for his family, which subsequently changed its name to "Van Gruuthuse" ("From the Gruit house"). His son Louis de Gruuthuse added a second wing to the house and in 1472 a chapel. This connects the house to the adjacent Church of Our Lady, Bruges. [1]
In 1596, the house was bought by Philip II of Spain and in 1623 given to Wenceslas Cobergher to house the Bruges mount of piety. The city of Bruges bought the house in 1875, and architect Louis Delacenserie completely restored it between 1883 and 1895. The exterior is partly original, partly a reconstruction; the interior is mostly a late 19th century Neogothical reconstruction of a medieval interior. The building was initially used by the city of Bruges to display the archaeological collection of the Société Archéologique, and expanded into a more general museum over the years, after the city had acquired the collections for themselves in 1955. [1]
The museum was established to house the collection of the Société Archéologique. Some of the driving forces behind the start of the museum were art historian William Henry James Weale and architect William Curtis Brangwyn. [2]
The museum displays both the interior of a house of a rich family as it would have been in the late Middle Ages and a collection of everyday tools and utensils. On display are furniture, bobbin lace, objects in gold and silver, weapons, musical instruments, and ceramics. The most famous object in the collection is the painted terracotta bust of Charles V, Holy Roman Emperor from 1520, attributed to Conrat Meit. [3] Another highlight is the collection of Flemish tapestries from the 16th and 17th century. [4]
The museum regularly holds exhibitions, such as "Masterpieces of Bruges Tapestry" in 1987 and "Love and Devotion" in 2013, centered on the Gruuthuse manuscript.
Oudenaarde is a Belgian city and municipality in the Flemish province of East Flanders. The municipality comprises the city of Oudenaarde proper and the towns of Bevere, Edelare, Eine, Ename, Heurne, Leupegem, Mater, Melden, Mullem, Nederename, Volkegem, Welden and a part of Ooike.
Maaseik is a city and municipality in the Belgian province of Limburg. Both in size and in population, it is the 8th largest municipality in Limburg. The town is the seat of the administrative arrondissement of Maaseik (kieskanton). Internationally, Maaseik is known as the assumed birthplace of the famous Flemish painters Jan and Hubert van Eyck.
The Musée de Cluny, officially Musée de Cluny-Musée National du Moyen Âge, is a museum of medieval art in Paris. It is located in the 5th arrondissement of Paris, bordered by square Samuel-Paty to the south, boulevard Saint-Michel to the west, boulevard Saint-Germain to the north, and rue Saint-Jacques to the east.
Bernard van Orley, also called Barend or Barent van Orley, Bernaert van Orley or Barend van Brussel, was a versatile Flemish artist and representative of Dutch and Flemish Renaissance painting, who was equally active as a designer of tapestries and, at the end of his life, stained glass. Although he never visited Italy, he belongs to the group of Italianizing Flemish painters called the Romanists, who were influenced by Italian Renaissance painting, in his case especially by Raphael.
Early Netherlandish painting is the body of work by artists active in the Burgundian and Habsburg Netherlands during the 15th- and 16th-century Northern Renaissance period, once known as the Flemish Primitives. It flourished especially in the cities of Bruges, Ghent, Mechelen, Leuven, Tournai and Brussels, all in present-day Belgium. The period begins approximately with Robert Campin and Jan van Eyck in the 1420s and lasts at least until the death of Gerard David in 1523, although many scholars extend it to the start of the Dutch Revolt in 1566 or 1568–Max J. Friedländer's acclaimed surveys run through Pieter Bruegel the Elder. Early Netherlandish painting coincides with the Early and High Italian Renaissance, but the early period is seen as an independent artistic evolution, separate from the Renaissance humanism that characterised developments in Italy. Beginning in the 1490s, as increasing numbers of Netherlandish and other Northern painters traveled to Italy, Renaissance ideals and painting styles were incorporated into northern painting. As a result, Early Netherlandish painters are often categorised as belonging to both the Northern Renaissance and the Late or International Gothic.
A bust is a sculpted or cast representation of the upper part of the human body, depicting a person's head and neck, and a variable portion of the chest and shoulders. The piece is normally supported by a plinth. The bust is generally a portrait intended to record the appearance of an individual, but may sometimes represent a type. They may be of any medium used for sculpture, such as marble, bronze, terracotta, plaster, wax or wood.
The Capitoline Museums are a group of art and archaeological museums in Piazza del Campidoglio, on top of the Capitoline Hill in Rome, Italy. The historic seats of the museums are Palazzo dei Conservatori and Palazzo Nuovo, facing on the central trapezoidal piazza in a plan conceived by Michelangelo in 1536 and executed over a period of more than 400 years.
Louis de Bruges, Lord of Gruuthuse, Prince of Steenhuijs, Earl of Winchester, was a Flemish courtier, bibliophile, soldier and nobleman. He was awarded the title of Earl of Winchester by King Edward IV of England in 1472, and was Stadtholder of Holland and Zeeland 1462–77.
Louis Delacenserie (1838–1909) was a Belgian architect from Bruges. The spelling of his name differs greatly; De la Censerie, Delasencerie, Dela Censerie or Dela Sencerie are the most common alternative forms. His father was a merchant and building contractor from Tournai.
The Bavarian National Museum in Munich is one of the most important museums of decorative arts in Europe and one of the largest art museums in Germany. Since the beginning the collection has been divided into two main groups: the art historical collection and the folklore collection.
The Château d'Écouen is an historic château in the commune of Écouen, some 20 km north of Paris, France, and a notable example of French Renaissance architecture. Since 1975, it has housed the collections of the Musée national de la Renaissance.
Aarsele is a village in the Belgian province of West Flanders and a subdivision of the city of Tielt.
The Palais Rohan in Strasbourg is the former residence of the prince-bishops and cardinals of the House of Rohan, an ancient French noble family originally from Brittany. It is a major architectural, historical, and cultural landmark in the city. It was built next to Strasbourg Cathedral in the 1730s, from designs by Robert de Cotte, and is considered a masterpiece of French Baroque architecture. Since its completion in 1742, the palace has hosted a number of French monarchs such as Louis XV, Marie Antoinette, Napoleon and Joséphine, and Charles X.
The Art & History Museum is a public museum of antiquities and ethnographic and decorative arts located at the Parc du Cinquantenaire/Jubelpark in Brussels, Belgium. The museum is one of the constituent parts of the Royal Museums of Art and History (RMAH) and is one of the largest art museums in Europe. It was formerly called the Cinquantenaire Museum until 2018. It is served by the metro stations Schuman and Merode on lines 1 and 5.
The Palais des Beaux-Arts de Lille is a municipal museum dedicated to fine arts, modern art, and antiquities located in Lille. It is one of the largest art museums in France.
Musée Saint-Raymond is the archeological museum of Toulouse, opened in 1892. The site originally was a necropolis, and in later constructions was a hospital for the poor and pilgrims, prison, student residence, stables, barracks and presbytery, eventually becoming a museum in 1891. It is housed in the former Saint-Raymond university college dating from the sixteenth century that borders Basilica of Saint-Sernin.
Brussels tapestry workshops produced tapestry from at least the 15th century, but the city's early production in the Late Gothic International style was eclipsed by the more prominent tapestry-weaving workshops based in Arras and Tournai. In 1477 Brussels, capital of the duchy of Brabant, was inherited by the house of Habsburg; and in the same year Arras, the prominent center of tapestry-weaving in the Low Countries, was sacked and its tapestry manufacture never recovered, and Tournai and Brussels seem to have increased in importance.
Bruges is the capital and largest city of the province of West Flanders in the Flemish Region of Belgium, in the northwest of the country. It is the sixth most populous city in the country.
The Sterckshof castle is in Deurne, Antwerp, Belgium. From 1994 to 2014 it housed the Sterckshof silver museum of the Province of Antwerp. Built on the site of a much older castle, or great house, the present building is a reconstruction erected in the 1920s.
The Suermondt-Ludwig-Museum is an art museum in Aachen, Germany. Founded in 1877, its collection includes works by Aelbrecht Bouts, Joos van Cleve, Anthony van Dyck, Otto Dix and Max Beckmann.
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