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Gustavsberg is a Swedish porcelain company that originated in 1826. [1] It broke up in the 1990s and was sold off in pieces, to the dismay of residents of the Gustavsberg area, but artisans continued producing ceramics and household porcelain in the Gustavsberg tradition. One of Gustavsberg's most famous collections is the "Nobel Porcelain" produced in 1994. One such artisan was Josef Ekberg, who, even as a young man, created many pieces for Gustavsberg.
The Gustavsberg Porcelain Museum is an art, design and industrial history museum in Gustavsberg, which has its origins in objects gradually preserved from the Gustavsberg Porcelain Factory production. The museum was not originally open for public viewing, but from 1956 there has been a museum open to the public. It is now run by Värmdö municipality. The municipality owns the property on the original factory site, while the object collection was donated to the National Museum by the previous owner to Gustavsbergs Factories, "Kooperativa Förbundet" (the Cooperative Union).
The basic exhibitions showing the history of porcelain from an international perspective, porcelain manufacture in Gustavsberg since the early 1800s, designs of Gustav's studio, in particular, Wilhelm Kåge, Stig Lindberg and Bernt Friberg and examples of functional porcelain from the 1900s.
The Museum Director is Kjell Lööw.
Pottery and porcelain is one of the oldest Japanese crafts and art forms, dating back to the Neolithic period. Kilns have produced earthenware, pottery, stoneware, glazed pottery, glazed stoneware, porcelain, and blue-and-white ware. Japan has an exceptionally long and successful history of ceramic production. Earthenwares were made as early as the Jōmon period, giving Japan one of the oldest ceramic traditions in the world. Japan is further distinguished by the unusual esteem that ceramics hold within its artistic tradition, owing to the enduring popularity of the tea ceremony.
The Percival David Foundation of Chinese Art holds a collection of Chinese ceramics and related items assembled by Percival David that are on permanent display in a dedicated gallery in Room 95 at the British Museum. The foundation's main purpose is to promote the study and teaching of Chinese art and culture. The collection has some 1,700 pieces, mostly of Song, Yuan, Ming and Qing dynasty porcelain from the 10th century to the 18th. It includes a painting, Scroll of Antiquities.
Chinese export porcelain includes a wide range of Chinese porcelain that was made (almost) exclusively for export to Europe and later to North America between the 16th and the 20th century. Whether wares made for non-Western markets are covered by the term depends on context. Chinese ceramics made mainly for export go back to the Tang dynasty if not earlier, though initially they may not be regarded as porcelain.
Mintons was a major company in Staffordshire pottery, "Europe's leading ceramic factory during the Victorian era", an independent business from 1793 to 1968. It was a leader in ceramic design, working in a number of different ceramic bodies, decorative techniques, and "a glorious pot-pourri of styles - Rococo shapes with Oriental motifs, Classical shapes with Medieval designs and Art Nouveau borders were among the many wonderful concoctions". As well as pottery vessels and sculptures, the firm was a leading manufacturer of tiles and other architectural ceramics, producing work for both the Houses of Parliament and United States Capitol.
Edmé Samson, founder of the porcelain firm Samson, Edmé et Cie, was a famous copyist of porcelain and pottery. The firm produced high-quality copies or imitations of earlier styles of porcelain, mainly 18th-century European and Chinese and Japanese porcelain, but also earlier styles such as Italian maiolica.
Stig Lindberg was a Swedish ceramic designer, glass designer, textile designer, industrial designer, painter, and illustrator.
The George R. Gardiner Museum of Ceramic Art is a ceramics museum in Toronto, Ontario, Canada. The museum is situated within University of Toronto's St. George campus, in downtown Toronto. The 4,299.2-square-metre (46,276 sq ft) museum building was designed by Keith Wagland, with further expansions and renovations done by KPMB Architects.
A ceramics museum is a museum wholly or largely devoted to ceramics, usually ceramic art. Its collections may also include glass and enamel, but typically concentrate on pottery, including porcelain. Most national collections are in a more general museum covering all of the arts, or just the decorative arts. However, there are a number of specialized ceramics museums, with some focusing on the ceramics of just one country, region or manufacturer. Others have international collections, which may be centered on ceramics from Europe or East Asia or have a more global emphasis.
Rörstrand porcelain was one of the most famous Swedish porcelain manufacturers, with production initially at Karlbergskanalen in Birkastan in Stockholm.
Josef Ekberg was a Swedish designer who worked at the Gustavsberg Porcelain Factory from 1889 to 1917. He is known for his contributions to the Swedish Grace art movement.
Ceramics of Jalisco, Mexico has a history that extends far back in the pre Hispanic period, but modern production is the result of techniques introduced by the Spanish during the colonial period and the introduction of high-fire production in the 1950s and 1960s by Jorge Wilmot and Ken Edwards. Today various types of traditional ceramics such as bruñido, canelo and petatillo are still made, along with high fire types like stoneware, with traditional and nontraditional decorative motifs. The two main ceramics centers are Tlaquepaque and Tonalá, with a wide variety of products such as cookware, plates, bowls, piggy banks and many types of figures.
Algot Wilhelm Kåge was a Swedish artist and designer, mainly known as a ceramic designer and as the artistic leader of the Gustavsberg porcelain factory.
Lisa Larson was a Swedish ceramicist and designer. She is best known for her sculptures Small Zoo (1955), ABC-girls (1958), Africa (1964) and Children of the World (1974–1975).
China painting, or porcelain painting, is the decoration of glazed porcelain objects such as plates, bowls, vases or statues. The body of the object may be hard-paste porcelain, developed in China in the 7th or 8th century, or soft-paste porcelain, developed in 18th-century Europe. The broader term ceramic painting includes painted decoration on lead-glazed earthenware such as creamware or tin-glazed pottery such as maiolica or faience.
Johan Gerard van Loon was a Dutch ceramist and textile artist.
The American Museum of Ceramic Art (AMOCA) is an art museum for ceramic art, located in Pomona, California. Founded in 2003 as a nonprofit organization, the museum exhibits historic and contemporary ceramic artwork from both its permanent collection of 10,000 objects and through temporary rotating exhibitions.
Ceramic art is art made from ceramic materials, including clay. It may take varied forms, including artistic pottery, including tableware, tiles, figurines and other sculpture. As one of the plastic arts, ceramic art is a visual art. While some ceramics are considered fine art, such as pottery or sculpture, most are considered to be decorative, industrial or applied art objects. Ceramic art can be created by one person or by a group, in a pottery or a ceramic factory with a group designing and manufacturing the artware.
Axel Samuel Wilhelm Odelberg, was a Swedish chemical engineer. He was the son of industry owner Wilhelm Odelberg and the brother of Victor Odelberg.
Japanese export porcelain includes a wide range of porcelain that was made and decorated in Japan primarily for export to Europe and later to North America, with significant quantities going to south and southeastern Asian markets. Production for export to the West falls almost entirely into two periods, firstly between the 1650s and 1740s, and then the period from the 1850s onwards.
Monica (Mona) Ulrika Morales-Schildt was a Swedish designer and glass artist, best known for her Ventana series of vases. Morales-Schildt's works are held by various museums in Sweden and internationally.
^ [a b c] ^ Svensk uppslagsbok, Malmö 1932 ^ Tusenkonstnären Stig Lindberg, Gisela Eronn, kapitel "Serviser för folkhemmet", ISBN 91-518-4100-2
You can help expand this article with text translated from the corresponding article in Swedish. (May 2014)Click [show] for important translation instructions.
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You can help expand this article with text translated from the corresponding article in German. (May 2014)Click [show] for important translation instructions.
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