Gypsy Wildcat | |
---|---|
Directed by | Roy William Neil |
Screenplay by | James P. Hogan Gene Lewis James M. Cain |
Story by | James P. Hogan Ralph Stock |
Produced by | George Waggner |
Starring | Maria Montez Jon Hall Peter Coe |
Cinematography | W. Howard Greene George Robinson |
Edited by | Russell F. Schoengarth |
Production company | Universal Pictures |
Distributed by | Universal Pictures |
Release date |
|
Running time | 77 minutes |
Country | United States |
Language | English |
Box office | 2,426,447 admissions (France) [1] |
Gypsy Wildcat is a 1944 Technicolor adventure film directed by Roy William Neil starring Maria Montez, Jon Hall and Peter Coe. [2] It was co-written by James M. Cain. [3]
A king's messenger (Jon Hall) protects a Gypsy dancer (Maria Montez) from a wicked baron who knows her secret.
After the success of Arabian Nights Universal requested a series of films starring Montez, Hall and Sabu. It was followed by White Savage and Cobra Woman. The studio then requested three more, Ali Baba and the Forty Thieves, a gypsy tale, Zorya, and a tale of the modernisation of Turkey. [4] [5]
James Hogan was signed to write and direct Zorya which became Gypsy Girl then Gypsy Wildcat. [6] He fell ill so he was replaced by Roy William Neill. [7]
James M Cain was hired to work on the dialogue. [8] He later said he agreed to do it because Universal guaranteed him two weeks work. They showed him a Maria Montez film "so I would know what kind of a creature I was writing for", he said years later. "Well, when she came on screen, I suddenly realized that I knew this girl personally. Her voice and every gesture were completely familiar to me. But I have yet to figure out where I met this girl. I think she must have checked hats some place in Hollywood." [9]
Cain said he took and script "worked on it day and night, got order into the story and simplified it. I turned in the script and thought, "I've done something that makes sense"." When he left the studio, he walked past the office of producer George Waggner to say thanks and saw him rewriting the script. Cain said he was sorry the producer did not like it. Waggner said he was "delighted with what" Cain had done but said Montez "couldn't play your dialogue. It has to be translated into the kind of baby talk she can handle... I'm pinching myself for the wonderful thing you've done with this bad dream I threw at you. Now I can put this thing in front of a camera." [9]
Cain said the script "was the beginning of a new phase of my picture career. After that I was a professional at the business; after that, I did all right" even though he did not have many credits. [9]
Filming started October 1943. [10]
The role of Tonio was meant to be played by Turhan Bey. However he was loaned at the last minute to MGM to play a role in Dragon Seed and was replaced by Peter Coe. [11] Coe was a former swimming champion, Acquacade performer and stage actor. [12] He later claimed that he and Montez had an affair. [13]
Neill reportedly was one of Maria Montez's few directors to not fight with her. [14]
"My other pictures were just corn", said Montez. "This one is more golden bantam. I'm tired of being a fairy tale princess all the time. In every picture I have royal blood. I told the studio I wanted to do something else. I thought everything was fixed when they put me in Gypsy Wildcat. But do you know what happens at the end of that picture? I turn out to be a countess." [15]
María África Gracia Vidal, known professionally as Maria Montez, was a Dominican actress who gained fame and popularity in the 1940s starring in a series of filmed-in-Technicolor costume adventure films. Her screen image was that of a seductress, dressed in fanciful costumes and sparkling jewels. She became so identified with these adventure epics that she became known as The Queen of Technicolor. Over her career, Montez appeared in 26 films, 21 of which were made in North America, with the last five being made in Europe.
Jon Hall was an American film actor known for playing a variety of adventurous roles, as in 1937's The Hurricane, and later when contracted to Universal Pictures, including Invisible Agent and The Invisible Man's Revenge and six films he made with Maria Montez. He was also known to 1950s fans as the creator and star of the Ramar of the Jungle television series which ran from 1952 to 1954. Hall directed and starred in two 1960s sci-fi films in his later years, The Beach Girls and the Monster (1965) and The Navy vs. the Night Monsters (1966).
Turhan Bey was an Austrian-born actor of Turkish and Czech-Jewish origins. Active in Hollywood from 1941 to 1953, he was dubbed "The Turkish Delight" by his fans. After his return to Austria, he pursued careers as a photographer and stage director. Returning to Hollywood after a 40-year hiatus, he made several guest appearances in 1990s television series including SeaQuest DSV, Murder, She Wrote and Babylon 5 as well as a number of films. After retiring, he appeared in a number of documentaries, including a German-language documentary on his life.
Background to Danger is a 1943 World War II spy thriller film starring George Raft and featuring Brenda Marshall, Sydney Greenstreet, and Peter Lorre.
Arabian Nights is a 1942 adventure film directed by John Rawlins and starring Jon Hall, Maria Montez, Sabu and Leif Erikson. The film is derived from The Book of One Thousand and One Nights but owes more to the imagination of Universal Pictures than the original Arabian stories. Unlike The Thief of Bagdad (1940) and other films in the genre, it features no monsters or supernatural elements.
The Exile is a 1947 American historical adventure romantic film directed by Max Ophüls, and produced, written by, and starring Douglas Fairbanks Jr. French actress Rita Corday played the romantic interest. According to Robert Osborne, the primary host of Turner Classic Movies, María Montez had a stipulation in her contract that she had to have top billing in any film in which she appeared, so her name comes first in the opening credits, despite her secondary role. The film is based on the 1926 novel His Majesty, the King: A Romantic Love Chase of the Seventeenth Century by Cosmo Hamilton.
White Savage is a 1943 American Technicolor South Seas adventure film directed by Arthur Lubin and starring Maria Montez, Jon Hall and Sabu. The film was re-released by Realart in 1948 on a double-feature with the same three stars in Cobra Woman (1944) and again in 1953, under the title White Savage Woman. It was choreographed by Lester Horton.
Ali Baba and the Forty Thieves is a 1944 adventure film from Universal Pictures, directed by Arthur Lubin, and starring Maria Montez, Jon Hall, and Turhan Bey. The film is derived from The Book of One Thousand and One Nights, but its storyline departs greatly from the folk tale of the same name, wedding that story to an actual historic event. The film is one of series of "exotic" tales released by Universal during the Second World War; others include Cobra Woman, Arabian Nights, and White Savage.
Black Magic is a 1949 Italian–American adventure drama film directed by Gregory Ratoff and starring Orson Welles, Nancy Guild and Akim Tamiroff. Set in the 18th century, it chronicles the life of Joseph Balsamo, an illusionist and charlatan who also went by the alias of Count Cagliostro. It is an adaptation of Alexandre Dumas' 1848 novel Joseph Balsamo.
The Thief of Venice or Il Ladro di Venezia is a 1950 Italian film directed by John Brahm. The US title was "The Thief of Venice".
Tangier is a 1946 American film noir mystery film directed by George Waggner and starring Maria Montez, Robert Paige and Sabu. It is set in the international city of Tangier, Morocco and was one of the last Universal Pictures films before the studio's reorganization as Universal-International in July 1946.
Sudan is a 1945 American Technicolor adventure film directed by John Rawlins and starring Maria Montez, Jon Hall and Turhan Bey.
Bowery to Broadway is a 1944 American film starring Maria Montez, Jack Oakie, and Susanna Foster. Donald O'Connor and Peggy Ryan also had a small specialty act, and it was the only film they were in together where they did not have a name or character.
Night in Paradise is a 1946 American Technicolor fantasy comedy film directed by Arthur Lubin and starring Merle Oberon, Gale Sondergaard and Turhan Bey. It was produced by Walter Wanger for distribution by Universal Pictures.
Siren of Atlantis, also known as Atlantis the Lost Continent, is a 1949 American black-and-white fantasy-adventure film, distributed by United Artists, that stars Maria Montez and her husband Jean Pierre Aumont. It was the first feature she made after leaving Universal Pictures.
Pirates of Monterey is a 1947 American Technicolor western adventure film directed by Alfred L. Werker and starring Maria Montez, Rod Cameron and Gilbert Roland. It was the last film Montez made for Universal Pictures.
Raiders of the Desert is a 1941 American comedy adventure film directed by John Rawlins and starring Andy Devine, Richard Arlen and Linda Hayes. The film was produced and distributed by Universal Pictures. It features an early appearance by Maria Montez. It was the first time she made a film set in the Orient.
Bombay Clipper is a 1942 aviation drama film directed by John Rawlins and starring William Gargan and Irene Hervey. The film features Maria Montez in an early role. Turhan Bey also appears.
Frontier Gal is a 1945 American Western film directed by Charles Lamont and starring Yvonne De Carlo and Rod Cameron.
Frisco Sal is a 1945 American Western film directed by George Waggner and starring Susanna Foster and Turhan Bey. It was co written by Curt Siodmak.