In 1925, Hugh Vivian Taylor formed a partnership with fellow Melbourne architect, Garnet Argyle Soilleux, a collaboration that lasted for many years and had a significant impact on Australian architecture. For many years the firm, H. Vivian Taylor & Soilleux operated out of an office on Little Collins Street in Melbourne. In 1933, prominent modernist architect, Best Overend, joined the firm as a partner, and for several years, the practice operated as Taylor, Soilleux & Overend. This partnership continued until 1937, when Overend departed, and the firm it returned to the previous name. [1]
Right from its formation, Taylor, Soilleux was instrumental in designing cinema and theatres right across Australia. Taylor’s groundbreaking work in architectual acoustics coincided with the decline of silent era films in the 1920s and the rise of sound being added to films for the first time in the late 1920s and early 1930s. [1] This significant change to films spurred a need for acoustic solutions in existing cinemas and theatres that had not been designed with any consideration for the way sound would bounce around the space. Over the course of their careers, Taylor Suileux (& Overend) designed several theatres and cinemas in Melbourne. They also collaborated with other architects and theatre owners on hundreds of other cinemas and theatres right across Australia. [2] In recent decades, the legacy that this firm leaves behind has been severely compromised. With the decline of independent cinemas and the rise of movie rentals and then the internet, many of the theatres and cinemas across Melbourne that were designed by Taylor Suileux (& Overend) were pulled down to make way for other types of buildings. The legacy that this Melbourne architectural firm leaves, lives on in a limited number of buildings such as the heritage listed Rivoli Theatre in Hawthorn East. [2]
The Empire, Leicester Square is a cinema currently operated by Cineworld on the north side of Leicester Square, London, United Kingdom.
The Capitol is a theatre on Swanston Street in the central business district (CBD) of Melbourne, Victoria, Australia. Opened in 1924 as part of the Capitol House building, the theatre was designed by American husband and wife architects Walter Burley Griffin and Marion Mahony Griffin. It is the oldest of Melbourne's large picture palaces and is known for its extravagant decor and abstract motifs, including an intricate geometric ceiling containing thousands of coloured lights designed to evoke the walls of a crystalline cave.
The Regent Theatre was a heritage-listed cinema and entertainment venue in George Street, Sydney, New South Wales, Australia, built in 1928 as a flagship for Hoyts, and was demolished in 1988 by property developer Leon Fink.
Architecture of Australia has generally been consistent with architectural trends in the wider Western world, with some special adaptations to compensate for distinctive Australian climatic and cultural factors. Indigenous Australians produced a wide range of structures and places prior to colonisation. Contemporary Indigenous practitioners are active in a broad range of built environment fields. During Australia's early Western history, it was a collection of British colonies in which architectural styles were strongly influenced by British designs. However, the unique climate of Australia necessitated adaptations, and 20th-century trends reflected the increasing influence of American urban designs and a diversification of the cultural tastes and requirements of an increasingly multicultural Australian society.
The Palais Theatre, formerly known as Palais Pictures, is a historic picture palace located in St Kilda, an inner suburb of Melbourne, Victoria, Australia. With a capacity of nearly 3,000 people, it is the largest seated theatre in Australia.
The Astor Theatre is a classic, single-screen jazz moderne revival movie theatre in the Melbourne suburb of St Kilda, first opened in 1936 and still in operation today.
The Regent Theatre is an historic former picture palace built in 1929, closed in 1970, and restored and reopened in 1996 as a live theatre in Collins Street, in the city of Melbourne, Australia. It is one of six city theatres collectively known as Melbourne's East End Theatre District. Designed by Cedric Heise Ballantyne in an ornately palatial style, with a Gothic style lobby, Louis XVI style auditorium, and the Spanish Baroque style Plaza Ballroom in the basement, it is listed by the National Trust of Australia and is on the Victorian Heritage Register.
John Adolph Emil Eberson was an Austrian-American architect best known for the development and promotion of movie palace designs in the atmospheric theatre style. He designed over 500 theatres in his lifetime, earning the nickname "Opera House John". His most notable surviving theatres in the United States include the Tampa Theatre (1926), Palace Theatre Marion (1928), Palace Theatre Louisville (1928), Majestic Theatre (1929), Akron Civic Theatre (1929), the Paramount Theatre (1929), the State Theater 1927, and the Lewis J. Warner Memorial Theater (1932) at Worcester Academy in Worcester, Massachusetts. Remaining international examples in the atmospheric style include both the Capitol Theatre (1928) and State Theatre (1929) in Sydney, Australia, The Forum and Le Grand Rex.
An atmospheric theatre is a type of movie palace design which was popular in the late 1920s. Atmospheric theatres were designed and decorated to evoke the feeling of a particular time and place for patrons, through the use of projectors, architectural elements and ornamentation that evoked a sense of being outdoors. This was intended to make the patron a more active participant in the setting.
The State Theatre is a 2034 seat heritage listed theatre located at 47–51 Market Street, in the Sydney central business district in the City of Sydney local government area of New South Wales, Australia. The theatre was designed by Henry Eli White with assistance from John Eberson and built between 1926 and 1929. It hosts film screenings, live theatre and musical performances, and since 1974 it has been the home of the annual Sydney Film Festival. It is also known as State Building and Wurlitzer Organ. The property is privately owned. It was added to the New South Wales State Heritage Register on 2 April 1999.
The Palace Theatre was an entertainment venue located in Melbourne, Australia. First built for live theatre in 1912, it was also used as a cinema and for live music. It was demolished except for its facade in 2020 after much community opposition, to be replaced by a hotel.
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Rivoli Cinemas is an eight-screen multiplex in the Hawthorn East suburb of Melbourne. Noted for its Art Deco architecture, the cinema was first built in 1940, and reopened as a multiplex in 2000 following a renovation and expansion.
Loew's Theatre is a historic movie theater located on Main Street in the Downtown section of the city of New Rochelle in Westchester County, New York.
Acheson Best Overend ARAIA ARIBA was a Melbourne based Australian architect. He is best known for the Cairo Flats in Fitzroy, built 1935–1936, a daringly Modernist design for Melbourne in the 1930s.
New Farm Cinemas is a cinema at 701 Brunswick Street, New Farm, City of Brisbane, Queensland, Australia. It was first built c. 1921. It is also known as Astor Theatre, Merthyr Picture Palace, and Village Twin Cinema Complex. While not heritage-listed itself, the New Farm Cinemas redevelopment has retained elements of the heritage-listed Village Twin Cinema, which was added to the Queensland Heritage Register on 24 March 2000.
Henry Eli White, also known as Harry White, was a New Zealand-born architect best known for the many theatres and cinemas he designed in New Zealand and Australia in the 1910s and 1920s. Many of the major surviving historic venues in the two countries are White designs, including the St. James Theatre, Wellington, St. James Theatre, Auckland, the Capitol Theatre and State Theatre in Sydney, and the Palais Theatre and the interiors of the Princess Theatre and Athenaeum Theatre in Melbourne. He also designed the City Hall and the attached Civic Theatre in Newcastle, New South Wales.
The Scone Civic Theatre is a heritage-listed cinema at 144 Kelly Street, Scone, Upper Hunter Shire, New South Wales, Australia. It was designed by Guy Crick and Bruce Furse and built from 1937 to 1938 by Mr A. F. Little. The property is privately owned. It was added to the New South Wales State Heritage Register on 21 February 2003.
Garnet Argyle Soilleux, commonly referred to as G. A. Soilleux, was a notable Australian architect born in the year 1900, in the Melbourne suburb of Hawthorn, Victoria. After completing his architectural studies at the University of Melbourne in the early 1920s, he embarked on a successful career, initially forming a partnership with fellow architect and acoustic consultant Hugh Vivian Taylor in 1925. The firm, H. Vivian Taylor & Soilleux, became a leader in Australia, in theatre and cinema design and acoustics during the interwar period, contributing to the design or alteration of hundreds of theatres and cinemas. In 1933 Best Overend, another prominent Melbourne architect joined the firm, and for several years, the practice operated as Taylor, Soilleux & Overend. This partnership continued until 1937, when Overend departed, and the firm returned to its previous name.
Hugh Vivian Taylor was a prominent Australian architect and acoustic consultant, known for his work in both fields.