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Architectural acoustics (also known as building acoustics) is the science and engineering of achieving a good sound within a building and is a branch of acoustical engineering. [1] The first application of modern scientific methods to architectural acoustics was carried out by the American physicist Wallace Sabine in the Fogg Museum lecture room. He applied his newfound knowledge to the design of Symphony Hall, Boston. [2]
Architectural acoustics can be about achieving good speech intelligibility in a theatre, restaurant or railway station, enhancing the quality of music in a concert hall or recording studio, or suppressing noise to make offices and homes more productive and pleasant places to work and live in. [3] Architectural acoustic design is usually done by acoustic consultants. [4]
This science analyzes noise transmission from building exterior envelope to interior and vice versa. The main noise paths are roofs, eaves, walls, windows, door and penetrations. Sufficient control ensures space functionality and is often required based on building use and local municipal codes. An example would be providing a suitable design for a home which is to be constructed close to a high volume roadway, or under the flight path of a major airport, or of the airport itself.
The science of limiting and/or controlling noise transmission from one building space to another to ensure space functionality and speech privacy. The typical sound paths are ceilings, room partitions, acoustic ceiling panels (such as wood dropped ceiling panels), doors, windows, flanking, ducting and other penetrations. Technical solutions depend on the source of the noise and the path of acoustic transmission, for example noise by steps or noise by (air, water) flow vibrations. An example would be providing suitable party wall design in an apartment complex to minimize the mutual disturbance due to noise by residents in adjacent apartments.
Inter-space noise control can take a different form when talking about Acoustics in European football stadiums. One goal in stadium acoustics is to make the crowd as loud as possible and inter-space noise control becomes a factor but in helping reflect noise to create more reverberation and louder decibel level throughout the stadium. Many outdoor soccer stadiums for example have roofs over the fan sections which create more reverberation and echoing which helps raise the general volume in the stadium. [5]
This is the science of controlling a room's surfaces based on sound absorbing and reflecting properties. Excessive reverberation time, which can be calculated, can lead to poor speech intelligibility.
Sound reflections create standing waves that produce natural resonances that can be heard as a pleasant sensation or an annoying one. [6] Reflective surfaces can be angled and coordinated to provide good coverage of sound for a listener in a concert hall or music recital space. To illustrate this concept consider the difference between a modern large office meeting room or lecture theater and a traditional classroom with all hard surfaces.
Interior building surfaces can be constructed of many different materials and finishes. Ideal acoustical panels are those without a face or finish material that interferes with the acoustical infill or substrate. Fabric covered panels are one way to heighten acoustical absorption. Perforated metal also shows sound absorbing qualities. [7] Finish material is used to cover over the acoustical substrate. Mineral fiber board, or Micore, is a commonly used acoustical substrate. Finish materials often consist of fabric, wood or acoustical tile. Fabric can be wrapped around substrates to create what is referred to as a "pre-fabricated panel" and often provides good noise absorption if laid onto a wall.
Prefabricated panels are limited to the size of the substrate ranging from 2 by 4 feet (0.61 m × 1.22 m) to 4 by 10 feet (1.2 m × 3.0 m). Fabric retained in a wall-mounted perimeter track system, is referred to as "on-site acoustical wall panels". This is constructed by framing the perimeter track into shape, infilling the acoustical substrate and then stretching and tucking the fabric into the perimeter frame system. On-site wall panels can be constructed to accommodate door frames, baseboard, or any other intrusion. Large panels (generally, greater than 50 square feet (4.6 m2)) can be created on walls and ceilings with this method. Wood finishes can consist of punched or routed slots and provide a natural look to the interior space, although acoustical absorption may not be great.
There are four ways to improve workplace acoustics and solve workplace sound problems – the ABCDs.
Building services noise control is the science of controlling noise produced by:
Inadequate control may lead to elevated sound levels within the space which can be annoying and reduce speech intelligibility. Typical improvements are vibration isolation of mechanical equipment, and sound attenuators in ductwork. Sound masking can also be created by adjusting HVAC noise to a predetermined level.
Library resources about Architectural acoustics |
Acoustics is a branch of physics that deals with the study of mechanical waves in gases, liquids, and solids including topics such as vibration, sound, ultrasound and infrasound. A scientist who works in the field of acoustics is an acoustician while someone working in the field of acoustics technology may be called an acoustical engineer. The application of acoustics is present in almost all aspects of modern society with the most obvious being the audio and noise control industries.
Reverberation, in acoustics, is a persistence of sound, or echo after a sound is produced. Reverberation is created when a sound or signal is reflected causing numerous reflections to build up and then decay as the sound is absorbed by the surfaces of objects in the space – which could include furniture, people, and air. This is most noticeable when the sound source stops but the reflections continue, their amplitude decreasing, until zero is reached.
Room acoustics describes how sound behaves in an enclosed space. Sound of different frequencies behaves differently in a room. Reflections between walls, floor and ceiling create room modes at specific frequencies and locations. Reflections also produce reverberation.
Acoustical engineering is the branch of engineering dealing with sound and vibration. It includes the application of acoustics, the science of sound and vibration, in technology. Acoustical engineers are typically concerned with the design, analysis and control of sound.
Soundproofing is any means of reducing the sound pressure with respect to a specified sound source and receptor. There are several basic approaches to reducing sound: increasing the distance between source and receiver, using noise barriers to reflect or absorb the energy of the sound waves, using damping structures such as sound baffles, or using active antinoise sound generators.
Symphony Hall is a 2,262 seat concert venue in Birmingham, England. It was officially opened by the Queen on 12 June 1991, although it had been in use since 15 April 1991. It is home to the City of Birmingham Symphony Orchestra and hosts around 270 events a year. It was completed at a cost of £30 million. The hall's interior is modelled on the Musikverein in Vienna and the Concertgebouw in Amsterdam. The venue, managed alongside Town Hall, presents a programme of jazz, world, folk, rock, pop and classical concerts, organ recitals, spoken word, dance, comedy, educational and community performances, and is also used for conferences and business events as part of the International Convention Centre.
The Royal Festival Hall is a 2,700-seat concert, dance and talks venue within Southbank Centre in London. It is situated on the South Bank of the River Thames, not far from Hungerford Bridge, in the London Borough of Lambeth. It is a Grade I listed building, the first post-war building to become so protected. The London Philharmonic Orchestra, the Philharmonia Orchestra and the Orchestra of the Age of Enlightenment are resident in the hall.
The noise reduction coefficient is a single number value ranging from 0.0 to 1.0 that describes the average sound absorption performance of a material. An NRC of 0.0 indicates the object does not attenuate mid-frequency sounds, but rather reflects sound energy. This is more conceptual than physically achievable: even very thick concrete walls will attenuate sound and may have an NRC of 0.05. Conversely, an NRC of 1.0 indicates that the material provides an acoustic surface area that is equivalent to its physical, two-dimensional surface area. This rating is common of thicker, porous sound absorptive materials such as 2"-thick fabric-wrapped fiberglass panel. Materials can achieve NRC values greater than 1.00. This is a shortcoming of the test procedure and a limitation of how acousticians define a square unit of absorption, and not a characteristic of the material itself.
A reverberation chamber or room is a room designed to create a diffuse or random incidence sound field. Reverberation chambers tend to be large rooms and have very hard exposed surfaces. The change of impedance these surfaces present to incident sound is so large that virtually all of the acoustic energy that hits a surface is reflected back into the room. Arranging the room surfaces to be non-parallel helps inhibit the formation of standing waves - additional acoustic diffusers are often used to create more reflecting surfaces and further encourage even distribution of any particular sound field.
A sound attenuator, or duct silencer, sound trap, or muffler, is a noise control acoustical treatment of Heating Ventilating and Air-Conditioning (HVAC) ductwork designed to reduce transmission of noise through the ductwork, either from equipment into occupied spaces in a building, or between occupied spaces.
Sound Transmission Class is an integer rating of how well a building partition attenuates airborne sound. In the US, it is widely used to rate interior partitions, ceilings, floors, doors, windows and exterior wall configurations. Outside the US, the Sound Reduction Index (SRI) ISO index is used. The STC rating very roughly reflects the decibel reduction of noise that a partition can provide. The STC is useful for evaluating annoyance due to speech sounds, but not music or machinery noise as these sources contain more low frequency energy than speech.
Acoustic absorption refers to the process by which a material, structure, or object takes in sound energy when sound waves are encountered, as opposed to reflecting the energy. Part of the absorbed energy is transformed into heat and part is transmitted through the absorbing body. The energy transformed into heat is said to have been 'lost'.
Noise control or noise mitigation is a set of strategies to reduce noise pollution or to reduce the impact of that noise, whether outdoors or indoors.
Akoustolith is a porous ceramic material resembling stone. Akoustolith was a patented product of a collaboration between Rafael Guastavino Jr. and Harvard professor Wallace Sabine over a period of years starting in 1911.It was used to limit acoustic reflection and noise in large vaulted ceilings. Akoustolith was bonded as an additional layer to the structural tile of the Tile Arch System ceilings built by the Rafael Guastavino Company of New Jersey. The most prevalent use was to aid speech intelligibility in cathedrals and churches prior to the widespread use of public address systems.
Acoustic foam is an open celled foam used for acoustic treatment. It attenuates airbone sound waves, reducing their amplitude, for the purposes of noise reduction or noise control. The energy is dissipated as heat. Acoustic foam can be made in several different colors, sizes and thickness.
Acoustic transmission is the transmission of sounds through and between materials, including air, wall, and musical instruments.
Sound masking is the inclusion of generated sound into an environment to mask unwanted sound. It relies on auditory masking. Sound masking is not a form of active noise control ; however, it can reduce or eliminate the perception of sound. Sound masking is applied to an entire area to improve acoustical satisfaction, thus improving the acoustical privacy of the space. This can help an individual focus and thereby enhance productivity.
Acoustic quieting is the process of making machinery quieter by damping vibrations to prevent them from reaching the observer. Machinery vibrates, causing sound waves in air, hydroacoustic waves in water, and mechanical stresses in solid matter. Quieting is achieved by absorbing the vibrational energy or minimizing the source of the vibration. It may also be redirected away from the observer.
Acoustic plaster is plaster which contains fibres or aggregate so that it absorbs sound. Early plasters contained asbestos, but newer ones consist of a base layer of absorptive substrate panels, which are typically mineral wool, or a non-combustible inorganic blow-glass granulate. A first finishing layer is then applied on top of the substrate panels, and sometimes a second finishing layer is added for greater sound attenuation. Pre-made acoustic panels are more commonly used, but acoustic plaster provides a smooth and seamless appearance, and greater flexibility for readjustment. The drawback is the greater level of skill required in application. Proprietary types of acoustic plaster developed in the 1920s included Macoustic Plaster, Sabinite, Kalite, Wyodak, Old Newark and Sprayo-Flake produced by companies such as US Gypsum.
Acoustic panels are sound-absorbing fabric-wrapped boards designed to control echo and reverberation in a room. Most commonly used to resolve speech intelligibility issues in commercial soundproofing treatments. Most panels are constructed with a wooden frame, filled with sound absorption material and wrapped with fabric.
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