Related Research Articles
Lata Mangeshkar was an Indian playback singer and occasional music composer. She is considered to be one of the greatest and most influential singers of the Indian subcontinent. Her voice was one of the unifying elements of the people of India, Pakistan, Bangladesh, and Nepal. Her contribution to the Indian music industry in a career spanning eight decades gained her honorific titles such as the "Queen of Melody", "Nightingale of India", and "Voice of the Millennium".
Asha Bhosle is an Indian playback singer, entrepreneur, actress and television personality who predominantly works in Indian cinema. Known for her versatility, she has been described in the media as one of the greatest and most influential singers in Hindi cinema. In her career spanning over eight decades she has recorded songs for films and albums in various Indian languages and received several accolades including two National Film Awards, four BFJA Awards, eighteen Maharashtra State Film Awards, nine Filmfare Awards including a Lifetime Achievement Award and a record seven Filmfare Awards for Best Female Playback Singer, in addition to two Grammy nominations. In 2000, she was honoured with the Dadasaheb Phalke Award, India's highest award in the field of cinema. In 2008, she was honoured by the Government of India with the Padma Vibhushan, the second-highest civilian honour of the country. The Guinness Book of World Records acknowledged Bhosle in 2011 as the most recorded artist in music history.
Mohammed Rafi was an Indian playback singer. He is considered to have been one of the greatest and most influential singers of the Indian subcontinent. Rafi was notable for his versatility and range of voice; his songs varied from fast peppy numbers to patriotic songs, sad numbers to highly romantic songs, qawwalis to ghazals and bhajans to classical songs. He was known for his ability to mould his voice to the persona and style of the actor lip-syncing the song on screen in the movie. He received six Filmfare Awards and one National Film Award. In 1967, he was honored with the Padma Shri award by the Government of India. In 2001, Rafi was honoured with the "Best Singer of the Millennium" title by Hero Honda and Stardust magazine. In 2013, Rafi was voted for the Greatest Voice in Hindi Cinema in the CNN-IBN's poll.
Noor Jehan, sometimes spelled Noorjehan also known by her honorific title Malika-e-Tarannum, was a Pakistani playback singer and actress who worked first in British India and then in the cinema of Pakistan. Her career spanned more than six decades. Considered to be one of the greatest and most influential singers in the Indian subcontinent, she was given the honorific title of Malika-e-Tarannum in British India. She had a command of Hindustani classical music as well as other music genres.
Mehdi Hassan Khan known as Mehdi Hassan was a Pakistani ghazal singer and playback singer. Widely considered one of the greatest and most influential figures in the history of ghazal singing, Hassan is referred to as the "Shahenshah-e-Ghazal". Known for his "haunting" baritone voice, Hassan is credited with bringing ghazal singing to a worldwide audience. He is unique for his melodic patterns and maintaining integrity of the ragas in an innovative way.
Ustad Ghulam Ali is a Pakistani ghazal singer of the Patiala Gharana. Ghulam Ali is considered as one of the greatest ghazal singers of his era. He has also been a prominent playback singer in Bollywood. He is a disciple of Bade Ghulam Ali Khan. Ali was also trained by Bade Ghulam Ali's younger brothers – Barkat Ali Khan and Mubarak Ali Khan.
Runa Laila is a Bangladeshi playback singer and composer. She started her career in the Pakistani film industry in the late 1960s. Her style of singing is inspired by Pakistani playback singer Ahmed Rushdi and she also made a pair with him after replacing another singer Mala. Her playback singing in films – The Rain (1976), Jadur Banshi (1977), Accident (1989), Ontore Ontore (1994), Devdas (2013) and Priya Tumi Shukhi Hou (2014) - earned her seven Bangladesh National Film Awards for Best Female Playback Singer. She won the Best Music Composer award for the film Ekti Cinemar Golpo (2018).
Madan Mohan Kohli, better known as Madan Mohan, was an Indian music director of the 1950s, 1960s and the 1970s. He is considered one of the most melodious and skilled music directors of the Hindi film industry. He is particularly remembered for the immortal ghazals he composed for Hindi films. Some of his best works are with singers Lata Mangeshkar, Mohammed Rafi and Talat Mahmood.
Iqbal Bano was a Pakistani singer who specialized in ghazal. She is popularly known by her honorific title Malika-e-Ghazal(The Queen of Ghazal) in both Pakistan and India. She was known for her semi-classical Urdu ghazal songs and classical thumris, but also sang easy-listening numbers in the 1950s films. In 1974, she became the recipient of the Pride of Performance award.
Shamshad Begum was an Indian singer who was one of the first playback singers in the Hindi film industry. Notable for her distinctive voice and range, she sang over 6,000 songs in Hindustani, Bengali, Marathi, Gujarati, Tamil, and Punjabi languages, among which 1287 were Hindi film songs. She worked with renowned composers of the time, such as Naushad Ali and O. P. Nayyar, for whom she was one of their favorites. Her songs from the 1940s to the early 1970s remain popular and continue to be remixed.
Sabira Begum better known as Asha Posley was the first heroine of Pakistani films.
Farida Khanum is a Pakistani classical singer from the city of Amritsar, Punjab. She is also known by her honorific title Malika-e-Ghazal in both Pakistan and India and is widely regarded as one of the greatest exponents of the ghazal genre of singing. Khanum has been affectionately called Queen of Ghazal in Pakistan.
Naseem Begum, was a famous Pakistani film playback singer. She was known as The Tradegy Queen for singing sorrowful and downhearted songs in films.
Poornima Shrestha, is an Indian playback singer. Starting as a child artist, she became a leading playback singer in Bollywood during the 1990s.
Sudha Malhotra is an Indian playback singer. She also acted in some Bollywood films and as a playback singer, worked in popular Bollywood movies in the 1950s and 1960s, like Arzoo, Dhool Ka Phool, Ab Dilli Door Nahin, Girl Friend, Barsaat Ki Raat, Didi and Dekh Kabira Roya. She was lastly heard in Raj Kapoor's Prem Rog (1982) in the song "Yeh Pyar Tha Ya Kuch Aur Tha". Apart from Hindi songs, Malhotra sang many popular Marathi songs (Bhavgeet) with Arun Date.
Zeenat Begum, sometimes known as Zeenat, was a Pakistani singer. She was known as The Queen of Yesteryear for singing songs in films and on radio.
Anokhi Ada is a 1948 romantic Hindi film directed by Mehboob Khan. The story was by Zia Sarhadi, with screenplay and dialogue by Agha Jani Kashmiri. The music composer was Naushad, assisted by Ghulam Mohammed and the lyricists were Shakeel Badayuni and Anjum Pilibhiti. The director of photography was Faredoon Irani. It was produced under the Mehboob Productions banner and starred Naseem Banu, Surendra, Prem Adib, Zeb Qureshi, Reehan, Pratima Devi and Cuckoo.
Mukhtar Begum was a Pakistani classical, ghazal singer and actress. She was known as The Queen of Music, Queen of Indian Talkie Music, Queen Songstress, The Queen of Parsi Theatre and Melody Queen of India for singing songs in films, theatre and on radio. She worked in Hindi, Punjabi and Urdu films and was known for her roles in films Hathili Dulhan, Ali Baba 40 Chor, Nala Damayanti, Dil ki Pyas, Ankh ka Nasha, Muflis Ashiq and Chatra Bakavali.
Zahida Parveen was a Pakistani classical singer and a film playback singer.
Gulzar Begum, also known as Tamancha Jan was a Pakistani folk singer. She was known as The Singing Siren and The Nightingale of Lahore. She was a popular playback singer of 1930s and 1940s in Cinema of India.
References
- ↑ Hindi Filmī Gīt On the History of Commercial Indian Popular Music. University of Illinois at Urbana-Champaign. p. 122.
- ↑ THE INDIAN LISTENER: Vol. IX. No. 21. (22nd OCTOBER 1944). All India Radio (AIR), New Delhi. p. 66.
- 1 2 3 4 5 6 7 8 9 10 11 "حمیدہ بانو کا مستنصر حسین تارڑ کے ساتھ انٹرویو". Pakistan Television Corporation. 19 August 2012.
- 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 "Hamida Banu". Cinemaazi. 10 March 2023.
- ↑ THE INDIAN LISTENER Vol. IV. No. 3. (22nd JANUARY 1939). All India Radio (AIR), New Delhi. p. 234.
- ↑ THE INDIAN LISTENER: Vol. IX. No. 17. (22nd AUGUST 1944). All India Radio (AIR), New Delhi. p. 42.
- ↑ THE INDIAN LISTENER: Vol. X. No. 12. (7th JUNE 1945). All India Radio (AIR), New Delhi. p. 42.
- ↑ AKASHVANI Vol. XLVII, No.33 ( 15 AUGUST, 1982 ). All India Radio (AIR), New Delhi. p. 22.
- ↑ THE INDIAN LISTENER: Vol. XVI. No. 31. (29th JULY 1951). All India Radio (AIR), New Delhi. p. 40.
- ↑ Eena Meena Deeka The Story of Hindi Film Comedy. Rupa & Company. p. 27.
- ↑ 75 Glorious Years of Indian Cinema Complete Filmography of All Films (silent & Hindi) Produced Between 1913-1988. Screen World Publication. p. 59.
- ↑ "Remembering singer Hamida Banu". Cinestaan. 2 April 2023. Archived from the original on 22 February 2020.
- ↑ Yesterday's Melodies Today's Memories. Notion Press. p. 50.
- ↑ THE INDIAN LISTENER: Vol. XIII. No. 11. (7th JUNE 1948). All India Radio (AIR), New Delhi. p. 50.
- ↑ "But Tarash". Pakistan Film Magazine. 8 July 2022.
- ↑ Ghulam Mohammed The Unsung Melodist. Notion Press. p. 102.