Hamilton de Holanda | |
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Background information | |
Born | Rio de Janeiro, Brazil | March 30, 1976
Genres | Choro, jazz, samba, |
Occupations | Songwriter, composer, arranger, instrumentalist |
Instruments | Bandolim |
Years active | 1981–present |
Website | hamiltondeholanda |
Influenced by Jacob do Bandolim Pixinguinha Armandinho Macedo Joel Nascimento João Gilberto Keith Jarrett Hermeto Pascoal Egberto Gismonti Chick Corea Milton Nascimento Pat Metheny Baden Powell Raphael Rabello |
Hamilton de Holanda (born March 30, 1976) is a Brazilian bandolinist. He is known for his mixture of choro and contemporary jazz, and for his instrumental virtuosity.
Born in Rio de Janeiro, he moved to Brasília with his family as a boy. He started playing the bandolin at 5 and appeared at his first performance at six. With his brother Fernando César he formed the group Dois de Ouro. Throughout his career he has collaborated with many other significant artists such as Yamandu Costa, [1] Mike Marshall [2] and Joel Nascimento. He has received several Latin Grammys. He has taught at the Raphael Rabello Choro academy. [3] [4] He plays a custom made 10 string Bandolim. [5] [6] [7]
In 2015, his album Bossa Negra, a partnership with Diogo Nogueira, was nominated for the 16th Latin Grammy Awards in the Best Samba/Pagode Album category. The title track of the album was also nominated for the same award, in the Best Brazilian Song category. [8] In 2016, he was nominated for the Latin Grammys again, this time for Best Instrumental Album, for his Samba de Chico album, which also generated a nomination for Best Engineered Album. In 2017, he received yet another nomination, this time for Producer of the Year. [9] In 2021, he once again had an album nominated for Best Instrumental Album, this time with Canto de Praya - Ao Vivo. [10]
His album Harmonize was considered one of the 25 best Brazilian albums of the first half of 2019 by the São Paulo Association of Art Critics. [11]
Samba is a name or prefix used for several rhythmic variants, such as samba urbano carioca, samba de roda, amongst many other forms of samba, mostly originated in the Rio de Janeiro and Bahia states. Samba is a broad term for many of the rhythms that compose the better known Brazilian music genres that originated in the Afro-Brazilian communities of Bahia in the late 19th century and early 20th century, having continued its development on the communities of Rio de Janeiro in the early 20th century. Having its roots in Brazilian folk traditions, especially those linked to the primitive rural samba of the colonial and imperial periods, is considered one of the most important cultural phenomena in Brazil and one of the country symbols. Present in the Portuguese language at least since the 19th century, the word "samba" was originally used to designate a "popular dance". Over time, its meaning has been extended to a "batuque-like circle dance", a dance style, and also to a "music genre". This process of establishing itself as a musical genre began in the 1910s and it had its inaugural landmark in the song "Pelo Telefone", launched in 1917. Despite being identified by its creators, the public, and the Brazilian music industry as "samba", this pioneering style was much more connected from the rhythmic and instrumental point of view to maxixe than to samba itself.
The music of Brazil encompasses various regional musical styles influenced by European, American, African and Amerindian forms. Brazilian music developed some unique and original styles such as forró, repente, coco de roda, axé, sertanejo, samba, bossa nova, MPB, gaucho music, pagode, tropicália, choro, maracatu, embolada, frevo, brega, modinha and Brazilian versions of foreign musical styles, such as rock, pop music, soul, hip-hop, disco music, country music, ambient, industrial and psychedelic music, rap, classical music, fado, and gospel.
Jacob do Bandolim was a Brazilian composer and musician. Born to a Brazilian-Jewish mother and a gentile father in Rio de Janeiro, his stage name means "Mandolin Jacob", after the instrument he played.
Choro, also popularly called chorinho, is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorões.
Alfredo da Rocha Viana Filho, known as Pixinguinha was a Brazilian composer, arranger, flutist and saxophonist born in Rio de Janeiro. Pixinguinha composed popular music, particularly within the genre known as choro, including some of the best-known works in the genre such as "Carinhoso", "Glória", "Lamento" and "Um a Zero".
Paulinho da Viola is a Brazilian sambista, singer-songwriter, guitar, cavaquinho and mandolin player, known for his sophisticated harmonies and soft, gentle singing voice.
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Fafá de Belém, born Maria de Fátima Palha de Figueiredo in Belém do Pará on August 9, 1956, is a Brazilian singer considered one of the great female singers of MPB. She took her stage name from the city of her birth and in addition to a successful recording career that spans over three decades, it is fair to say that she has been one of the great sex symbols of Brazilian pop music. Her husky mezzo-soprano voice is known for its extensive emotional range, from tender ballads, to sensual love songs, to Portuguese fados all the way to energetic sambas and lambadas.
Yamandu Costa, sometimes spelled Yamandú, is a Brazilian guitarist and composer. His main instrument is the violão de sete cordas, the Brazilian seven-string classical guitar.
José Domingos de Morais, better known as Dominguinhos, was a Brazilian composer, accordionist and singer. His principal musical influences were the music of Luiz Gonzaga, Forró and in general the music of the Sertão in the Brazilian Northeast. He further developed this typical Brazilian musical style, born out of the European, African and Indian influences in north-eastern Brazil, creating a unique style of Brazilian Popular Music.
José Daniel Camillo, better known as Daniel, is a Brazilian sertanejo and romantic singer and songwriter, and occasional actor.
David Feldman is a Brazilian-Israeli Jazz and Bossa Nova pianist, arranger, producer, composer and sound-engineer.
Anavitória is the debut studio album by Brazilian duo Anavitória. It was released on August 19, 2016 The album was produced by Tiago Iorc.
Rogerio Caetano is a Brazilian musician, arranger, musical producer and composer. Bachelor of Music in Composition by the University of Brasília, he is an awarded virtuoso and international reference in 7 string guitar. Using a revolutionary language, within the choro and samba music genres and mixing jazz elements, he represents a new school for this instrument.
André Ricardo Mehmari is a Brazilian pianist, composer and arranger.
The 19th Annual Latin Grammy Awards was held on November 15, 2018 at the MGM Grand Garden Arena in Las Vegas.
Eduarda Bittencourt Simões, better known as Duda Beat, is a Brazilian singer and songwriter. She won the ACPA Award for Breakthrough Artist in 2018, and her debut album Sinto Muito was listed among Rolling Stone Brasil's best 50 Brazilian records of that year. Duda Beat was nominated for a 2021 Latin Grammy Award for Best Brazilian Contemporary Pop Album for her album in partnership with Nando Reis.
A Cor do Som is a Brazilian musical group that spun off the backing band that supported Moraes Moreira following his departure from Novos Baianos. Originally this was the name of a side project of Novos Baianos itself which members lived together and experimented with music that blended elements, from Bahia state or samba, rock, frevo, choro and baião. The name of the group was suggested by Caetano Veloso and inspired by a song by Moreira and Luis Galvão.
Caravanas is the thirty eighth studio album by Brazilian musician Chico Buarque, released on August 25, 2017, through Biscoito Fino. It was produced by Vinícius França and Luiz Cláudio Ramos and features collaborations with Chico Brown, Clara Buarque and Rafael Mike. A live version of the album as well as a DVD titled Caravanas - Ao Vivo were released in 2018.
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