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Trixie Smith, was an American blues singer and film actress. She made four dozen recordings and appeared in five films.
Aaron Douglas was an American painter, illustrator, and visual arts educator. He was a major figure in the Harlem Renaissance. He developed his art career painting murals and creating illustrations that addressed social issues around race and segregation in the United States by utilizing African-centric imagery. Douglas set the stage for young, African-American artists to enter the public-arts realm through his involvement with the Harlem Artists Guild. In 1944, he concluded his art career by founding the Art Department at Fisk University in Nashville, Tennessee. He taught visual art classes at Fisk University until his retirement in 1966. Douglas is known as a prominent leader in modern African-American art whose work influenced artists for years to come.
Bill "Bojangles" Robinson, was an American tap dancer, actor, and singer, the best known and the most highly paid black entertainer in the United States during the first half of the 20th century. His long career mirrored changes in American entertainment tastes and technology. His career began in the age of minstrel shows and moved to vaudeville, Broadway theatre, the recording industry, Hollywood films, radio, and television.
Theatre Owners Booking Association, or T.O.B.A., was the vaudeville circuit for African American performers in the 1920s. The theaters mostly had white owners, though about a third of them had Black owners, including the recently restored Morton Theater in Athens, Georgia, originally operated by "Pinky" Monroe Morton, and Douglass Theatre in Macon, Georgia owned and operated by Charles Henry Douglass. Theater owners booked jazz and blues musicians and singers, comedians, and other performers, including the classically trained, such as operatic soprano Sissieretta Jones, known as "The Black Patti", for black audiences.
Mantan Moreland was an American actor and comedian most popular in the 1930s and 1940s. He starred in numerous films. His daughter Marcella Moreland appeared as a child actress in several films.
"New Negro" is a term popularized during the Harlem Renaissance implying a more outspoken advocacy of dignity and a refusal to submit quietly to the practices and laws of Jim Crow racial segregation. The term "New Negro" was made popular by Alain LeRoy Locke in his anthology The New Negro.
The Harlem Renaissance was an intellectual and cultural revival of African-American music, dance, art, fashion, literature, theater, politics and scholarship centered in Harlem, Manhattan, New York City, spanning the 1920s and 1930s. At the time, it was known as the "New Negro Movement", named after The New Negro, a 1925 anthology edited by Alain Locke. The movement also included the new African-American cultural expressions across the urban areas in the Northeast and Midwest United States affected by a renewed militancy in the general struggle for civil rights, combined with the Great Migration of African-American workers fleeing the racist conditions of the Jim Crow Deep South, as Harlem was the final destination of the largest number of those who migrated north.
The Rabbit's Foot Company, also known as the Rabbit('s) Foot Minstrels and colloquially as "The Foots", was a long-running minstrel and variety troupe that toured as a tent show in the American South between 1900 and the late 1950s. It was established by Pat Chappelle, an African-American entrepreneur in Tampa, Florida.
Clarence Muse was an American actor, screenwriter, director, singer, and composer. He was the first African American to appear in a starring role in a film, 1929's Hearts in Dixie. He acted for 50 years, and appeared in more than 150 films. He was inducted into the Black Filmmakers Hall of Fame in 1973.
Edith Wilson was an American blues singer, vaudeville performer, and actress from Louisville, Kentucky, U.S. An African-American who performed and recorded in the classic female blues style in the 1920s, Wilson worked in vaudeville and stage productions, first in Louisville and later throughout the U.S. and abroad. From the 1930s onward, she acted in radio plays and television, and from 1948 to 1966 represented the Aunt Jemima brand for Quaker Oats in personal appearances and on television. She remained an active performer until 1980.
Connie's Inn was a Harlem, New York City, black and tan nightclub established in 1923 by Connie Immerman (né Conrad Immerman; 1893–1967) in partnership with two of his brothers, George (1884–1944) and Louie Immerman (1882–1955).
Dick Campbell, born Cornelius Coleridge Campbell, was a key figure in black theater during the Harlem Renaissance. While a successful performer in his own right, Campbell is best known as a tireless advocate for black actors in general. As a theater producer and director, he helped launch the careers of several black theater artists, including Ossie Davis, Frederick O'Neal, Loften Mitchell, Helen Martin, and Abram Hill.
Negro Actors Guild of America(NAG) was formed in 1936 and began operation in 1937 to create better opportunities for black actors during a period in America where the country was at a crossroads regarding how its citizens of color would be depicted in film, television and the stage.
A number of theatre companies are associated with the Harlem Renaissance.
Black Vaudeville is a term that specifically describes Vaudeville-era African American entertainers and the milieus of dance, music, and theatrical performances they created. Spanning the years between the 1880s and early 1930s, these acts not only brought elements and influences unique to American black culture directly to African Americans but ultimately spread them beyond to both white American society and Europe.
Jesse Allison Shipp, Sr. was an American actor, playwright, and theatrical director, who is best remembered as a pioneer African-American writer of musical theater in the United States, and as the author of the book upon which the landmark play In Dahomey was based. Shipp played an influential role in expanding black theater beyond its minstrel show origins and is recalled as perhaps the first African-American director of a Broadway performance.
Ida Forsyne, sometimes seen as Ida Forcen, or Ida Forcyne, was an African-American vaudeville dancer who toured in Europe and Russia before World War I. Professionally she was known as the 'Queen of the Cakewalk'.
William King was an African-American vaudeville comedian who led the ‘’’Billy King Stock Company’’’ who was described as "a living link between the Harlem Renaissance and nineteenth-century black minstrelsy." He married fellow performer Hattie McIntosh.
Lottie Gee(néeCharlotte O. Gee; 17 August 1886 Millboro, Virginia – 13 January 1973 Los Angeles) was an American entertainer who performed in shows and musicals during the Harlem Renaissance. She is perhaps best known as a performer in the 1921 Broadway hit, Shuffle Along, the show that launched the careers of Josephine Baker and Florence Mills.
Harold Jackman was a British-born teacher, model, and patron of the arts with emphasis on African American art and literature. Raised in Harlem, Jackman was known for his involvement in the Harlem Renaissance and his dedication to preserving African American cultural artifacts. He founded the Countee Cullen Memorial Collection at Atlanta University and contributed to the James Weldon Johnson Collection of Yale University, the Literary Collection of Fisk University, and to the Schomburg Collection at the Harlem branch of the New York Public Library. Along with Regina M. Anderson and Dorothy Randolph Peterson, he was also a co-founder of the Harlem Experimental Theater.
References
- 1 2 3 4 5 6 Cullen, Frank; Hackman, Florence; McNeilly, Donald (2007). "Hamtree Harrington". Vaudeville old & new: an encyclopedia of variety performances in America. Routledge. pp. 488–489. ISBN 978-0-415-93853-2.
- 1 2 Franklin, Benjamin V (2016). "Hamtree, Harrington (James Carl)". An Encyclopedia of South Carolina Jazz and Blues Musicians. University of South Carolina Press. ISBN 978-1-61117-622-3.
- ↑ Encyclopedia of the Harlem Renaissance. Routledge. 6 December 2012. ISBN 9781135455361.
- 1 2 3 4 5 6 Wintz, Cary D.; Finkelman, Paul, eds. (2004). "Hamtree, James Carl 'Hamtree'". Encyclopedia of the Harlem Renaissance: A-J. Taylor & Francis. pp. 537–538. ISBN 978-1-57958-457-3.