This article includes a list of references, related reading, or external links, but its sources remain unclear because it lacks inline citations .(April 2019) |
A hand puppet is a type of puppet that is controlled by the hands that occupies the interior of the puppet. [1] A glove puppet is a variation of hand puppets. Rod puppets require one of the puppeteer's hands inside the puppet glove holding a rod which controls the head, and the puppet's body then hangs over most or all of the forearm of the puppeteer, and possibly extends further. Other parts of the puppet may be controlled by different means, e.g., by rods operated by the puppeteer's free hand, or strings or levers pulled the head or body. A smaller variety, simple hand puppets often have no significant manipulable parts at all. Finger puppets are not hand puppets as they are used only on a finger.
The simplest hand puppets are those with few or no moving parts. They can be stiff, made from e.g. a hard plastic, but are more often flexible, made from fabric, possibly with some stuffing and attached decorations for eyes, nose, and so on. The mouth may be a mere decoration that does not open and close, or the thumb may enter a separate pocket from the rest of the fabric and so simulate a mandible, allowing the puppet to talk.
Simple hand puppets are usually not much larger than the hand itself. A sock puppet is a particularly simple type of hand puppet made from a sock. A glove puppet is slightly more complex, with an internal division for fingers allowing independent manipulation of a character's arms. The unconsumed hand of the puppeteer is usually concealed from the audience to maintain the illusion of the puppet.
Simple hand puppets, especially popular licensed characters, are sometimes distributed as children toys or party favors. Children usually like to experiment in play with a puppet creating voices and movements and in many cases staging a strictly private performance.
A rod puppet is made out of wood wire and string and is manipulated with wooden or wire rods. [2] Rod puppets can sometimes have a complete working hinged mouth but many do not. A rod puppet can have a fixed facial expression. Arms are usually a requirement as rods are attached to them. A fish rod puppet could have a rod attached to the tail to manipulate this section of the puppet. Sometimes special variants exist with additional manipulable parts: (e.g., eyelids that open and close). Many rod puppets depict only the upper half of the character, from the waist up, with the stage covering the missing remainder, but variations sometimes have legs. The legs usually just dangle, but in special cases the legs may be controlled either from behind the stage using rods from below. These are mostly used at carnivals or fairs. A very common example of rod puppets are those of The Muppets and Sesame Street .
Also called a "two-man puppet" or a "live-hand puppet", the human-arm puppet is similar to a hand puppet but is larger and requires two puppeteers. One puppeteer places their dominant hand inside the puppet's head and operates the puppet's head and mouth, while putting their non-dominant arm into a glove and special sleeve attached to the puppet. The second puppeteer puts their arm into a glove and special sleeve attached to the puppet in order to operate the other arm. This way, the puppet can perform hand gestures. This is a form of glove or hand puppetry and rod puppetry. Some characters from The Muppets and Sesame Street fit this category.
As with any stage performer, the puppet should generally face the audience; but may turn to one side or the other. There are times when a puppet does turn its back to an audience just like an actor. Puppets generally should look out towards an audience and not up at the ceiling unless they wish an audience to follow their line of vision. Generally a hand or glove puppet should talk a lot. [1]
One of the most important techniques in puppetry is continuous motion. A puppet that remains still has a dull, lifeless appearance and is said to be dead. Motion should shift from one portion of the puppet to another, so that one moment the puppet is moving its head and the next moment shifting its torso or repositioning an arm. The puppet may shift from side to side, look around, lean or straighten, fidget (with part of the stage, its own clothing or hair, or any available object), cross or uncross its arms, sigh, tilt its head, or make any number of other small motions, in order to continue to appear lifelike.
Depending on the type of puppet, more or less complex motion may be possible. Unrealistic motion patterns can sometimes be useful for special effect purposes. As put into words by Oscar Wilde, puppets "are admirably docile" and "recognize the presiding intellect of the dramatist". [3]
A puppet should not move when another puppet is speaking. To do so confuses an audience as to which particular puppet is speaking at any given time. Maintaining clear focus for an audience in a puppet performance is extremely important.
Quality of hand puppets depends on three main factors: material, design, craftsmanship. Fiber Artist Shea Wilkinson said that “If you want a toy to last for 25 - 100 years, there must be a high level of craftsmanship. Factory-produced toys will rarely reach this level, as their aim is to constantly sell you new toys”. [4]
A puppeteer is a person who manipulates an inanimate object called a puppet to create the illusion that the puppet is alive. The puppet is often shaped like a human, animal, or legendary creature. The puppeteer may be visible to or hidden from the audience.
Puppetry is a form of theatre or performance that involves the manipulation of puppets – inanimate objects, often resembling some type of human or animal figure, that are animated or manipulated by a human called a puppeteer. Such a performance is also known as a puppet production. The script for a puppet production is called a puppet play. Puppeteers use movements from hands and arms to control devices such as rods or strings to move the body, head, limbs, and in some cases the mouth and eyes of the puppet. The puppeteer sometimes speaks in the voice of the character of the puppet, while at other times they perform to a recorded soundtrack.
Ernie is an orange Muppet character created and originally performed by Jim Henson for the children's television show Sesame Street. He and his roommate Bert form the comic duo Bert and Ernie, one of the program's centerpieces, with Ernie acting the role of the naïve troublemaker, and Bert the world-weary foil.
A marionette is a puppet controlled from above using wires or strings depending on regional variations. A marionette's puppeteer is called a marionettist. Marionettes are operated with the puppeteer hidden or revealed to an audience by using a vertical or horizontal control bar in different forms of theatres or entertainment venues. They have also been used in films and on television. The attachment of the strings varies according to its character or purpose.
A sock puppet, sockpuppet, or sock poppet is a puppet made from a sock or a similar garment. The puppeteer wears the sock on a hand and lower arm as if it were a glove, with the puppet's mouth being formed by the region between the sock's heel and toe, and the puppeteer's thumb acting as the jaw. The arrangement of the fingers forms the shape of a mouth, which is sometimes padded with a hard piece of felt, often with a tongue glued inside.
Bunraku is a form of traditional Japanese puppet theatre, founded in Osaka in the beginning of the 17th century, which is still performed in the modern day. Three kinds of performers take part in a bunraku performance: the Ningyōtsukai or Ningyōzukai (puppeteers), the tayū (chanters), and shamisen musicians. Occasionally other instruments such as taiko drums will be used. The combination of chanting and shamisen playing is called jōruri and the Japanese word for puppet is ningyō. It is used in many plays.
Shadow play, also known as shadow puppetry, is an ancient form of storytelling and entertainment which uses flat articulated cut-out figures which are held between a source of light and a translucent screen or scrim. The cut-out shapes of the puppets sometimes include translucent color or other types of detailing. Various effects can be achieved by moving both the puppets and the light source. A talented puppeteer can make the figures appear to walk, dance, fight, nod and laugh.
Digital puppetry is the manipulation and performance of digitally animated 2D or 3D figures and objects in a virtual environment that are rendered in real-time by computers. It is most commonly used in filmmaking and television production but has also been used in interactive theme park attractions and live theatre.
Petrushka is a stock character of Russian folk puppetry. It was first introduced by traveling Italian performers in the first third of the 19th century during a period of Westernization in Russian culture. While most core characters came from Italy, they were soon transformed by the addition of material from the Russian cultural context.' Petrushkas are traditionally hand puppets. The character is a kind of a jester, a slapstick protagonist distinguished by his red dress, a red kolpak, and often a long nose.
Dadi Pudumjee is a leading puppeteer in India and he is the founder of The Ishara Puppet Theatre Trust. He was awarded the Sangeet Natak Akademi Award in 1992.
Marjorie Batchelder McPharlin (1903–1997) was an American puppeteer and authority on the puppet theater. Her two best known puppetry productions were Aristophanes' The Birds (1933) and Maeterlinck's The Death of Tintagiles (1937). She was the author of many books on puppetry, including The Puppet Theatre Handbook. She was the second honorary president of the Puppeteers of America. Her marriage to the puppeteer Paul McPharlin was in 1948, a few months before his death. Marjorie was also the creator of the hand-rod puppet which was a style Jim Henson took up for The Muppets.
A finger puppet is a type of puppet that is controlled by one or more fingers that occupy the interior of the puppet. Finger puppets are generally very simple, consisting of a sheath that the person wearing the puppet inserts either one or two fingers into. While the movement of the puppets are limited, multiple finger puppets can be used on each hand, allowing the puppeteer to control many puppets at one time.
Little Angel Theatre is a puppet theatre for children and their families based in the London Borough of Islington.
Peter Scriven MBE was an Australian puppeteer, writer and theatre producer, and the founding artistic director of the Marionette Theatre of Australia. Scriven played a huge role in establishing puppetry as a serious artform in Australia.
A puppet is an object, often resembling a human, animal or mythical figure, that is animated or manipulated by a person called a puppeteer. Puppetry is an ancient form of theatre which dates back to the 5th century BC in Ancient Greece.
Pelham Puppets were simple wooden marionette puppets made in England by Bob Pelham (1919–1980), starting in 1947. While mainly known for making marionettes, his company also manufactured glove puppets, rod puppets and ventriloquist puppets. The company ceased to trade in 1993 and some of its products became collectable.
David Alan Barclay is a British puppeteer who had worked on some projects of The Jim Henson Company. He has been at the cutting edge of animatronic puppetry since 1979. Barclay, who hails from London, is a Master Puppeteer, Animatronic Designer and Supervisor, a CG key frame Animator, and Director and Producer of animatronic and animation projects for film and television.
Russian puppet theater appears to have originated either in migrations from the Byzantine Empire in the sixth century or possibly by Mongols travelling from China. Itinerant Slavic minstrels were presenting puppet shows in western Russia by the thirteenth century, arriving in Moscow in the mid-sixteenth century. Although Russian traditions were increasingly influenced by puppeteers from western Europe in the eighteenth century, Petrushka continued to be one of the principal figures. In addition to glove puppets and marionettes, rod puppets and flat puppets were introduced for a time but disappeared in the late nineteenth century.
A giant puppet is a puppet which is tall enough to be easily visible to a street crowd while being manipulated by puppeteers, on the same level. It is therefore most suitable for processions, street theatre and performance art, although some large theatrical animations can be used for the same purpose. Giant puppets are usually articulated and made from a lightweight material. Some are manipulated by puppeteers using rods, strings, stilts, other mechanisms, or a combination of these. Giant puppets have been used worldwide for street entertainment, celebrations or other purposes from ancient times, and they continue in use and in development today. Of the traditional giant rod puppets, the Chinese dragon New Year puppet is "perhaps the most recognized form of the parade puppet". Of the most recent examples, Royal de Luxe of France has produced a notable set of giant string puppets.
Bommalattam is a type of puppetry using inanimate objects from Tamil Nadu. While the origin of the art is uncertain, it has existed as an art form for years. It uses various doll marionettes, manipulated by rods and strings by puppeteers behind a screen, lighted by traditional lamps. It is usually accompanied by music and story telling.
{{cite book}}
: CS1 maint: location missing publisher (link){{cite book}}
: CS1 maint: location missing publisher (link)