Hangars Liquides | |
---|---|
Founded | 1998 |
Founder | La Peste (aka Laurent Mialon) |
Status | Active |
Genre | Experimental music, hardcore techno, acousmatic music, power electronics, flashcore |
Country of origin | France |
Hangars Liquides, also known as HL, is a French electronic label. It was created by La Peste (aka fr:Laurent Mialon) in 1998. Initially Hangars Liquides was Speedcore-oriented but was quickly categorized as experimental music within the hardcore techno scene. HL quickly gained a very good reputation and has been played around the world in many different music scenes: industrial, noise, techno, acousmatic, hardcore, electronica, ambient and post rock. [1]
Releasing artists such as I:gor and Neurocore from Poland, Senical (aka DJ choose) from Denmark, Bombardier from the US, Noize Creator from Germany, Venetian Snares from Canada, Jan Robbe from Belgium, and French artists such as Al Zheimer, XKV8, Helius Zhamiq, Fist of Fury, Attila, EPC, La Peste and more, the label became a reference in itself: a lot of electronic music tracks from other labels have been described as having a "Hangars Liquides sound" or "Hangars Liquides style". s Since 2000, the label has released many different genres from acousmatic music to power electronics and flashcore. [2]
Flashcore identifies a style that some of those experimental artists share and a manifesto explains the aim of HL's vision of experimental music. [3]
Hangars Liquides also started to produce multimedia since 2001 when computer graphic artist Djehan Kidd joined the label to produce new media designed especially for the music.
The label has a streaming radio as a way to diffuse its new creations, the creations are also used in virtual reality worlds to produce an immersive gestalt listening experience for the visitors.
After the year 2000, the label's artistic direction became very electroacoustic and acousmatic oriented, with a big influence from the likes of musicians like Bernard Parmegiani and Francois Bayle.
Since 2007 Hangars Liquides has become a non profit organization, its corporate status is to help "create, produce and diffuse any kind of art" through cutting edge mediums that can be found within the range of software used for mediated realities (Virtual Reality, Augmented Reality), it has become an important content creator for providing immersive audiovisual experiences through Virtual Reality's leading platforms. In 2014 the virtual city of Hangars Liquides that was created by Djehan Kidd on Second Life was featured by the Guardian as "the world's largest cyberpunk city" [4]
Drum and bass is a genre of electronic dance music characterised by fast breakbeats with heavy bass and sub-bass lines, samples, and synthesizers. The genre grew out of the UK's jungle scene in the 1990s.
A rave is a dance party at a warehouse, club, or other public or private venue, typically featuring performances by DJs playing electronic dance music. The style is most associated with the early 1990s dance music scene when DJs played at illegal events in musical styles dominated by electronic dance music from a wide range of sub-genres, including drum and bass, dubstep, trap, break, happy hardcore, trance, techno, hardcore, house, and alternative dance. Occasionally live musicians have been known to perform at raves, in addition to other types of performance artists such as go-go dancers and fire dancers. The music is amplified with a large, powerful sound reinforcement system, typically with large subwoofers to produce a deep bass sound. The music is often accompanied by laser light shows, projected coloured images, visual effects and fog machines.
Intelligent dance music (IDM) is a style of electronic music originating in the early 1990s, defined by idiosyncratic experimentation rather than specific genre constraints. The music often described with the term originally emerged in the early 1990s from the culture and sound palette of styles of electronic dance music such as acid house, ambient techno, Detroit techno and breakbeat; it has been regarded as better suited to home listening than dancing. Prominent artists in the style include Aphex Twin, Autechre, Squarepusher, μ-Ziq, the Black Dog and the later duo Plaid, as well as earlier acts such as the Future Sound of London and Orbital.
Breakcore is a style and microgenre of electronic dance music that emerged from jungle, hardcore, and drum and bass in the mid-to-late 1990s. It is characterized by very complex and intricate breakbeats and a wide palette of sampling sources played at high tempos.
Hardcore is a genre of electronic dance music that originated in the Netherlands, Belgium, and Germany in the early 1990s. It is distinguished by faster tempos and a distorted sawtooth kick, the intensity of the kicks and the synthesized bass, the rhythm and the atmosphere of the themes, the usage of saturation and experimentation close to that of industrial dance music. It would spawn subgenres such as gabber.
Speedcore is a form of electronic music that is characterized by a high tempo and aggressive themes. It was created in the early to mid-1990s and the name originates from the hardcore genre as well as the high tempo used. Songs are usually classified as speedcore at around 300+ beats per minute (BPM), but this can vary.
Bouncy techno is a hardcore dance music rave style that developed in the early 1990s from Scotland and Northern England. Described as an accessible gabber-like form, it was popularised by Scottish DJ and music producer Scott Brown under numerous aliases.
Nasenbluten were an Australian electronic music group, formed in Newcastle in 1992. The group was made up of Aaron Lubinski, David Melo, and Mark Newlands, and released six studio albums before disbanding in 2001. They have been described as a significant influence on the breakcore genre.
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Drum and bass is an electronic music genre that originated in the UK rave scene having developed from breakbeat hardcore. The genre would go on to become one of the most popular genres of electronic dance music, becoming international and spawning multiple different derivatives and subgenres.
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Dub techno is a subgenre of electronic music that originated in the early 1990s, blending the repetitive, minimal structures of techno with the echo-laden, spacey production techniques of dub music. It is notable for its deep, atmospheric soundscapes, layers of elaborate basslines, slowly developing musical phrases featuring heavy delay and reverb effects. Vocals are either absent, or inspired by dub and ambient music.
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InFiné is a French record label founded by Alexandre Cazac and Yannick Matray. Initially focused on electronic music, the label's representations has branched out into classical music, ambient, club and pop.
Dreampunk is a microgenre of electronic music characterized by its focus on cinematic ambience and field recordings, combined with various traits and techniques from electronic genres such as techno, jungle, electro, and dubstep.
Belgian hardcore techno is an early style of hardcore techno that emerged from new beat as EBM and techno influences became more prevalent in this genre. This particular style has been described as an "apocalyptic, almost Wagnerian, bombastic techno", due to its use of dramatic orchestral stabs and menacing synth tones that set it apart from earlier forms of electronic dance music. It flourished in Belgium and influenced the sound of early hardcore from Netherlands, Germany, Italy, UK and North America during the early-1990s, as a part of the rave movement during that period.