Related Research Articles
The Wife of Bath is a 1713 comedy play by the British writer John Gay. It was inspired by the The Wife of Bath's Tale by Geoffrey Chaucer. The play marked a conscious switch by Gay towards an apolitical and distant past, after his contemporary work The Mohocks had faced controversy and censorship the previous year. Robert Wilks, a celebrated actor and manager of the Drury Lane Theatre, appeared as Chaucer. The title role of the wife was played by Margaret Bicknell with Mary Porter as Myrtilla and the cast rounded out by William Bullock, Lacy Ryan, Christopher Bullock, William Pinkethman and Henry Norris.
The Female Fortune Teller is a 1726 comedy play by the British writer Charles Johnson. It is a reworking of Edward Ravenscroft's 1683 restoration comedy Dame Dobson.
Kensington Gardens is a 1719 comedy play by the Irish actor John Leigh. It is also known as Kensington Gardens, or, The Pretenders. It follows the attempts of several suitors to woo a wealthy rich widow, and the serious of complications that ensue.
The Coquet, or the English Chevalier is a 1718 comedy play by the Irish writer Charles Molloy.
The Traitor is a 1718 tragedy by the British writer Christopher Bullock. It was a revised version of the 1631 play of the same title by James Shirley. It was Bullock's only effort to write tragedy, as his other works were all farces.
A Woman's Revenge, or a Match in Newgate is a 1715 comedy play by the British writer Christopher Bullock. It was originally performed as an afterpiece to another work The Lucky Prodigal. With its Newgate Prison setting and cynical references to corruption, it could be regarded as a precursor to John Gay's hit The Beggar's Opera of a decade later.
Mariamne is a 1723 tragedy play by the British writer Elijah Fenton. It is based on the biblical Mariamne, wife of Herod the Great of Judea. The following year Voltaire produced a French play of the same title.
The Capricious Lovers is a 1725 comedy play by the British writer Gabriel Odingsells. The play revolves around a vain militia colonel.
The Bath Unmasked is a 1725 comedy play by the British writer Gabriel Odingsells. The action takes place in the fashionable spa town of Bath.
The Dissembled Wanton is a 1726 comedy play by the British writer Leonard Welsted.
The Fair Captive is a 1721 tragedy by the British writer Eliza Haywood.
Woman Is a Riddle is a 1716 comedy play by the British actor Christopher Bullock. Sometimes its title is written as A Woman Is a Riddle.
'Tis Well if it Takes is a 1719 comedy play by the British writer William Taverner.
The Imperial Captives is a 1720 tragedy by the British writer John Mottley.
Antiochus is a 1721 tragedy by the British writer John Mottley. The play is set in Ancient Greece, revolving round the relationship between Stratonice of Syria and Seleucus I Nicator and his son Antiochus I Soter, the leaders of the Seleucid Empire.
Love and Duty is a 1722 tragedy by the British writer John Sturmy.
Hibernia Freed is a 1722 tragedy by the writer William Phillips. It is set during the ninth century during the Viking Invasion of Ireland. It was part of a growing Anglo-Irish interest in traditional Irish history, and part of a tendency to switch tragedy from Ancient Rome or Greece to more native settings.
Hob's Wedding is a 1720 farce by the Irish writer John Leigh.
Jane Egleton was a British stage actress of the eighteenth century associated with John Rich's company at the Lincoln's Inn Fields Theatre.
The Village Opera is a 1729 ballad opera by the British writer Charles Johnson. It was part of a group of ballad operas produced in the wake of the great success of John Gay's The Beggar's Opera.
References
- ↑ Burling p.98
