The Hanover Gallery was an art gallery in London. It was opened in June 1948 by the German art expert Erica Brausen and financier and art collector Arthur Jeffress at 32A St. George's Street, W1, and closed on 31 March 1973. [1] It was named after nearby Hanover Square. The Hanover Gallery was an important centre for modern art.
Erica Brausen arrived in London before the Second World War and worked at the Redfern Gallery in the West End of London. She ran the Hanover Gallery, together with her partner Toto Koopman, from 1948 onward. One of the exhibitions in 1949 was of work by the then-little known British painter Francis Bacon, his first solo exhibition. [2] Bacon's close relationship with Brausen and the gallery ended by 1958, when he defected to Marlborough Fine Art. [3]
In 1953, Brausen and Jeffress decided to part ways. The financier Michael Behrens was visiting the gallery one evening when Brausen mentioned in passing that she would be closing up the next day, so Behrens bought it from Jeffress. [4]
The French historian Jean-Yves Mock joined the staff in 1956. Mock still holds a large collection of photographs from that time. [5]
Among the artists who exhibited at the gallery, some for the first time ever, were Marcel Duchamp, Max Ernst, Alberto Giacometti, Henri Matisse, Joan Miró, Henry Moore, Man Ray and William Scott. [6]
Brausen closed the gallery in 1973, and continued to work through the Gimpel und Hanover Galerie in Zürich until it too closed in 1984. [7]
Francis Bacon was an Irish-born British figurative painter known for his raw, unsettling imagery. Focusing on the human form, his subjects included crucifixions, portraits of popes, self-portraits, and portraits of close friends, with abstracted figures sometimes isolated in geometrical structures. Rejecting various classifications of his work, Bacon said he strove to render "the brutality of fact." He built up a reputation as one of the giants of contemporary art with his unique style.
The Colony Room Club was a private members' drinking club at 41 Dean Street, Soho, London. It was founded and presided over by Muriel Belcher from its inception in 1948 until her death in 1979.
Painting 1946, also known as Painting or Painting (1946), is an oil-on-linen painting by the Irish-born artist Francis Bacon. It was originally intended to depict a chimpanzee in long grass ; Bacon then attempted to paint a bird of prey landing in a field. Bacon described the work as his most unconscious, the figurations forming without his intention. In an interview with David Sylvester in 1962, Bacon recalls:
FB:Well, one of the pictures I did in 1946, which was the thing that's in the Museum of Modern Art ...
DS:The butcher-shop picture.
FB:Yes. It came to me as an accident. I was attempting to make a bird alighting on a field. And it may have been bound up in some way with the three forms that had gone before, but suddenly the line that I had drawn suggested something totally different and out of this suggestion arose this picture. I had no intention to do this picture; I never thought of it in that way. It was like one continuous accident mounting on top of another.
Robert Melville was an English art critic and journalist. Along with the artists Conroy Maddox and John Melville, he was a key member of the Birmingham Surrealists in the 1930s and 1940s. An early biographer of Picasso, he later become the art correspondent of the New Statesman and the Architectural Review.
Bettina Shaw-Lawrence, also known as Betty Shaw-Lawrence, was an English figurative artist. Shaw studied painting and drawing under Fernand Léger, Cedric Morris and Arthur Lett-Haines, though she was mainly self-taught and worked professionally until the early 1980s.
Victor Arthur James Willing was a British painter, noted for his original nude studies. He was a friend and colleague of many notable artists, including Elisabeth Frink, Michael Andrews and Francis Bacon. He was married to Portuguese feminist artist Paula Rego.
Timothy John Behrens was a British painter who spent most of his professional life as a painter and a writer abroad, in Greece, Italy, and Spain.
Christo Coetzee was a South African assemblage and Neo-Baroque artist closely associated with the avant-garde art movements of Europe and Japan during the 1950s and 1960s. Under the influence of art theorist Michel Tapié, art dealer Rodolphe Stadler and art collector and photographer Anthony Denney, as well as the Gutai group of Japan, he developed his oeuvre alongside those of artists strongly influenced by Tapié's Un Art Autre (1952), such as Georges Mathieu, Alfred Wols, Jean Dubuffet, Jean Fautrier, Hans Hartung, Pierre Soulages, Antoni Tàpies and Lucio Fontana.
The Anglo-French Art Centre (or Anglo-French Art School, previously the St John's Wood Art School, was an art school at 29 Elm Tree Road in St John's Wood, north London, England.
Head VI is an oil-on-canvas painting by Irish-born figurative artist Francis Bacon, the last of six panels making up his "1949 Head" series. It shows a bust view of a single figure, modeled on Diego Velázquez's Portrait of Innocent X. Bacon applies forceful, expressive brush strokes, and places the figure within a glass cage structure, behind curtain-like drapery. This gives the effect of a man trapped and suffocated by his surroundings, screaming into an airless void. But with an inverted pathos is derived from the ambiguity of the pope's horrifying expression—whose distorted face either screams of untethered hatred towards the viewer or pleads for help from the glass cage—the question of what he is screaming about is left to the audience.
Portrait of Isabel Rawsthorne Standing in a Street in Soho is a 1967 oil on canvas painting by the Irish-born English figurative artist Francis Bacon, housed in the Neue Nationalgalerie, Berlin.
Head II is an oil and tempera on hardboard painting by the Irish-born British figurative artist Francis Bacon. Completed in 1948, it is the second in a series of six heads, painted from the winter of 1948 in preparation for a November 1949 exhibition at the Hanover Gallery, London.
Erica Brausen, was an art dealer and gallerist who established the Hanover Gallery in London in 1948. She was an early champion of several influential contemporary artists, most notably Francis Bacon.
Catharina "Toto" Koopman was a Dutch-Javanese model who worked in Paris prior to World War II. During that war she served as a spy for the Italian Resistance, was captured and held prisoner in the Ravensbrück concentration camp. She later helped establish the Hanover Gallery as one of the most influential art galleries in Europe in the 1950s.
Arthur Tilden Jeffress was an influential gallery owner, collector, and patron of the arts in post-World War II Britain. In the 1920s and 1930s he was conspicuous mostly as a rich playboy and socialite. He died in 1961, leaving his art collection to the Tate and Southampton City Art Gallery.
Head III is an oil painting by Francis Bacon, one of series of works made in 1949 for his first one-man exhibition at the Hanover Gallery, in London. As with the other six paintings in the series, it focuses on the disembodied head of male figure, who looks out with a penetrating gaze, but is fixed against an isolating, flat, nondescript background, while also enfolded by hazy horizontal foreground curtain-like folds which seems to function like a surrounding cage.
Head V is a 1949 painting by Irish-born British artist Francis Bacon, one of series of works made in 1949 for his first one-man exhibition at the Hanover Gallery, in London. It measures 82 by 66 centimetres and is held in a private collection.
The Lefevre Gallery was an art gallery in London, England, operated by Alex. Reid & Lefevre Ltd.
Edward Michael Behrens was a British financier, banker, stockbroker, and restaurant and gallery owner, who became co-owner of the Ionian Bank. Through his ownership of the Hanover Gallery, he was an early patron of the artist Francis Bacon.
Two Figures (1953) is an oil painting by Francis Bacon, sometimes known as Two Figures on a Bed. It measures 152.5 cm × 116.5 cm, and is in a private collection.