Happiness Ahead | |
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Directed by | William A. Seiter |
Written by | Benjamin Glazer (scenario) George Marion, Jr. (titles) |
Based on | story by Edmund Goulding |
Produced by | John McCormick |
Starring | Colleen Moore Edmund Lowe Lilyan Tashman Diane Ellis |
Cinematography | Sidney Hickox |
Edited by | Paul Weatherwax |
Distributed by | First National |
Release date |
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Running time | 80 minutes |
Country | United States |
Language | Silent with English titles |
Happiness Ahead is a lost [1] 1928 silent film drama directed by William A. Seiter and starring Colleen Moore and then husband and wife Edmund Lowe and Lilyan Tashman. It was produced by First National before it acquired by Warner Brothers. Moore was married to the producer John McCormick who frequently produced her films and they held rights to their films. Moore donated copies of her films to the Museum of Modern Art (MOMA) and over the years the archive allowed the films to decay including Happiness Ahead. [2] [3]
This film is now lost save for footage from its trailer. [4] The trailer was preserved by the Academy Film Archive in 2009. [5]
Lilyan Tashman was an American stage, silent film, and sound film actress.
The House That Shadows Built (1931) is a feature compilation film from Paramount Pictures, made to celebrate the 20th anniversary of the studio's founding in 1912. The film was a promotional film for exhibitors and never had a regular theatrical release.
Edmund Sherbourne Lowe was an American actor. His formative experience began in vaudeville and silent film.
Diane Ellis was an American actress.
Pretty Ladies is a 1925 American silent comedy drama film starring ZaSu Pitts and released by Metro-Goldwyn-Mayer. The film is a fictional recreation of the famed Ziegfeld Follies. Directed by Monta Bell, the film was written by Alice D. G. Miller and featured intertitles by Joseph Farnham. Pretty Ladies originally featured musical color sequences, some in two-color Technicolor. However, the color sequences are now considered lost.
Smiling Irish Eyes (1929) is a Vitaphone American pre-Code musical film with Technicolor sequences. The film is now considered a lost film. However, the Vitaphone discs still exist.
Love's Blindness is a 1926 American silent drama film directed by John Francis Dillon. The film stars Pauline Starke, Antonio Moreno, and Lilyan Tashman. Written by Elinor Glyn, the film was produced under the direct supervision of the author.
The Trial of Mary Dugan is a 1929 American pre-Code film produced and distributed by Metro-Goldwyn-Mayer and starring Norma Shearer. The film is based on the 1927 Broadway stage play The Trial of Mary Dugan by Bayard Veiller, who also directed the film. On stage the play had starred Ann Harding, who would come to Hollywood a few years later at the beginning of talkies. This was Veiller's first and only sound film directorial effort as he had directed several silent films before 1922. The play was also published as a novel authored by William Almon Wolff, published in 1928. The 1941 film of the same name is an MGM remake.
Take Me Home is a 1928 silent comedy produced by Famous Players–Lasky and distributed by Paramount Pictures. Due to the public apathy towards silent films, a sound version was also prepared. While the sound version has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The film was directed by Marshall Neilan and starred Bebe Daniels and Neil Hamilton.
The Stolen Bride is a 1927 American silent drama film directed by Alexander Korda and starring Billie Dove, Lloyd Hughes, and Armand Kaliz. The film is a Hungarian-set romance across classes, where an aristocrat and a peasant fall in love.
The Parasite is a 1925 American silent society drama film produced by B. P. Schulberg, and distributed by Al Lichtman and Preferred Pictures. The film was based on the 1913 novel The Parasite by Helen Reimensnyder Martin. It starred Owen Moore, Madge Bellamy, and Mary Carr.
Outcast is a 1928 American synchronized sound drama film produced and distributed by First National Pictures. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-disc Vitaphone process. It was directed by William A. Seiter and stars Corinne Griffith, often considered one of the most beautiful women in film. This story had been filmed in 1917 as The World and the Woman with Jeanne Eagels. In 1922 a Paramount film of the same name with Elsie Ferguson reprising her stage role was released. Both films were based on a 1914 play, Outcast, by Hubert Henry Davies which starred Ferguson. The Seiter/Griffith film was an all silent with Vitaphone music and sound effects. In the sound era the story was filmed once again as The Girl from 10th Avenue starring Bette Davis. According to the Library of Congress database shows a print surviving complete at Cineteca Italiana in Milan.
French Dressing is a 1927 American silent romantic comedy film directed by Allan Dwan and starring H. B. Warner. It was produced and distributed by First National Pictures.
The Prince of Headwaiters is a 1927 American silent drama film directed by John Francis Dillon.
Ports of Call is a lost 1925 American silent drama film directed by Denison Clift and starring Edmund Lowe, Hazel Keener, and William B. Davidson.
Lady Raffles is a 1928 American silent comedy crime film directed by Roy William Neill and starring Estelle Taylor, Roland Drew and Lilyan Tashman.
Phyllis of the Follies is a 1928 American silent comedy film directed by Ernst Laemmle and starring Alice Day, Matt Moore and Edmund Burns.
Nellie, the Beautiful Cloak Model is a 1924 American silent drama film directed by Emmett J. Flynn and starring Claire Windsor. Produced and distributed by Goldwyn Pictures, the film is based on a play by Owen Davis, which premiered on Broadway in 1906.
Siberia is a lost 1926 American silent drama film directed by Victor Schertzinger and starring Alma Rubens, Edmund Lowe, and Tom Santschi. It was produced and distributed by Fox Film Corporation. Made on a relatively high budget of around $250,000, it was considered a disappointment and barely made back its costs.
For Alimony Only is a 1926 American silent drama film directed by William C. deMille and starring Leatrice Joy, Clive Brook, and Lilyan Tashman.