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Harishchandra is a legendary king of the Solar dynasty, who appears in several legends in texts such as the Aitareya Brahmana, Mahabharata, the Markandeya Purana, and the Devi Bhagavata Purana. The most famous of these stories is the one mentioned in the Markandeya Purana. According to this legend, Harishchandra gave away his kingdom, sold his family, and agreed to be a slave – all to fulfill a promise he had made to the sage Vishvamitra.
Satyawadi Raja Harishchandra is a 1917 silent black and white Indian film based on Hindu mythology, directed by Rustomji Dhotiwala. It was produced by J. F. Madan's Elphinstone Bioscope. Credited as the first remake in Indian cinema, the film is a remake of the first Indian feature film, Raja Harishchandra (1913) and was also inspired by an Urdu language drama, Harishchandra. The film is based on the mythological story of a Hindu King Harishchandra, the 36th king of the Solar Dynasty, who donated his entire kingdom and sold himself and his family to keep the promise given to the sage Vishvamitra in the dream. It is also the first feature film made in Calcutta. The intertitles used in the film were in Bengali language as the film was a silent film. The film was released on 24 March 1917 at New Tent Maidan, Calcutta.
Ayodhyecha Raja, literally "The King of Ayodhya", was the first Marathi talkie, released in 1932, directed by Shantaram Rajaram Vankudre. It is based on the puranic story of Raja Harishchandra of Ayodhya and his test by sage Vishwamitra, as recounted in Valmiki's epic, Ramayana.
Harishchandra is an Indian king mentioned in ancient Hindu religious texts.
Satyavadi Raja Harishchandra is a 1917 silent black and white Indian short film directed and produced by Dhundiraj Govind Phalke. The film is a shorter version of the first Indian feature film, Raja Harishchandra (1913), also directed and produced by Phalke. The intertitles used in the film were in Marathi language as the film was a silent film. The film is based on the mythological story of a Hindu King Harishchandra, the 36th king of the Solar Dynasty, who donated his entire kingdom and sold himself and his family to keep the promise given to the sage Vishvamitra in the dream.
Kanjibhai Rathod was an Indian film director.
Sarvottam Badami (1910–2005) was an Indian film director of Hindi, Telugu, and Tamil films. He started his career as a sound recordist for the first talkie in India, Alam Ara (1931). In 1948 he helped set up the Films Division for news-reel and documentaries, where he worked as the chief producer in the newsreel department and also made documentaries. His active years were from 1932 to 1952 when he retired from the Films Division and from making feature films to settle in Bangalore.
Rama Paduka Pattabhishekam is a 1932 Indian Telugu-language mythological drama film directed by Sarvottam Badami. Yadavalli Suryanarayana, who was a renowned stage actor played the lead role of Lord Rama in the film. The film also starred C. S. R. Anjaneyulu and Surabhi Kamalabai.
Chandrahasa is a 1933 Hindi mythological costume drama film directed by Sarvottam Badami. It was the first Hindi film directed by Badami, bringing him into prominence, even though he did not know Hindi. It was also one of the first Talkie versions of the film which was remade several times. Produced by Sagar Movietone, it had music composed by S. P. Rane. The film starred Noor Mohammed Charlie, Gulzar, Kamala, Master Bachchu, Dinkar, Mehboob Khan and Baburao Sansare.
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Vengeance is Mine also called Vair Ka Badla is a 1935 social Hindi film directed by Sarvottam Badami based on K. M. Munshi's story. After directing three regional language films for Sagar Movietone, Badami was now directing films exclusively in Hindi. After the first Hindi film he directed Chandrahasa (1933), he shifted his focus to socially relevant topics and made two films based on Munshi's stories, Vengeance is Mine (1935) and Dr. Madhurika (1935). Vengeance is Mine was made on a story Munshi had written in Gujarati language as "Ver Ni Vasulat" in 1913 under the nom de plume "Ghanshyam". The cast included Kumar, Sabita Devi, Yakub, Sitara Devi, Padma Devi and Mehboob Khan.
Teen Sau Din Ke Baad is a 1938 Hindi social comedy film directed by Sarvottam Badami. This was Badami's first comedy film and it was a success at the box-office; he went on to direct two more comedies after this, Aap Ki Marzi (1939) and Ladies Only (1939), also successes. The film was produced by Sagar Movietone, with story written by Babubhai A. Mehta and dialogue by Wajahat Mirza and Waqif. The music was composed by Anil Biswas with lyrics by Zia Sarhadi. The director of photography was Faredoon Irani and the film starred Bibbo, Motilal, Sabita Devi, Yakub, Pesi Patel and Gulzar.
Jeevan Lata is a 1936 Hindi social drama film directed by Sarvottam Badami. The film was produced by Sagar Movietone and had music by Pransukh M. Nayak. Sabita Devi and Motilal paired in several films right from Motilal's first Shaher Ka Jadoo (1934), with Badami using the pair for many of the films he directed for Sagar Movietone. This was Motilal's fourth film. The film starred Sabita Devi, Motilal, Gulzar, Sankatha Prasad, Bhudo Advani and Mehdi Raza.
Ladies Only is a 1939 Indian Hindi-language social comedy film directed by Sarvottam Badami. Produced by Sagar Movietone, it had music by Anupam Ghatak and starred Surendranath, Sabita Devi, Bibbo and Prabha. This was the last comedy film made by Sarvottam Badami before he left Sagar Movietone. He joined his mentor Ambalal Patel, at Sudama Pictures to start making "socially relevant" films.
Sajani is a 1940 Hindi social film directed by Sarvottam Badami for Sudama Productions. Scripted by Zia Sarhadi, the film had music by Gyan Dutt and starred Prithviraj Kapoor, Sabita Devi, Snehprabha Pradhan, Noor Jehan, Dixit, and Ghory. Badami left Sagar Movietone where he had made satirical comedies to join his "mentor" Ambalal Patel at Sudama Productions to make "socially relevant film(s)", where Sajani was one of the first. Snehprabha Pradhan acted in several films produced by Chimanbhai Desai in 1940, including Sajani.
Sabita Devi (1914–1965) was a Hindi film actress in Indian cinema. She is stated to be one of the "prominent" leading ladies of the "pioneering era" of Indian cinema along with Mehtab, Bibbo, Durga Khote, Gohar, Devika Rani and Seeta Devi. A Jewish by birth, she changed her name to find acceptability in Hindi cinema like the other Anglo-Indian and Jewish actresses of her time, Sulochana, Seeta Devi, Madhuri, and Manorama. After initially working with British Dominion Films Ltd., Calcutta, she shifted to Bombay and performed mainly in films produced by Sagar Movietone with her co-star in most films being Motilal. Some of the popular films with Motilal were Dr. Madhurika (1935) and Kulvadhu (1937) directed by Sarvottam Badami. Their first film together was Shaher Ka Jadoo (1934), which was also Motilal's debut film, and then Lagna Bandhan (1936) both directed by Kaliprasad Ghosh. She acted in Silver King (1935) with Motilal. It was an action film directed by C. M. Luhar, which became a "huge success".
Sagar Movietone also Sagar Films, Sagar Film Company and Sagar Productions was an Indian film production company involved in the making of films for Indian cinema. It was launched by Ardeshir Irani with Chimanlal Desai and Dr. Ambalal Patel in 1929 in Bombay, Maharashtra, India. Sagar was initially started as a branch company of Ardeshir's Imperial Film Company. Several key figures from Imperial, such as Mehboob Khan were shifted to Sagar. The studio was in operation from 1930 to 1939. In 1940, it combined with General Pictures to form National Studios. It made "Parsi theatre based films, mythologicals and stunt movies". Sagar fostered the career of many artists who rose to prominence. Early directors such as Prafulla Ghosh, Sarvottam Badami, Ezra Mir and Nanubhai Vakil were promoted by the company. Mehboob Khan got his first break as a director in Al Hilal in 1935. He was referred to as "the most important alumnus" from Sagar, who went on to become one of Indian cinema's "most influential film-makers".
Mazhar Khan was an actor, producer, and director in Indian Cinema. He began his career as a police officer, which he left to study law for a short period. After abandoning his studies, he came to Bombay and started his career in cinema with the silent film Fatal Garland (1928) opposite the top actress of the time, Ermeline. He became a popular actor, gaining success in several silent films. During his stint in silent films he worked with directors such as Bhagwati Prasad Mishra, Ezra Mir, Moti P. Bhagnani, R. S. Chowdhary, and M. D. Bhavnani. Magazines in the 1940s compared Khan to Hollywood actors such as Paul Muni, Bela Lugosi and Boris Karloff.
Bhudo Advani was an Indian character actor and comedian. He started his acting career in theatre with the notion of spreading awareness on social issues. He came to Bombay on the advice of an Ajanta Cinetone representative and was offered a role in the film Afzal, also called Hoor-E-Haram in 1933, directed by Mohan Bhavnani. He later joined Sagar Movietone, becoming an important fixture in most films produced by them. He turned from character roles to comedy performing in Dr. Madhurika (1935), directed by Sarvottam Badami, Deccan Queen (1936) and Do Diwaane (1936), by C. Luhar.
References
- ↑ Ashish Rajadhyaksha; Paul Willemen (10 July 2014). Encyclopedia of Indian Cinema. Taylor & Francis. pp. 6–. ISBN 978-1-135-94325-7 . Retrieved 6 October 2014.
- ↑ "Harishchandra". Indian Cine.ma. Retrieved 6 October 2014.
- 1 2 3 SUNDARARAJ THEODORE BASKARAN (24 December 2013). THE EYE OF THE SERPENT: AN INTRODUCTION TO TAMIL CINEMA. Westland. pp. 19–. ISBN 978-93-83260-74-4 . Retrieved 6 October 2014.
- ↑ Gita Vittal (1 January 2007). Reflections: Experiences of a Bureaucrat's Wife. Academic Foundation. pp. 73–. ISBN 978-81-7188-471-1 . Retrieved 6 October 2014.
- ↑ The Illustrated Weekly of India. January 1987. Retrieved 6 October 2014.
