Sajani | |
---|---|
Directed by | Sarvottam Badami |
Produced by | Sudama Productions |
Starring |
|
Music by | Gyan Dutt |
Production company | Sudama Productions |
Release date |
|
Country | India |
Language | Hindi |
Sajani is a 1940 Hindi social film directed by Sarvottam Badami for Sudama Productions. [1] Scripted by Zia Sarhadi, [2] the film had music by Gyan Dutt and starred Prithviraj Kapoor, Sabita Devi, Snehprabha Pradhan, Noor Jehan, Dixit, and Ghory. [3] Badami left Sagar Movietone where he had made satirical comedies to join his "mentor" Ambalal Patel at Sudama Productions to make "socially relevant film(s)", where Sajani was one of the first. [4] [5] Snehprabha Pradhan acted in several films produced by Chimanbhai Desai in 1940, including Sajani.
The film's music was composed by Gyan Dutt with lyrics by Pyare Lal Santoshi, Pandit Indra Chandra and Zia Sarhadi. The singers were Brijmala, Gyan Dutt and Snehlata Pradhan. [6]
# | Title | Singer | Lyricist |
---|---|---|---|
1 | "Kheton Mein Milne Aaye Sajan Aur Sajni" | Brijmala | P. L. Santoshi |
2 | "Main Deepak Ki Bati Priyatam" | Snehprabha Pradhan | Santoshi |
3 | "Main Hun Khet Ki Rani Re" | Pandit Indra Chandra | |
4 | "Meri Guyian Chali Ithlaye" | Snehprabha Pradhan | Santoshi |
5 | "Mora Piya Bas Kaiaun Desh Ho" | Zia Sarhadi | |
6 | "Musafir Jaana Tujhko Dur Chala Ja" | Gyan Dutt | Santoshi |
7 | "Pahuncha De Babuji Ko Ae Yar" | Gyan Dutt | Santoshi |
Achhut is a 1940 social Indian Bollywood film based on untouchability. It was the third highest grossing Indian film of 1940. The film was produced by Chandulal Shah for his Ranjit Studios. He also wrote the story and screenplay, and directed it. Achhut's premiere was attended by Sardar Vallabhbhai Patel on 23 December 1939, who stated: "If the picture helps India to remove this curse, it can be said to have helped India to win Swaraj as untouchability is one of the chief obstacles in the road to freedom".
Badi Maa , also called Bari-Ma, is a 1945 Indian Hindi-language war drama film. It was produced and directed by Master Vinayak. Made under the banner of Prafulla Pictures, Kolhapur, it had story written by V. S. Khendekar. Zia Sarhadi wrote the screenplay and lyrics for six songs. The other lyricists were Anjum Pilibhiti and Raja Badhe. The music director was K. Datta.
Bambai Ki Sair also known as Holiday in Bombay is a Bollywood social comedy film. It was released in 1941 and directed by Sarvottam Badami for Sudama Productions. The music direction was by Khemchand Prakash with lyrics by D. N. Madhok, Munshi Dil, B.R. Sharma and Pandit Indra. The film starred Shobhna Samarth, Sabita Devi, E. Billimoria, Jal Merchant, Arun, Vatsala Kumtekar Kantilal and Ghory.
Jayant Desai was an Indian film director and producer. After graduating from the University of Bombay Desai joined Ranjit Studios in 1929 where he directed numerous films including Toofani Toli (1937), Tansen (1943), Har Har Mahadev (1950) and Amber (1952). Tansen was the second highest grossing Indian film of 1943. Besides film direction he also acted in several films. In 1943 he left Ranjit Studios to found his own production company, Jayant Desai Productions. In 1960s he founded Jupiter Films and Hemlata Pictures.
Noor Mohammed Charlie, popularly known as Charlie, was an Indian/ Pakistani actor born in 1911 in Ranavav village, Porbandar, Saurashtra, British India. Best known for his comedy roles, he was the first 'star' comedian and has been referred to as India's first comedy king. He acted with several top actresses of the day as a comic hero. Being a great fan of Charlie Chaplin, he took "Charlie" as his screen name following the release of his popular film The Indian Charlie (1933). He had a successful career in pre-partition India from 1925–1946. His shift to Pakistan following partition saw his career going down with less than 12 films. He shifted to the US to live with his son and returned later to Pakistan where he died in 1983.
Aap Ki Marzi is 1939 Hindi romantic comedy film directed by Sarvottam Badami. The film was produced under the Sudama Productions banner. The music composer was Gyan Dutt with lyrics credited to Pyare Lal Santoshi and S. P. Kalla. It starred Motilal, Sabita Devi, Khursheed, K. N. Singh, Mazhar Khan, Vasanti and Sunalini Devi. This was director Badami's second comedy film; he had earlier directed the comedy Teen Sau Din Ke Baad (1938) which turned out be a box office success. Aap Ki Marzi was based on the MGM produced, Edward Buzzell directed film Paradise for Three (1938), itself adapted from Erich Kästner's novel Three Men in the Snow.
Sarvottam Badami (1910–2005) was an Indian film director of Hindi, Telugu, and Tamil films. He started his career as a sound recordist for the first talkie in India, Alam Ara (1931). In 1948 he helped set up the Films Division for news-reel and documentaries, where he worked as the chief producer in the newsreel department and also made documentaries. His active years were from 1932 to 1952 when he retired from the Films Division and from making feature films to settle in Bangalore.
Teen Sau Din Ke Baad is a 1938 Indian social comedy film directed by Sarvottam Badami. The film was produced by Sagar Movietone, with story written by Babubhai A. Mehta and dialogue by Wajahat Mirza and Waqif. The music was composed by Anil Biswas with lyrics by Zia Sarhadi. The director of photography was Faredoon Irani and the film starred Bibbo, Motilal, Sabita Devi, Yakub, Pesi Patel and Gulzar. The film had Motilal playing the role of "a young bored millionaire", who due to his intemperate life-style starts falling ill. He bets with his doctor that he can go out in the world and manage to exist without his wealth.
Jeevan Lata is a 1936 Hindi social drama film directed by Sarvottam Badami. The film was produced by Sagar Movietone and had music by Pransukh M. Nayak. Sabita Devi and Motilal paired in several films right from Motilal's first Shaher Ka Jadoo (1934), with Badami using the pair for many of the films he directed for Sagar Movietone. This was Motilal's fourth film. The film starred Sabita Devi, Motilal, Gulzar, Sankatha Prasad, Bhudo Advani and Mehdi Raza.
Kokila (transl. Nightingale) is a 1937 Hindi social family drama film directed by Sarvottam Badami. The music was composed by Anil Biswas with lyrics written by Siddiqui and Zia Sarhadi. The story was adapted from the well-known novel Kokila, written by Gujarati writer Ramanlal Vasantlal Desai. The film starred Motilal, Sabita Devi, Shobhna Samarth, Maya Bannerjee, Sitara Devi, Pesi Patel, Siddiqui and Kayam Ali.
Ladies Only is a 1939 Indian Hindi-language social comedy film directed by Sarvottam Badami. Produced by Sagar Movietone, it had music by Anupam Ghatak and starred Surendranath, Sabita Devi, Bibbo and Prabha. This was the last comedy film made by Sarvottam Badami before he left Sagar Movietone. He joined his mentor Ambalal Patel, at Sudama Pictures to start making "socially relevant" films.
Chingari (transl. Embers) is a 1940 social Hindi film directed by Sarvottam Badami. Made under the banner of Sudama Productions, the film had music by Gyan Dutt. Prithviraj Kapoor shifted from New Theatres Ltd. Calcutta to Bombay, where he worked under Badami in two films, Sajani and Chingari both made in 1940. The cast included Prithviraj Kapoor, Sabita Devi, E. Billimoria, Meera, Khatoon and Keshavrao Date.
Khilona is a 1942 social Hindi film directed by Sarvottam Badami. The film was produced at Ranjit Studios by Amar Pictures. It had music by Khemchand Prakash with lyrics by Pandit Indra Chandra. Khilona was one of the major films which brought the actress Snehprabha Pradhan into prominence. The cast included Snehprabha Pradhan, P. Jairaj, Prabha, Satish, Kanhaiyalal and Pratima Devi.
Holi is a 1940 Hindi/Urdu social drama film directed by A. R. Kardar. Holi was produced by Ranjit Movietone and had music composed by Khemchand Prakash with lyrics by D. N. Madhok. It had Khursheed and Motilal starring in the lead with Sitara Devi, Ishwarlal, Keshavrao Date, Dixit, Ghory and Manohar Kapoor.
Thokar also called The Kick is a 1939 Indian Hindi-Urdu film directed by A. R. Kardar. Produced by Chandulal Shah for his production banner Ranjit Movietone, it has music by Gyan Dutt. The story writer was M. Sadiq, with cinematography by Gordhanbhi Patel. The cast included Kumar, Ishwarlal, Madhuri, Yakub, Noor Mohammed Charlie, Ram Marathe, Waheedan Bai and Dixit. The story involves a blind villager winning a lottery but he eventually realises that money can not bring happiness.
Surendra was an Indian singer-actor of Hindi films. Known by his mononym, Surendra was born and educated in Punjab to be a lawyer by profession. He came to Bombay to become a singer on the recommendation of a Delhi distributor and his friends. He was "picked" by Mehboob Khan whom he met at Sagar Movietone, to sing and act in films as an alternative to the then Calcutta-based singer-actor, K. L. Saigal. Surendra started his career with his debut starring role in Deccan Queen (1936), directed by Mehboob Khan. He soon became a part of Sagar Movietone when his song "Birha Ki Aag Lagi More Man Mein" from the film became an "instant hit".
Bibbo was a music composer, singer and actress who worked in both Indian and Pakistani films. She acted in Indian cinema from 1931 to 1947 before moving to Pakistan, following Partition of India in 1947. She started her acting career with Ajanta Cinetone Ltd. in 1933, working with directors like M. D. Bhavnani and A. P. Kapoor. She was one of the top leading ladies of the 1930s along with actresses like Devika Rani, Durga Khote, Sulochana, Mehtab, Shanta Apte, Sabita Devi, Leela Desai and Naseem Banu. She was referred to as "one of the most important female stars of the 1930s and 1940s". Her fame had her featured in the lyrics of a popular song from the film Gharib Ke Lal (1939) sung by Mirza Musharraf and Kamla Karnataki, with music by Sagheer Asif and lyrics by Rafi Kashmiri. "Tujhe Bibbo Kahoon Ke Sulochana", where Sulochana referred to another popular actress of the time. This was the first time a song featuring famous actors was used in the lyrics of a film song.
Trilok Kapoor was an Indian actor and a member of the Kapoor family who worked in Bollywood films. He was the younger brother of actor Prithviraj Kapoor.
Sabita Devi (1914–1965) was a Hindi film actress in Indian cinema. She is stated to be one of the "prominent" leading ladies of the "pioneering era" of Indian cinema along with Mehtab, Bibbo, Durga Khote, Gohar, Devika Rani and Seeta Devi. A Jewish by birth, she changed her name to find acceptability in Hindi cinema like the other Anglo-Indian and Jewish actresses of her time, Sulochana, Seeta Devi, Madhuri, and Manorama. After initially working with British Dominion Films Ltd., Calcutta, she shifted to Bombay and performed mainly in films produced by Sagar Movietone with her co-star in most films being Motilal. Some of the popular films with Motilal were Dr. Madhurika (1935) and Kulvadhu (1937) directed by Sarvottam Badami. Their first film together was Shaher Ka Jadoo (1934), which was also Motilal's debut film, and then Lagna Bandhan (1936) both directed by Kaliprasad Ghosh. She acted in Silver King (1935) with Motilal. It was an action film directed by C. M. Luhar, which became a "huge success".
Sagar Movietone also Sagar Films, Sagar Film Company and Sagar Productions was an Indian film production company involved in the making of films for Indian cinema. It was launched by Ardeshir Irani with Chimanlal Desai and Dr. Ambalal Patel in 1929 in Bombay, Maharashtra, India. Sagar was initially started as a branch company of Ardeshir's Imperial Film Company. Several key figures from Imperial, such as Mehboob Khan were shifted to Sagar. The studio was in operation from 1930 to 1939. In 1940, it combined with General Pictures to form National Studios. It made "Parsi theatre based films, mythologicals and stunt movies". Sagar fostered the career of many artists who rose to prominence. Early directors such as Prafulla Ghosh, Sarvottam Badami, Ezra Mir and Nanubhai Vakil were promoted by the company. Mehboob Khan got his first break as a director in Al Hilal in 1935. He was referred to as "the most important alumnus" from Sagar, who went on to become one of Indian cinema's "most influential film-makers".