Hartmut Krones (born 15 October 1944) is an Austrian musicologist.
Born in Vienna, Krones studied German language and literature at the University of Vienna as well as music education, vocal pedagogy and Lied and Oratorio at the University of Music and Performing Arts Vienna. He also won a doctorate in musicology. [ citation needed ]
Since 1970 Krones had been teaching at the University of Music and Performing Arts Vienna and was appointed full professor and head of the teaching office Musikalische Stilkunde und Aufführungspraxis in 1987. Since 1996, he has also been heading the Arnold-Schönberg-Institute of this university. In October 2013 Krones retired. Among the focal points of his work as author and editor of numerous publications are historical performance practice, musical symbolism and music of the 20th century. Krones is concerned with identifying meanings in music. Critics have commented critically on his approach, saying that Krones confuses "the musical expression of feelings with programme music". [1]
Since 1968, Hartmut Krones has been writing the introductory texts for the program booklets of the Wiener Musikverein Furthermore, he is a member of the Board of Trustees of the Arnold Schönberg Center and Chairman of the Egon-Wellesz-Fonds [2] at the Society of Friends of Music in Vienna.
Herbert Hunger was an Austrian Byzantinist, palaeographer and university professor. He was an influential specialist in Byzantine literature, particularly of the secular vein.
Satyricon is a chamber opera by Bruno Maderna with a libretto adapted by Ian Strasfogel and the composer from Petronius's Satyricon. It was written during Maderna's last illness in 1973 and premièred as part of the Holland Festival on 16 March 1973, in Scheveningen, Netherlands.
Iván Erőd was a Hungarian-Austrian composer and pianist. Educated in Budapest, he emigrated to Austria in 1956, where he studied at the Vienna Music Academy. He was successful as a pianist and composer of operas, chamber music and much more, with elements from serialism, Hungarian folk music and jazz. He first was a professor of music theory and composition at the University of Music and Performing Arts Graz (1967–1989), then a professor of composition at the Vienna Music Academy from 1989.
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