This article needs additional citations for verification .(January 2023) |
Hartmut Schick (born 16 October 1960) is a German musicologist and since 2001 professor at the Institute for Musicology of the Ludwig Maximilian University of Munich.
Born in Herrenberg, Schick grew up mainly in Schwäbisch Hall, and from 1981 studied 16 semesters musicology, history and philosophy at the University of Tübingen, and from 1983 under Ludwig Finscher in Heidelberg. In 1989, he was awarded a doctorate for a thesis entitled Studien zu Dvoráks Streichquartetten. [1]
From 1989 to 1996, he worked as a research assistant in Tübingen (1996 habilitation with the study Musikalische Einheit im italienischen Madrigal von Rore bis Monteverdi). He then taught until 1998 at the University of Tübingen, and was contributing editor of Denkmäler der Musik in Baden-Württemberg . He also taught at the Staatliche Hochschule für Musik Trossingen and the University of Bern.
In 1998 he became a university lecturer in Tübingen, but in 1999 and 2000 he moved to Munich, where he succeeded Theodor Göllner.
Since 2011, Schick has been project manager of the "Kritischen Ausgabe der Werke von Richard Strauss" and head of the Richard Strauss Complete Edition Research Unit at the LMU Munich.
Christoph Bode is a literary scholar. His fields are British and American literature, comparative literature, literary theory, narratology, and travel writing. He is full professor and chair of Modern English literature in the Department of English and American Studies at Ludwig-Maximilians-Universität München. Since 2009, Bode has been a reviewer and occasional columnist for Times Higher Education.
Dieter Nörr was a German scholar of Ancient Law. He studied at the Ludwig Maximilian University of Munich from 1949 to 1953. After receiving his doctorate with a dissertation on criminal law in the Code of Hammurabi, Nörr undertook postdoctoral study at the University of Heidelberg and the University of Rome. He worked for a year as a post-doctoral assistant at the Institute for Criminal Law and Legal Philosophy under Karl Engisch. He received his Habilitation at the University of Munich, under Professor Wolfgang Kunkel, in 1959 with a work on Byzantine Contract Law and was promoted to Privatdozent. He then accepted the Chair of Roman and Civil Law at the University of Hamburg. In 1960, Nörr became Full Professor at the University of Münster. After he declined positions at the Universities of Hamburg, Tübingen, and Bielefeld, he returned to the Ludwig Maximilian University of Munich as Professor, Chair of Roman Law, and Director of the Leopold Wenger Institute for Ancient Legal History and Papyrus Research. His brother, Knut Wolfgang Nörr, was also a Professor of Legal History, especially Canon Law, at the University of Tübingen.
Christoph-Hellmut Mahling was a German musicologist and lecturer at various universities.
Egon Voss is a German musicologist, who is particularly known for his contributions to Richard Wagner research.
Peter Ludwig Gülke is a German conductor and musicologist.
Reinhold Hammerstein was a German musicologist.
Albrecht Riethmüller is a German musicologist.
Wolfgang Rathert is a German musicologist born in Minden.
Kurt von Fischer was a Swiss musicologist and classical pianist.
Christoph von Blumröder is a German musicologist.
Andreas Traub is a German musicologist and university lecturer.
Birgit Lodes is a German musicologist and lecturer at the University of Vienna.
Georg von Dadelsen was a German musicologist, who taught at the University of Hamburg and the University of Tübingen. He focused on Johann Sebastian Bach, his family and his environment, and the chronology of his works. As director of the Johann Sebastian Bach Institute in Göttingen, he influenced the Neue Bach-Ausgabe (NBA), the second complete edition of Bach's works.
Siegfried Schmalzriedt was a German musicologist, University lecturer and vice-rector of the Hochschule für Musik Karlsruhe.
Jürg Thomas Stenzl is a Swiss musicologist, and University professor.
Arno Forchert was a German musicologist.
Sieghard Brandenburg was a German musicologist, who stood out especially as a Beethoven researcher.
Joachim Kaiser was a German music, literature and theatre critic. From 1959 he worked as a senior editor in the feuilleton of the Süddeutsche Zeitung; from 1977 to 1996 he was professor of history of music at the State University of Music and Performing Arts Stuttgart.
Daniela Philippi is a German musicologist with a research focus on Christoph Willibald Gluck, Antonín Dvořák and Czech music history and music of the 20th century.
Arnold Feil was a German musicologist and academic scholar.