Steven John Wilson is an English musician. He is the founder, guitarist, lead vocalist and songwriter of the rock band Porcupine Tree, as well as being a member of several other bands, including Blackfield, Storm Corrosion and No-Man. He is also a solo artist, having released seven solo albums since his solo debut Insurgentes in 2008. In a career spanning more than 30 years, Wilson has made music prolifically and earned critical acclaim. His honours include six nominations for Grammy Awards: twice with Porcupine Tree, once with his collaborative band Storm Corrosion and three times as a solo artist. In 2017 The Daily Telegraph described him as "a resolutely independent artist" and "probably the most successful British artist you've never heard of".
Bass Communion is a solo project of English musician Steven Wilson, best known for his lead role in the rock band Porcupine Tree. Records released under the name "Bass Communion" are in an ambient or electronic vein - lengthy drone-heavy compositions. They come about as experiments in texture made from processing the sound of real instruments and field recordings.
Incredible Expanding Mindfuck, commonly abbreviated as I.E.M., was a solo project by Steven Wilson. Its work was mainly influenced by Krautrock and experimental music from the 1960s and 1970s.
Deadwing is the eighth studio album by British progressive rock band Porcupine Tree, released in Japan on 24 March 2005, in Europe on 28 March, and in the US on 26 April. It quickly became the band's best selling album, although it was later surpassed by Fear of a Blank Planet. The album is based on a screenplay written by Steven Wilson and Mike Bennion, and is a ghost story. Wilson has stated that the songs "Deadwing", "Lazarus", "Arriving Somewhere but Not Here", "Open Car", and "Mellotron Scratch" were originally intended for the film soundtrack, but when the project failed to find funding they were instead recorded for the next Porcupine Tree album. The album versions of "Lazarus" and "Open Car" essentially remain Wilson solo tracks onto which Gavin Harrison overdubbed drums.
Theo Travis is a British saxophonist, flautist and composer. He is a member of Soft Machine which he joined in 2006 while the group was still using the "Legacy" suffix and was a member of Gong from 1999 to 2010.
Blackfield is a collaborative music project by the English musician and founder of Porcupine Tree, Steven Wilson, and Israeli rock singer Aviv Geffen. Together, six albums have been released under the moniker. The first two records, Blackfield and Blackfield II, saw Geffen and Wilson working together as equal partners, while the third and fourth, Welcome to my DNA and Blackfield IV, saw Geffen take on a leading role, writing all but one track across both albums and providing a significantly increased share of lead vocals. Despite initially announcing his intention to leave the project in 2014, Wilson instead worked again as an equal partner on a fifth album, Blackfield V, which was released on 10 February 2017. A sixth record, For the Music, was released on 4 December 2020, with Geffen again taking a leading role.
Yellow Hedgerow Dreamscape is a compilation album by British progressive rock band Porcupine Tree. It is a compilation of the band's initial three tapes, Tarquin's Seaweed Farm, Love, Death & Mussolini and The Nostalgia Factory. It consists of the rest of the music from the tapes that was not included in the band's first studio album On the Sunday of Life... and a previously unreleased track "An Empty Box".
Continuum is a collaborative ambient and drone music project between Bass Communion and Dirk Serries. The project looks to expand on the artists' "collective ambition and vision, motivated by their immense passion for a wide-range of musical styles, ranging from spacious ambience to pounding doom metal."
I.E.M. is the debut album of Steven Wilson's side project, Incredible Expanding Mindfuck. The original 1996 vinyl edition on Chromatic Records was limited to 500 copies. An expanded CD edition was released by Delerium Records in 1998.
Dronework is an EP by Bass Communion, one of Steven Wilson's side projects. It consist of single title track. The CD-R was originally available as part of the Twenty Hertz Droneworks series as Drone Works #6. It was withdrawn in December 2004 and reissued on Wilson's own label, Headphone Dust in March 2005. The album was reissued again in July 2008 as a factory pressed CD through Headphone Dust, on compact cassette through Coup Sur Coup Records, and on vinyl through Tonefloat.
Ghosts on Magnetic Tape is the fourth studio album released by British musician, songwriter, and producer Steven Wilson under the pseudonym Bass Communion. It was created primarily from processing 78rpm records and piano sources. There was a limited edition of 300 copies available as a double CD including Andrew Liles' reconstruction disc.
Insurgentes is the debut full-length solo album released by British musician and record producer Steven Wilson, known for being the founder and frontman of progressive rock band Porcupine Tree. The album was recorded all over the world in studios from Mexico City to Japan and Israel, between January and August 2008, and released in November 2008 as a special deluxe multi disc mail order version, with retail release to follow in February 2009. According to Wilson himself, the album contained "the most experimental song-based music [he had] made." The album is named after the Avenida de los Insurgentes, the longest avenue in Mexico City near which part of it was recorded.
Kscope is an independent record label that is part of Snapper Music, and a sister-label of Peaceville. It is dedicated to artists in the progressive rock genre. The label has released albums by Steven Wilson and his projects Porcupine Tree, No-Man and Blackfield. In 2008 it branched out and has since signed the post-progressive artists Anathema, Lunatic Soul and Ulver, and progressive rock stalwart Ian Anderson to their roster. In 2013, the Steven Wilson release The Raven That Refused to Sing received the Album of the Year award at the Progressive Music Awards.
An Escalator to Christmas is an EP by Steven Wilson's side project, the Incredible Expanding Mindfuck. It was released on vinyl only as a limited edition of 500 copies in 5 different colours: yellow, blue, green, red, and black.
Arcadia Son is the second album from Steven Wilson's side project, Incredible Expanding Mindfuck. The original vinyl edition was limited to 500 copies and released in May 2001 on the Gates of Dawn record label. A CD version was subsequently released in January 2002 on Headphone Dust.
I.E.M. Have Come for Your Children is the third and final studio album from Steven Wilson's side project, Incredible Expanding Mindfuck. It was released on CD in 2001 on the Headphone Dust label. Tracks 1-5 use improvisations from 1999 as source material, heavily reconstructed and overdubbed in the studio in August 2001 while track 6 is a piece for hammered dulcimer and mellotron choir. An excerpt of track 1 appeared on the previous album, Arcadia Son, as the title track.
I.E.M. 1996–1999 is a compilation album from Steven Wilson's side project, the Incredible Expanding Mindfuck. It is a remastered collection of music recorded between 1996–99, and includes the whole of the first album I.E.M., the An Escalator to Christmas EP together with bonus material.
Cenotaph is the ninth studio album released by British musician, songwriter and producer Steven Wilson under the pseudonym Bass Communion.
Fovea Hex is an Irish experimental band, formed in 2005 by Clodagh Simonds. As a performing unit, Fovea Hex usually consists of Clodagh Simonds, Laura Sheeran, Cora Venus Lunny, Michael Begg and Colin Potter, with either Julia Kent, Kate Ellis or John Contreras on cello.
Untitled is a box set compilation of songs released by British musician, songwriter, and producer Steven Wilson under the pseudonym Bass Communion. It contains many rarities from the last 15 years of Steven's ambient and drone work, especially from vinyl-only editions of Bass Communion albums. It also features the previously unreleased track "Temporal", recorded in 2012 as a homage to composer Harrison Birtwistle and his 1971 composition "Chronometer" – both pieces are created entirely from the sounds of clocks and other timekeeping devices.
