No-Man are an English art pop duo, formed in 1987 as No Man Is an Island (Except the Isle of Man) by singer Tim Bowness and multi-instrumentalist Steven Wilson. The band has so far produced seven studio albums and a number of singles/outtakes collections (including 2006's career retrospective All the Blue Changes). The band was once lauded as "conceivably the most important English group since The Smiths" by Melody Maker music newspaper,[1] and a 2017 article of Drowned in Sound described them as "probably the most underrated band of the last 25 years".[2]
Originally creating a sample-based proto-trip hop/ambient/electropop-styled music, No-Man has pursued a more organic, diverse and band-oriented sound in subsequent years. Drawing from a diverse mix of singer-songwriter, post rock, minimalist, progressive rock, jazz and contemporary ambient sources for inspiration, No-Man's musical style is distinctive yet difficult to categorise.
History
Formation (1986–1989)
Steven Wilson originally launched the band in 1986 as a solo project called No Man Is an Island (Except the Isle of Man), recording an instrumental track called "From a Toyshop Window", which blended progressive rock with synth pop. In 1987, he linked up with singer, lyricist and occasional guitarist and keyboard player Tim Bowness, who at the time was singing with Liverpool-based art-pop band, Plenty (not to be confused with the more recent Japanese indie rock band, Plenty).
Bowness and Wilson continued working together on recording sessions for the next two years. Violinist Ben Coleman joined the project after becoming involved with recording sessions in late 1988. The band established a four-piece live line-up in 1989 by adding guitarist Stuart Blagden (who had previously played with Bowness in the Manchester-based band, Still).
No Man Is an Island released their debut single, a waltz time ballad called "The Girl from Missouri", on Plastic Head Records in mid-1989. The band was disappointed with the single and soon disowned it. Subsequent band evolutions saw flirtations with aggressive synth-pop (on the "Swagger" cassette EP) and the departure of Blagden (who would later become a jazz and Latin music player).
No-Man's pop years (1990–1994)
By 1990, No Man Is an Island had shortened their name to No-Man and become a voice/violin/guitar-and-tapes trio (with Wilson handling all other instruments and programming in the studio).
The first release under the No-Man name was the self-pressed June 1990 single release, "Colours" (a cover of the 1960s Donovan Leich song with crooned vocals and a dub-loop arrangement anticipating the later arrival of trip hop). The single achieved Melody Maker, Sounds and Channel 4 teletext "Singles of the Week" accolades and was re-released by Liverpool-based label Probe Plus in October, 1990.
The attention which "Colours" had received led to No-Man being signed by Dave Massey to a long-term music publishing songwriting agreement with independent Hit & Run Music Publishing. Massey soon secured a recording contract with the independent label One Little Indian. During this period, the band received highly positive UK music media support (including more Singles of the Week in Melody Maker, Sounds and Irish music paper, Hot Press) and had 2 indie top 20 hits ("Days in the Trees" and "Ocean Song") plus a Billboard Top 40 dance hit (the US only single, "Taking It Like A Man", at No.34).[3]
No-Man’s debut mini-album (a compilation of EP tracks called Lovesighs - An Entertainment) was released in April 1992, and in October of the same year the band toured England with a six-piece line-up including three ex-members of the band Japan – Mick Karn, Steve Jansen and (most significantly) keyboardistRichard Barbieri, who had been recruited by Massey. The band's first full-length album (the more pop-oriented Loveblows & Lovecries - A Confession) followed in May 1993. By this time, the live band included bass player Silas Maitland and the (unrelated) drummer Chris Maitland. (The latter would join both Wilson and Richard Barbieri in the live lineup of Porcupine Tree).
In 1994 No-Man released their second album Flowermouth. Although the band parted company with violinist Ben Coleman during the sessions, he made a significant contribution towards most of the tracks on the record. No-Man also stopped performing live in 1994, and would not return to the stage until 2006.
The move towards art-rock (1995–2000)
Two albums released in 1995 closed the first phase of the band's career - a set of ambient dance reworkings of Flowermouth material called Flowermix and a compilation of the band's more ambient and atmospheric One Little Indian-era B-sides and rarities called Heaven Taste.
With each subsequent release the band moved further away from its more conventional pop and rock roots, mirroring the evolution of artists such as Talk Talk, David Sylvian, Radiohead, Scott Walker and Kate Bush. Since the mid-1990s, No-Man has released a steady stream of albums via Snapper Music and 3rd Stone/Adasam, featuring guests such as Fripp, Barbieri, Jansen, Theo Travis and Pat Mastellotto. The band has maintained a healthy cult following as well as continued critical acclaim.
1996's Wild Opera and its 1997 companion release Dry Cleaning Ray (both released on 3rd Stone Ltd.) explored a combination of darker dance sounds, experimental art-rock and deep trip hop, while maintaining No-Man's particular skill with ballads. An EP of all-new material, Carolina Skeletons, followed in 1998.
In 1999, the band released Speak, a compilation of mostly-unreleased early ambient songs recorded a decade previously but which Bowness and Wilson considered to be of equal merit to the music released on One Little Indian or 3rd Stone Ltd.
Speak's quieter and more atmospheric approach pointed the way towards No-Man's subsequent output. 2001's Returning Jesus (the last album to be released on 3rd Stone Ltd.) resurrected and expanded the eclectic ballad, jazz and progressive rock influences of Flowermouth and brought the band to a new and revived audience, some of whom had come in via the continued success of Wilson's other main project Porcupine Tree.
Signing a new deal with Snapper Music, the band went on to release Together We're Stranger in 2003 - a sombre, moving record with strong tone poem elements detailing (in abstract) the break-up of a relationship and responses to bereavement.
In 2006, No-Man made a rare live performance at the Norwich Garage (part of a Burning Shed label event).
On 27 May 2008, it was announced that No-Man's music will be featured in the film by award-winning student film-maker Dan Faltz, Weak Species.[5] The film is based on the writings of Dennis Cooper and is currently being considered for expanded feature film treatment.
No-Man played its first full performance in fifteen years at London's Bush Hall on 29 August 2008,.[6] This performance was followed by two more concerts in Zoetermeer (The Netherlands) and Düsseldorf (Germany) on 3 and 4 September respectively. The Zoetermeer concert was No-Man's first concert outside of the UK.
Mixtaped—a double DVD package including a film of the sell-out London performance, a documentary of the group's history and assorted promotional videos—was released in October 2009.[7] Early releases of the DVD ordered from Burning Shed included an audio CD recording of highlights from the Bush Hall show. The DVD was voted No.5 in the Classic Rock Presents Prog 2010 critic's poll.
On 22 December 2011, the band announced through their Facebook page that a new live recording, titled Love and Endings, recorded at the Leamington Spa Assembly in October 2011 would be released on 27 February 2012.[8] It was followed by a 5-date tour, including first performance in Poland on 26 August 2012.[9]
Return to synth-pop roots (2019-present)
Wilson announced in late 2018 that he was working with Bowness on a new No-Man album, the band's first full length album of original material since 2008's Schoolyard Ghosts. Wilson described the album as "music that in many ways sees a return to our roots as a synth-pop band, albeit with the conceptual sweep of our more recent albums".[10] In September 2019 the band announced their new album, Love You to Bits, which was released on 22 November 2019.
Band line-up
Current members
Tim Bowness – lead and backing vocals (plus occasional guitars, keyboards, tapes and programming) (1987–present)
Steven Wilson – guitars, keyboards, bass, programming, samples, various instruments, backing vocals, engineering (1987–present)
Highlights from Mixtaped(2009, Burning Shed, nmsg2) – bonus CD added to initial pre-orders of the Mixtaped DVD from the Burning Shed online store.
Love and Endings(2012, Burning Shed, bshed1201) – Recorded live at the Leamington Spa Assembly on 14 October 2011. CD version includes a bonus DVD of the concert
Housekeeping – The OLI Years 1990-1994(2024, One Little Indian Records Ltd.)
Swagger: Lost Not Lost Volume One, 1989/1990(2024, Companion release to the Housekeeping boxset with 6 unreleased songs and 3 early versions of others)
Porcupine Tree are an English rock band formed by musician Steven Wilson in 1987. During an initial career spanning more than twenty years, they earned critical acclaim from critics and fellow musicians, developed a cult following, and became an influence for new artists. The group carved out a career at a certain distance away from mainstream music, being described by publications such as Classic Rock and PopMatters as "the most important band you'd never heard of".
Richard Barbieri is an English musician, composer and sound designer. Originally a member of new wave band Japan, more recently he is known as the keyboard player in the progressive rock band Porcupine Tree, which he joined in 1993. Aside from the founder Steven Wilson, he is the longest tenured member of Porcupine Tree.
Tim Bowness is an English singer and songwriter primarily known for his work as part of the band No-Man, a long-term project formed in 1987 with Porcupine Tree's Steven Wilson.
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Theo Travis is a British saxophonist, flautist and composer. He is a member of Soft Machine which he joined in 2006 while the group was still using the "Legacy" suffix and was a member of Gong from 1999 to 2010.
Flowermouth is the second studio album by British duo No-Man, released in 1994 on the One Little Indian Records label, and subsequently reissued in September 1999 by 3rd. Stone Ltd, and in a deluxe format by Snapper Music in February 2005.
Loveblows & Lovecries – A Confession is the debut album of British art rock band No-Man. It was released in the UK by One Little Indian Records label in May, 1993, and in a slightly different format in the US on 550 Music in May, 1994.
Returning Jesus is the fourth studio album by British art rock band No-Man, released on the 3rd Stone records in 27 March 2001.
Stephen (James) Bennett is an English musician, writer and film maker born in Skelmersdale, Lancashire. He plays various keyboards, drums and the guitar. He first came to public attention in the band LaHost in the 1980s as part of the New wave of progressive rock who had headlined at the Marquee Club in London.
Speak is a compilation album consisting of previously obscure material by British art rock band No-Man.
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Peter Chilvers is a Cambridgeshire-based British musician and software designer.
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Darkroom is a British electronic music project created by Andrew "Os" Ostler and Michael Bearpark. Other contributors to the project have been Tim Bowness and Peter Chilvers.
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centrozoon is a German electronic improvisational music group. The core members are Markus Reuter and Bernhard Wöstheinrich. The group's music is flexible and has altered from album to album, but frequently-used elements include ambient music, improvisation, electronica, progressive rock and IDM.
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Kscope is an independent record label that is part of Snapper Music, and a sister-label of Peaceville. It is dedicated to artists in the progressive rock genre. The label has released albums by Steven Wilson and his projects Porcupine Tree, No-Man and Blackfield. In 2008 it branched out and has since signed the post-progressive artists Anathema, Lunatic Soul and Ulver, and progressive rock stalwart Ian Anderson to their roster. In 2013, the Steven Wilson release The Raven That Refused to Sing received the Album of the Year award at the Progressive Music Awards.
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References
↑ "press". No-man.co.uk. Archived from the original on 15 June 2008. Retrieved 16 August 2017.
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